Rianne White directs the first of three visuals for London-based Winnie Raeder's new EP, with a minimalist and near abstract piece for The End Of Me. The video explores connection and comfort, visualised through two pairs of hands entangled in twine, attempting to reach each other and free themselves from their binding. Rianne White explains that the idea came from the clarity of Raeder's delivery of her music. "Winnie has a sound that grants you access to your inner world and has you locked in a dance with yourself as you feel every word and note of it," she reflects. "We spoke about connection, feeling uncomfortable, playing with the nerve in the song - a place where you can be both fearless and vulnerable, consumed by a gas leak effect of your own emotions. Let’s sit still, and really feel it."The focus upon this symbolic imagery, and infusion of emotion perfectly match the downtempo track. It's an intriguing introduction to the video series.

Chris Fowles directs a powerful one-shot video for up-and-coming London-based artist Gigi Moss.Set on an underground train, the film uses in-camera tricks to transition between a fully packed train and a totally stark and isolating space, representing the lilting highs and lows of the music. It’s an interesting spin on the themes of the track, which explores a bittersweet story of being trapped somewhere you’re uncomfortable, and how easy it can be to return to a toxic situation. DoP Marti Guiver balances a sense of realism and gloomy fantasy in the cinematography, with coloured lights and a tinted green aesthetic, representing the unease and conflict the artist is feeling.“The song struck a real chord with me when I first heard it," says Chris Fowles. "Gigi was quite keen for the narrative of the video to be contemporary and a new spin on her feelings behind the track. Her management gave us total creative freedom which was amazing. We didn’t have much time or budget, but I think we managed to pull it off."