The second of three visualisers for Memphis Stone, detailing the story of how the band met. Produced by Ladybug and animated by Anna Smith, the promo follows Say Goodbye, employing the same comic book aesthetic and linework-centric style, with a charming yet restrained use of movement within the concept.Simple yet well-executed, the video offers a snapshot of the band's story with a nostalgic and timeless vibe.

Memphis Stone & The Elevators' video for Say Goodbye, produced by Ladybug and animated by Anna Smith, is the first of three visualisers for band, with every scene of the video occurs within a comic book style action box, reminiscent of 70's style comics. The final product is well crafted, with striking character designs and a restrained yet eye-catching colour palette.

Partizan have worked with Katy Perry on a series of four animated videos for her just-released album Smile. Two of the videos in the series, for Harleys In Hawaii and Tucked, were entrusted to director duo Hoku & Adam. The monochromatic promo for Harleys in Hawaii follows a Hawaiian dancer who escapes her dead-end job and runs away with her lover (and an all-girl motorcycle gang), finally finding a place where she can thrive and call home. Intertwining vintage, Betty Boop-style animation and Hawaiian traditions, the video is a beautiful interpretation of the track, bubbly and energetic with an undertone of empowerment and strength.The visual for Tucked unfolds as a series of comic book frames and follows the scintillating tale of a would-be unfaithful wife. In Katy Perry’s playfully comedic style, the plot line finds her entangled in a sweet scandal between hubby Mr Broccoli and the hunky piece of candy next door. Wonderfully vivid and dynamic, the visual takes cues from its source material, in the form of onomatopoeia and dramatic perspective changes. And it all comes to a sizzling, eye-opening climax.The two videos together form a strikingly unique and exciting visual perspective of the artist's sixth studio album.

For a song that was originally performed by Sheila E and featured in the early hip hop movie Krush Groove, this Prince recording from the 1980s gets a well-executed, time-specific comic book treatment by Aaron Lampert.Inspired by a Prince comic book from the early 90s, this is a welcome piece of additional Prince visual content - approved by his estate - to be enjoyed by his avid fanbase.