Megan Thee Stallion gets ready to shed her skin in Douglas Bernardt's spectacular Director's Cut for Cobra. We open with the artist crawling through the insides of a giant snake, resurfacing in a mysterious jungle. If ever there was a way to do a comeback, this is it. Launching into a montage of slick vignettes which blur the line between fashion and surrealism, the video has a selection of standout moments - including Megan ripping the skin from her face and performing a captivating dance routine in the middle of a prehistoric landscape. Unabashedly confident and unique, the video feels elevated and inspired, and sets the scene for an exciting new era for the artist.

Taz Tron Delix makes a big statement with his video for J Hus' long-awaited return with It's Crazy. And its a triumph from start to finish.Taz develops Hus's unique visual world for his comeback, framing the intent of the artist so it's unswervingly clear from the first moment: Hus in on a mission to let everyone know he’s still got something to say and nothing has changed.We see the artist in a chaotic industrial setting, surrounded by faceless foot soldiers who cause havoc at every corner. From clashes with riot police to characters running atop demolished vehicles, this is a lawless world with only one ruler... Hus himself. Building to an explosive, riotous climax, the video is a confident, passionate return for the artist, with a supernatural, dystopic vibe. With a gritty yet bold aesthetic, with cinematography by Spike Morris, and a cinematic grade, care of Alex Gregory at No.8 - the video is a slick and polished showcase for both J Hus and the entire creative team.

Furmaan + Vasso direct Jess Glynne's long-awaited return, with the stylish video for Silly Me. Touching upon themes of escapism, resilience and overcoming your past, the video has an elevated, almost fashion-film-esque aesthetic, which showcases Glynne in a way viewers won't have seen her before. "We thought a lot about the interior mind and where we store encroaching memories and self-doubt," the directors mention. "Silly Me takes place inside that place, and is about escaping and overcoming your past."It was a testament to Jess's resilience as an artist and was an honour to create this with her and such an inspiring team."Boasting slick styling, superbly crafted cinematography by Natasha Duursma, choreography from Holly Blakey, and a powerful central performance from Jess, it's an impressive showcase for her comeback - with a real earworm of a track to boot.

Max McLachlan helps introduce the world to the new Birdy, in this captivating promo for Raincatchers. The video depicts Birdy as a giant, helping her younger self (played by Eleanor Hockley) navigate a world of corporate monotony and oppressive rules, blending semi-autobiographic lyrics with dark fantasy aesthetics. "Birdy is not a kid anymore," says McLachlan. "The world has known her since she was barely a teenager. She wanted a music video that would shed the dainty image of her as a naive child, but address the years of youth lost having to play grown-up in the industry."What better way to show how much she’s grown than to make her a giant?"Birdy drops down a miniature scale model of the office environment to the young girl, empowering her to see herself from a new vantage point, and gather the courage to break free and blaze her own path - whilst seeing life in a more playful way, as the child she is. The desaturated, near-dystopian aesthetic perfectly suits the narrative concept, and it's packed full of absorbing, emotional iconography.