Following the marvellous Number One Candidate, Tom Emmerson sends AntsLive on another European adventure - this time with a wing man.For Ooh La La, Ants is in Paris (where else?), with his Grandad - each of them ready for a romantic rendezvous. From there, the video moves through a series of vignettes, boasting an eccentric, almost dreamlike vibe throughout, and a whole host of alluring Paris backdrops.

Wei Prior directs a punchy performance promo for Hannah Grae. The video for Propaganda wears its Noughties influences on its sleeve, and sees the artist and her band appear against a perpetually tracking white backdrop. Adorned with scribbles and little animations, it's an engaging concept with plenty of attitude, and feels like a mix between Sugababes' iconic video for Overload and a punkier Hannah Montana.

Luca Grazioli and Davide Bianco direct a summery promo for Norwegian pop newcomer Joonas. Joonas is shown with friends, driving around the picturesque location, playing in the sea and posing against plenty of different backdrops. Shot around Lake Garda in Italy, the video has a nostalgic, bittersweet vibe, that matches the yearning qualities of the track. "As the song projects a theme of a nostalgic summer love that never was, I wanted the music video filmed somewhere that could reflect the same," Joonas says. "I've always been very inspired by Italy and decided to reach out to Italian directors. This led to the film being shot in Italy around Lake Garda by a full local team of creatives. It was a beautiful early summer day and through fun structured improvisation we ended on a result we all were very proud of."The music video tells a story about feeling alone even when you are together and that the many moments of happiness will eventually one day end. It's bittersweet, just like the song."

Becky Garner directs a vibrantly colourful promo for 220 Kid & S1mba. The bouncy video for Lose Control sees the artists performing against a wavy checkered backdrop, as the screen splits into different patterns and shapes. With breezy performances and a sense of playfulness, it matches the upbeat track and emanates late summer party vibes.

Following last month's Private Valet, Larry June and Dir. Lx join forces on another punchy performance promo. Leaving London behind for the streets of Paris, we see June backdropped by iconic landmarks and hidden treasures alike, keeping the same understated, laidback performance style.Interweaved with beautiful cutaways of the city, the video looks absolutely gorgeous - thanks to DoP Henry Gill - and captures both the artist and the location in their best light.

Italian-British band Prescription Happiness collaborate with director AVM - aka Andy Mihov - for a second time, on the music video for Something Decays. Against bold coloured backdrops, we see the band perform whilst the lyrics show up on screen. "The band asked me not to be beholden to any tropes for dark rock/metal music videos and I was happy to oblige," Mihov explains. And Mihov asked the band to perform bare-chested to expose their vulnerability, both as people and artists, in both a physical and emotional sense. "They were self-conscious at first, but we worked together to find that electricity between them and the track," he continues. "It was really pleasurable to work on a video where the driving forces were the raw energy of the track and the performance of the band." The post-production was handled by a motion graphics designer in Puerto Rico, with former Rocksteady cinematic artist Mark Maxwell creating the Shadow Presences which haunt the lead singer at the end of the video.

Julia Kupiec directs a gentle exploration of intimacy in the video for Clinton Kane's I Guess I'm In Love. In a similar fashion to Kupiec's other video for Kane - the raucous Go To Hell - the main focus here is emotional turmoil, however this time around it's much more positive in nature. The video cycles through touching vignettes of infatuated couples of all types, eventually leading to the artist's own mini love story narrative. Documentary-style cinematography and expansive Australian backdrops frame the concept, and the stirring performances elevate the intimate feel of the setups.

Jack Lilley directs a hypnotic promo for Ishmael Ensemble, featuring a powerful performance from vocalist Holly Wellington, shot in a single take. The visual is inspired by the rawness in the lyrics of Empty Hands, which was penned shortly after Holly finished a full year of treatment for breast cancer. “As well as holding elation and euphoria in one hand, in the other I was experiencing a lot of emotional pain as I started to process what had happened." Wellington explains. "Writing the lyrics, I was envisioning standing in front of God and laying it out plainly, ‘ok so I’m still here, now what?' This body has been through so much. Do with me what you want, this all must be for something, I’m here and I’m ready. Life post-treatment is undoubtably difficult, it’s been about untangling myself mentally and then focusing on what I need to flourish, and for me that’s making art.”This poignance and strength can be found in every element of the visual, from the unwavering performance through to the pulsating lights and overwhelming wash of colour in the backdrop. The result is mesmerising."For the video we just wanted to focus in on Holly's performance," says Jack Lilley. "The song really has a real drive to it and it felt that having her slowly rotate throughout the whole thing would enhance that feeling of slow, undulating rhythm."We also took the risk of shooting it all on 16mm despite only having the budget for two takes. However I think it paid off in the end as the texture that it offered just helped to give the performance a more authentic feel."