Lisa Paclet delivers a haunting performance piece for French producer/composer Prequell, featuring English singer Rae Morris, where the track inspired a video infused with mystery.Rae is in very different mode from her own recent NYC-set video Do It, running though a dark forest as if possessed by Prequell's melody, in search of its source. Prequell also appears, at the centre of a UFO-like light structure, a unique installation created by Parisian art collective Scale. The result is an enchanting visual experience that harmonizes with Rae Morris's pop vocals.

Laurie Lynch captures the city's fast-paced repetitive rhythm - and a heavy dose of angst and paranoia - in his video for Kit Grill's Street Runner.Like a title sequence for a Eighties TV show that was never made, Lynch combines black and white live action with blood-red graphics, following a suited runner through London's brutalist landscapes, to go with Grill's minimal retro-electronica. And there's lots of strobing - always a good thing.

Simon Owens embarks on an intrepid adventure across London to meet a bunch of very excitable dogs. And the result is this remarkable, highly entertaining video. Taking a leaf out of Michel Gondry's book of matching innocuous actions up to disparate sounds, Owens uses the excitable tail wags of over a hundred dogs and matches them up to the cacophony of sounds from Not Waving's track 24.If you like dogs (and believe me, I do) then you'll probably think this is ace. If you're more of a cat person (for shame) then you might need a little more convincing. But Simon Owens actually deserves a medal for pulling this off without noticeably resorting to post-production trickery.

Chris Turner - aka Favourite Colour: Black - gets together with his former assistant, and now up-and-coming director Tash Tung co-direct this surreal, disorientating video for electronic trio Wrangler, led by Stephen Mallinder, former frontman of Cabaret Voltaire, fearless synth and music video pioneers of the early 80s.Here Mallinder unhoods himself in a deserted place, and uncovers an unlikely murder scene, and a journey that leads disconcertingly back to its start. “I never like music to have a single diagnosis, it should be what we each want to see and hear," says Mallinder. "So it was fascinating to see how Chris and Tash’s ideas and imagery in the video resonated with mine, and how the film worked so well with our music." The video was shot in Dungeness in Kent, and Mallinder continues: "Also we all agreed it would be good to have a nod-of-the-head to the early Cabs videos I made with Peter Care, always walking and with me wearing - in this case rather disturbingly - eye make-up. I feel I am quite terrifying in the film which feeds into the unsettling nature of the track. And it was filmed in both Chris, and my, favourite place in England."