This marvellous video begins on the face of a ticking analogue clock, and from that point Henry Kaplan plays with the idea of passing time, in this compelling video for Charly Bliss.

There's certainly a nod to the invention of OK Go here, as Kaplan uses different frame-rates to make the camera a part of a performance that evolves into performance art, becoming increasingly frenetic and intense. Day passes into night, and then day again, all happening in the same, unremarkable open field.

Dreamlike, in a way that is actually like your dreams.