Drew Lightfoot has orchestrated a superb looking 'human animation', set in a huge deserted supermarket and mall - fantastic location - featuring k-os as the mall janitor in his own staccato …
Jamie Lidell 'You Naked' by Flat-e
Flat-e are long term Warp collaborators who specialize in designing some of the most creative projection mapping to date, and have been working with Jamie Lidell on a number of projects, including the artwork for the new album, and that has led to this video for first single You Naked.
NM: How did you come up with the idea, and how much involvement did Jamie have in the concept
Flat-E: Jamie was extremely open to our ideas early on in this project. As we were creating the whole visual identity for the album, promo and forthcoming live tour we built the aesthetic from the ground up. We made sure that Jamie had plenty of input with our ideas because our whole concept was based around him controlling his environment, we wanted him to feel fully connected to the world we created.
Were you tasked to create something that could also be used as live visuals
Yes, part of the original brief (which was to some extent self-imposed) was to create something which could be used for not only his live show but create imagery his album art work too.
The jacket effect is amazing! How did you do that We worked with costume designer Francesca Dvorak to create a rain mac which would really pick up our projections. She chose a reflective synthetic fabric for this purpose but we were unaware of exactly how reflective it was. There was this amazing moment when we turned the lights on set and the jacket literally glowed, everyone on set started crowding around the monitors see. It was a pretty special moment! Presumably most of the effects in the video were achieved in camera Are there any exceptions
Obviously the footage is edited but all the animation was created in real time and the lighting effects are all in camera. It was important to be strict about this as we wanted to highlight that all this can be done live as a way of selling the live show.
Can you tell us how you projected those visuals around Jamie without projecting them onto him Often the projections do go onto him but we worked very carefully with our gaffer and DOP to use lighting to cancel this out. There is one shot of Jamie from above where we physically masked him out by obstructing the projector beam.
Are you happy with how it turned out
Yes, with highly technical shoots like this, involving playback, lighting and multiple projections, there can be a tendency for things to get a bit a stale. In this case I think we created a system which was flexible enough for us to make the most of Jamie's performance.
|Camera operator||Ed Tucker|
|Production Assistant||Grace Sherrington|
|Runner||Fred Vernon, Rosie Taylor & Joel Stephens|
Jonas K Lord has directed a sensual and beautiful video for The Highest, from Make You Know Love.
Erik K. Yue shoots Okay Kaya up-close - seriously close – as the camera and the New York-based Norwegian singer spin around in various locations, in this intriguing promo for the …
Veteran editor Sam Sneade has joined Stitch Editing in a move that has seen his company Speade …
The 2020 SHINY Awards takes place next Tuesday, 25th February at the Mill in London, screening the …
Homespun, short film and music video division of Stitch Editing, have announced that Charlie Von …
Sundance award-winner Dylan Holmes Williams has signed to Stink Films new directing talent roster …
Maurizio Von Trapp has joined Academy Films to head up the music department at the …
Greg Barth, the Swiss-born, UK-based artist and director, has joined Friends Electric - the London …