Director

Taz Tron Delix

Taz Tron Delix directs the ethereal promo for Calvin Harris and Ellie Goulding's collab on Miracle.&nbsp;The otherworldly video is inspired by the&nbsp;Nineties-style&nbsp;trance elements in the track, exploring&nbsp;a futuristic clash of desert landscapes, anachronistic styling and mysterious movement, revitalising and contemporising the transcendent aesthetics that were born out of the original movement.&nbsp;[imgtoken data:1]The video cuts between Ellie wearing a jewelry filled tiara and leather outfit with the look of a powerful Queen on an elevated platform surrounded by what appears to be worshippers in sleek beige suits and balaclavas. The track progresses they march in a strong manner, break-out dancing and wave their hands towards Ellie in a worshiping stance.We then witness different groups of people embracing one another mostly in masks, helmets faces covered, buried in sand, twisting through colourful smoke creating a mysterious tone.Blending a whole host of unusual elements into an oneiric experience, it really is a visual feat that demands your full attention, and elevates the track to a whole new artistic plane.&nbsp;[imgtoken data:2]

United Kingdom

Joseph J Goldman

Chris Toumazou

Kiran Mandla

Lee Fairweather

COMPULSORY

Trim Editing

Paul O'Reilly

No.8

Zoe Gunn

Steve Wingrove

Harry Wheeler

Elizabeth El Kadhi

Phil Heron

Matt Allsop

Lisa Laudat

Anastasia Stylianou

Celia Arias

Shani Mushington

Alex Gregory

Charlie Morris

Kat Cattaneo

Jonny Vieco

Calvin Harris x Ellie Goulding 'Miracle' by Taz Tron Delix 

Calvin Harris, Ellie Goulding - Miracle (Official Video)

Taz Tron Delix brings East and West together for Joy Crooke's deeply soulful Feet Don't Fail Me Now.Joy celebrates her Bengali roots and London upbringing, with the elements of East, West, tradition and modernity all drawn together with considerable flair and wit by Taz and team, in a series of eye-popping visuals.&nbsp;[imgtoken data:1]Perhaps most importantly, this is a cultural melting pot defined by colour and character. The bright colours of the East pop from the staid objects of the West, while&nbsp;Joy's performance in various scenes is aided and abetted by a huge cast, from her gang of girl moped riders, to the Bengali boys, and the clubbers and dancers.[imgtoken data:2]The&nbsp;song has an infectious, Motown-esque bass-driven vibe&nbsp;with&nbsp;thought-provoking lyrics about how society is afraid to speak up on delicate topics in fear of being dismissed and ultimately cancelled - and in the midst of everything, Joy Crookes always comes across as the central focus, the person in the midst of the crazy world, with the lovely voice that raises goosebumps, calmly making sense of everything.[imgtoken data:3]

Ghandi El-Chamaa

Heba Elgamal

Ruben Woodin Deschamps

Richard Savage

Joshua Dadson

Ty Hack

Miles Lacey

Bill Rae Smith

Ciaran Beale

Supple Nam

Mata Marielle

Issac Poleon

Matthew Josephs

Natalie Roar

Hannah Ashby Ward

Lane Casting

Ed Cooper

The Assembly Rooms

The Mill

Holly Dawkins

Luca Chirico

Joy Crookes 'Feet Don't Fail Me Now' by Taz Tron Delix

Joy Crookes - Feet Don't Fail Me Now (Official Video)

Taz Tron Delix directs an emotional tale of intense love for Berwyn's Rubber Bands.The song by the Trinidad-born, London-based rapper takes us through a journey reflecting on times in love, the heartwarming memories that come in its wake, but then the flipside as a harsher reality intrudes, leading to regret and loss.Delix&nbsp;manifests these themes by creating a world where only Berwyn and his partner exist and their passionate relationship shapes the surroundings. The director's&nbsp;signature colour palettes and swirling camera movements are used to portray the rollercoaster of emotions, visually reflecting the mind state of Berwyn and his partner going through first love, heartbreak and pain.&nbsp;Images of floating mid air and reversed scenes not only adds an element of surrealism, but also drives home that feeling of what it’s like to be in love only being brought back down to reality when that same feeling starts to crumble.After the epic-scale of his&nbsp;work in recent times for Stormzy and Headie One, this is a more intimate work&nbsp;by Taz Tron Delix - but a consummate example of his trademark style and directorial vision.[imgtoken data:1][imgtoken data:2][imgtoken data:3]

Chris Malin

Spike Morris

Beau Pritchard James

Josh Edkins

Ash Halliburton

Philip J Wood

Daniel Millar

Cinelab Film and Digital

Berwyn 'Rubber Bands' by Taz Tron Delix

BERWYN - RUBBER BANDS (Official Video)

Taz Tron Delix directs the star-studded posse of Headie One, Stormzy and AJ&nbsp;Tracey - reflecting on how far they have travelled in their careers - in an atmospheric affair for Ain't It Different.&nbsp;The heavy-hitters&nbsp;exchange verses in a beautifully-lit mysterious mansion with a hypnotic atmosphere, and ther is a butterfly motif, in a nod to the sample used in the song. And above everything - a huge statue of Headie One, towering over a North London high rise. It's an unmissable symbol&nbsp;of how big Headie has become. &nbsp;

Rebecca Waters

Elizabeth El-Khadi

Holly Adamthwaite

Elena Argiros

Sony Music

Grime

Headie One ft Stormzy & AJ Tracey 'Ain't It Different' (Director's Cut) by Taz Tron Delix

Stormzy lets his inner superhero shine in Taz Tron Delix's animated video for Superheroes.Hot off the heels of their previous vids - Audacity and Ain’t It Different, with Headie One&nbsp;- Taz and Stormzy collab again for this&nbsp;uplifting anthem, with the sentiment of Black Lives Matter at it's core. The result is a big departure in style, necessitated by the pandemic crisis, but which works brilliantly for the message of the song.Buenos Aires-based animation company 2Viente do a breathtaking job in bringing the narrative to life, painting Stormzy and co as everyday superheroes, whose work in the community and love for their family is both inspirational and aspirational.The concept has Stormzy talking to a young Black boy, and explaining that nothing&nbsp;is out of reach for him, or his community - a power expressed through the visual language of superhero comic books and movies.[imgtoken data:1]The stylised cartoon aesthetic works perfectly with the concept, affording Delix and the animation team the opportunity to be unabashedly ambitious, and these bold ideas really elevate the project.Super speed, jumping from lamposts, elevating from the floor, swiftly working out equations, moving objects with the mind, flying in the skies - these are all used in a surreal yet genuine manner to remind and reinforce the point that this new generation&nbsp;are Black, Beautiful, Brave, and supremely talented.It's a phenomenal visual match to the poignant track and its important message&nbsp;-&nbsp;and a&nbsp;groundbreaking departure for Taz Tron Delix.&nbsp;

Dan Curwin

Atlantic Records

2viente

Pablo Gostanian

Agustin Valcarenghi

Isra Giampietro

Stormzy 'Superheroes' by Taz Tron Delix

Stormzy-'Superheroes'-by-Taz-Tron-Delix

Taz Tron Delix guides&nbsp;us through&nbsp;a surreal and hallucinatory trip with no escape&nbsp;in the new video for CamelPhat, featuring Jem Cooke.&nbsp;Following the high octane visual for Stormzy's Audacity, Delix has swapped out the 18-wheelers and stunts for a neon-lit fever dream, reminiscent of Alice in Wonderland, with increasingly erotic overtones.&nbsp;We are introduced to an oblivious, wide-eyed Alice as she explores a disturbing underground world, where the line between reality and fantasy has been irreparably blurred. The visions could be a hypnotic dream or an enticing nightmare, and the only way&nbsp;she can truly escape is by embracing her dark side and letting her desires overwhelm her.Pulling from Delix's cinematic inspirations, there are further references to other classic films, including Peter Weir’s The Truman Show and&nbsp;Kubrick’s Eyes Wide Shut.&nbsp;"The idea behind the film was to take our audience on a deep inward journey into another dimension and alternate spaces, highlighting the emotional journey as a result," he says. And that's exactly what it achieves.

Dasha Deriagina

Denis Kumeiko

Alexey Savelov

Ruben Woodin Dechamps

Max Ruban

Werelease

Kate Maksymova

Dasha Taivas

Sergey Panteleev

Electronic

CamelPhat X Jem Cooke 'Rabbit Hole' by Taz Tron Delix

Camelphat-'Rabbit-Hole'-by-Taz-Tron-Delix

Stormzy rules a dystopian industrial world in Taz Tron Delix's video for Audacity.&nbsp;Riding on top of a HGV as it piles down a foggy motorway, the message is clear: Stormzy is done playing games, and is calling out the audacity of those who doubt his worth.&nbsp;With slick shots of fire-swept concrete wastelands, strobing performance setups and burning piles of cash, the visual is a statement and a warning. Stormzy isn't going anywhere, so it's time to pay him the respect he deserves.&nbsp;With brilliant production values and talent across the creative team, this is a real standout among the year's releases, just before we enter the next decade.&nbsp;

Aleksey Savelov

Ruben Woodin-Dechamps

Gaia Borretti

Yassine N'choubi

Baran

Nicola Sheppard

2332 Films

Stormzy ft. Headie One 'Audacity' by Taz Tron Delix

Stormzy-(feat.-Headie-One)-'Audacity'-by-Taz-Tron-Delix

Taz Tron Delix teams up with Ella Eyre, Banx &amp; Ranx and Kiana Ledé to create a dazzling showpiece for Ella's return to action - as they create a world in which Ella can air her&nbsp;boyfriend's dirty laundry.We are thrown into his world of moving furniture, offbeat images and vibrant colours, that match&nbsp;Ella’s star power energy and fierce dance moves. It's TTD's most commercial video yet, but he maintains&nbsp;his distinctively individual style with disorientating signature camera wizardry, together with&nbsp;moving furniture, offbeat imagery and saturated colour.Lensed by Hunter Daly, the video is frenetic and hyper-surreal, and flies through a series of conceptual setups to accompany&nbsp;the main performance scenes. The use of bright colour palettes and bold set builds from Jabez Bartlett help marry the concepts together, and performances from Ella and Kiana help ground an idea that could have been overwhelming for a director with less experience.It's a spicey visual feast for a great late-summer anthem. Now can we have some nice weather to go with it?

Hunter Daly

Jabez Bartlett

Sorcha Adamson

Sukhy Bhandal

Terri Higgins

Edward Cooper

Laura Clayton

Universal Music

Daisy Deane

Marcia Lee

Kristina Theodoris

Kimmy Taylor

Jonathan Sidwell

Ato Yankey

Mike Hannindes

Chai Rolfe

Ella Eyre, Banx & Ranx ft Kiana Ledé 'Mama' by Taz Tron Delix

Ella-Eyre--'Mama'-by-Taz-Tron-Delix

Taz Tron Delix has set down a marker with his tremendous video for Kojey Radical&#39;s 25.It&#39;s an impressionistic, sprawling epic, reflecting on black culture, with the beautifully composed visuals aiming to do justice to the range of ideas&nbsp;in Kojey Radical&#39;s music and lyrics. Building upon his work in recent times&nbsp;the lower profile rapper Oscar Worldpeace, it&#39;s an ambitious statement by Delix and, with sterling assistance from his cinematographer Ruben Woodin-Dechamps, a triumph.

Dasha Lagenberg, Natalie Roar

Hip Hop

Kojey Radical '25' by Taz Tron Delix

Kojey-Radical-'25'-by-Taz-Tron-Delix

Taz Tron Delix returns with this dark and hallucinatory exercise of movement and control, grit and determination,&nbsp;for South London instrumentalist Mellah.In a wet, dark, grassy swamplike setting, the performers act out a tale of struggle, with Liam Ramsden &ndash; aka Mellah &ndash; blind-folded and topless, fighting to get out a crater of water, to escape.Delix uses relentless variation and repetition&nbsp;of his set-ups,&nbsp;relying on his mastery of editing and smoky&nbsp;in-camera atmosphere over his trademark use of&nbsp;homemade VFX,&nbsp;to build a kinetic visual for What It Is.&nbsp;

Joel Honeywell

Rita Sarpong

Shayna Lf

Joshua Hubbard, Steph Be, Robia Milliner, Rhys Denn, Kofi Mingo

Olly Rice

Alternative

Mellah 'What It Is' by Taz Tron Delix

Mellah-'What-It-Is'-by-Taz-Tron-Delix

Taz Tron Delix&#39;s new video for Samm Henshaw is a playful take on relationships, with a very sunny London as his fantasy playground.Shot on 16mm film by Ruben Woodin-Dechamps, Samm observes the larger than characters around him, some who are finding out how it feels to be loved. Then Samm gets a better view by floating off his sofa (has Taz also been watching Supergrass&#39;s&nbsp;Alright?) into the sky. It&#39;s basically a feelgood delight from start to finish.

Byron McNally

Rory Shaw

Jack Exton

Cristina Cretu

Peter Bishop

Liz El-kadhi

Charlotte Kraftman

Luke Morrison

Mike Jones

Samm Henshaw 'How Does It Feel?' by Taz Tron Delix

Samm-Henshaw-'How-Does-It-Feel?'-by-Taz-Tron-Delix

We talked to Taz Tron Delix about his latest video for Oscar Worldpeace, a richly visual accompaniment to the artist&#39;s powerful opus on black consciousness and cultural oppression, No White God.It&#39;s the director&#39;s third video for Worldpeace,&nbsp;and it&#39;s just been listed in&nbsp;the &#39;Ten of the best recent music videos&#39; by the <a href="https://www.ft.com/content/143148c2-5da9-11e8-ab47-8fd33f423c09">Financial Times</a>.&nbsp;&nbsp;When did you first hear the track and what&rsquo;s your take on the song?Oscar sent me a few tracks in November and as soon as I heard &ldquo;No White God&rdquo; I knew I wanted to make a video for it. It was powerful, honest and emotionally charged and with great music, the more I meditated with the track I had different thoughts, images, meanings and conversations coming to mind.I was thinking: imagine, you grow up your whole life and people are telling you there is this almighty presence that lives in the sky whose created everything - he looks nothing like you and yet looks everything like your oppressor. As these thoughts unravelled, it made me question how many times approaches of documenting religion or history has been manipulated, tarnished and destroyed over the ages to dominate power over race or heritage.I took this song to be a dismantlement of these faults and a re-alignment to the true narrative for black bodies and minds.<blockquote>&quot;Over the course of our projects we have definitely created a kind of synergy when approaching imagery to reflect his music.&quot; Taz Tron Delix</blockquote>How did you arrive at the treatment that appealed to Oscar? Was your prior relationship with Oscar helpful in creating the idea?Oscar gave me the track quite a while ago and different images kept popping into my head, changing and shifting. I would phone Oscar here and there and have a chat about what I was thinking of doing or thoughts that where on my mind, Oscar would always reply: &ldquo;exactly you get it&rdquo;. I think over the course of our projects we have definitely created a kind of synergy when approaching imagery to reflect his music.[imgtoken data:1]How would you describe, in your own words, what happens in the video?All I would say is that it&#39;s here for you to watch and interpret for yourself, just like the music - its subjective and hopefully proves many different reactions and conclusions.What are the main influences in the way the different narrative strands are presented? And what was the inspiration for the different narratives?I think this is the most organic way I tell stories, its how my subconscious works when seeing the story before writing the treatment. In a way dream logic, but charged and overuled by emotion.It was all born and inspired by the music and its lyrics, each chapter was a new discovery or truth.[vidtoken data:0]Oscar Worldpeace &#39;Tate Modern/Wary/Pearls&#39; (Dir: Taz Tron Delix)Your approach in terms of the visual style is very different from your previous work, for Oscar on &#39;Tate Modern/Wary/Pearls&#39;&nbsp;and &#39;Run&#39;, and for other artists. Was that dictated by the track, or a conscious decision to move away from your trademark style?Yes in a way you could say that. But this is still very much me and I think that still shows massively in NWG, but in alternative forms.I wanted to achieve a certain look and feel with this video and give time to take the strong imagery in, as well as challenging myself to achieve more in camera effects and textures. I&rsquo;m always looking at new ways of doing things, new approaches, making new discoveries, even mistakes - it all helps me learn and grow to be better at my craft.[imgtoken data:2]What were the biggest challenges in making the video happen - before, after, and during the shoot day?With a production like this it&#39;s always a challenge. It&nbsp;was a very tight budget and partly self-funded by the artist. You have to beg, steal and borrow basically. Pulling in favours from everywhere and on everything.With such an epic song your mind runs overtime and you really want to create the vision in your head, so you have to tailor your creative to work with the budget but not make a lesser film by doing so.&nbsp;When you have a creative production company like COMPULSORY backing you and a savvy producer at your side, the dream becomes a reality. I&#39;ve got a good team that have always believed in me and the vision.&bull; Taz Tron Delix is represented by <a href="http://www.compulsoryviewing.co.uk/" target="_blank">COMPULSORY</a>&nbsp;* This is an sponsored article. To discuss how to place a sponsored article on Promonews,&nbsp;contact info@promonews.tv

Behind The Video: Taz Tron Delix on Oscar Worldpeace's No White God 

Oscar-Worldpeace-'Tate-Modern-+-Wary-+-Pearls'-by-Taz-Tron-Delix

Oscar #Worldpeace - No White God (Official Video)

Oscar Worldpeace 'Tate Modern + Wary + Pearls' by Taz Tron Delix

Oscar Worldpeace 'Run' by Taz Tron Delix

Oscar-Worldpeace-'Run'-by-Taz-Tron-Delix

Oscar Worldpeace 'No White God' by Taz Tron Delix

Taz Tron Delix reunites with Oscar Worldpeace, developing a striking new look to accompany the artist&#39;s hard-hitting message.&nbsp;Tron Delix moves to a beautiful heightened portraiture, with the help of great work by DoP Ruben Woodin-Descamps, that highlight the key issues raised by Worldpeace&#39;s new EP, IC3. &bull; <a href="https://noisey.vice.com/en_uk/article/paxnwz/oscar-worldpeace-no-white-god-noisey-histlist-2018">Noisey</a>&nbsp;

Carla Steinberg

Jerry Pradon

Oisín O'Driscoll

Jomana Ayoub

Thris Tian

Taz Tron Delix is a director that seems to have exploded out of obscurity in the last 12 months. His mind-bending, multi-layered mixed-media collages are a rich tapestry of sometimes-dark, often-dreamlike imagery that really manages to stick in the dark recesses of your mind.Two videos he directed, for <a href="http://www.promonews.tv/videos/2017/04/04/oscar-worldpeace-tate-modern-wary-pearls-taz-tron-delix" target="_blank">Oscar Worldpeace</a> and <a href="http://www.promonews.tv/videos/2017/07/14/cartae-long-time-taz-tron-delix" target="_blank">Cartae</a>,&nbsp;are nominated for Best Video - Newcomer awards at the UKMVAs this year. But that&#39;s almost the tip of the iceberg of what this prolific as well as visually inventive director has created recently, including two videos for indie rock tyro Declan McKenna (Brazil and Humungous), and a nightmarishly surreal work for Strangelove. And his latest, for JD Reid ft. Novelist&#39;s Ready&nbsp;has just been released.&nbsp;So we decided it was high time we sat down with Taz and take a look what makes him tick.Promonews: Hi Taz, where are you from?Taz Tron Delix: Planet X, but crash landed in London townWhen did you start making films? I&#39;ve been making animations since I was 16 then moved into live action about 3 years ago, because of my background in animation i&#39;ve always been experimenting and manipulating footage from the beginning trying to use it as a tool to penetrate the viewer subconscious mind.&nbsp;How long have you been Taz Tron Delix?I started rolling with a London underground art cult about six years ago called Holy Delix 169, with the great musician&nbsp;and my homie Lord Catpiss aka Onoe Caponoe. That&#39;s when the TRON DELIX was born.[imgtoken data:1]<blockquote>&quot;I just have loads of ideas and things I want to try, I want to do it all and cram pack it all in for a super intense experience that grabs your attention for the duration of the film&rdquo;</blockquote>With your videos feeling like a stream-of-conscious explosion of ideas, what does the pre-production phase look like to you? How much do you plan and how much do you&nbsp;leave to chance?In pre-production, its always begins the same: lots of research of images and piecing together mood boards. I get a lot of inspiration from paintings and collages and like to imagine how they would move and come to life on set.&nbsp;As the process moves on I will start to work out what scenes and shots we would like to capture to sculpt the narrative or&nbsp;joinery of the film, but I don&#39;t like every single little detail set in stone. I want to leave room&nbsp;to play. I always find something interesting happens when you leave enough space for the&nbsp;film to grow and take its own life, keeping the creative process exciting as the film takes shape and forms its own voice.&nbsp;I also like to keep all possibilities open when it come to the&nbsp;edit. This is definitely when the stream-of-conscious comes into play again.Your work spans seemingly every digital and analogue format possible - what&rsquo;s your&nbsp;favourite and why?That&rsquo;s a hard one, I like them all for different things but I love imperfections and character. So, I would have to say 16mm, I&rsquo;m sure this will keep changing, haha&hellip;[vidtoken data:0]How closely did you work with Declan McKenna to build the visual world in which your videos for him occupy?With the first collaboration with Declan [for Brazil], I think because he made this song such a long time&nbsp;ago he wanted me to go wild, push the boundaries and bring new life and meaning to the&nbsp;song for him. So he sent me loads of music videos he was digging, including the film&nbsp;The Lux,&nbsp;and an Oscar Worldpeace video I made.From these references, three things where very clear; we both had the same tastes in&nbsp;aesthetics and experimentation videos, especially retro-futurism. Secondly, the video had to&nbsp;capture imaginations and inspire its audience. The last, but most important, thing was that&nbsp;we had to care about the message in the music and the philosophy that Declan embodies.&nbsp;This had to be delivered in his music in a clever and charismatic way.At the time, I was mad inspired by collage artwork and films. Looking back, it&#39;s quite&nbsp;interesting because the first film I made at 16 was a stop-motion collage, so this was a&nbsp;chance to go straight back to my old playful self, but this time have the knowledge, skills and the&nbsp;tools to achieve whatever my mind wanted.&nbsp;[vidtoken data:1]This format worked so well we wanted to carry&nbsp;on the saga for Humongous. This time me and Declan had a few phone calls throwing ideas&nbsp;around as he explained the thoughts behind this song. In the video, he wanted something to&nbsp;reflect the digital internet age and the things going on in the here and now that can make us&nbsp;all feel so lonely in this mad, mad world we call home.There&rsquo;s a huge variety of imagery in your videos - Strangelove&rsquo;s video in particular looked like a huge undertaking. How do you manage to stay so prolific when the projects feel so broad in scope?I just have loads of ideas and things I want to try, I want to do it all and cram pack it all in for a super-intense experience that grabs your attention for the duration of the film. I see things a specific way and I guess that&#39;s just me!Your video for Strangelove is considerably darker than a lot of your previous work - with a very paranoid edge to it. Did you approach this video any differently to how you&rsquo;d normally approach a project?Strangelove, is definitely the darkest piece I&rsquo;ve made to date. When approaching all my promo projects I find it very important to embody the artists&rsquo; vibrations and persona in the film. This lays a foundation for me and dictates the direction of the video&rsquo;s tone, setting and the world it belongs to.So, pre-production processes stay the same but the research matter changes. And after having a few meetings with the group it was very clear we were all drawn to the darkness and isolation of life and how many people could live in such close proximity, but live in completely different worlds.[vidtoken data:2]We wanted to approach the filming like producing music &ndash; by shooting/collecting footage over a three-day period then arrange all our samples on the timeline, and let the story unravel in the editing. Personally, I love making and watching dark material so this project was a great excuse to connect with that side of my own personality and I look forward to having more opportunity to explore and dive deep into this side of me.How do you feel your style has evolved over the past year or so as your surreal collages have morphed into much more hallucinatory, atmospheric experiences?I feel my style is always evolving as I absorb the world around me, I like to just focus on pushing boundaries and challenging myself with new ways of thinking and playing. Naturally, as I&rsquo;m exploring different waves and patterns of behaviour, my work will change, morph into something new that reflects and connects with me in that moment in time.<blockquote>&quot;When approaching all my promo projects I find it very important to embody the artists&rsquo; vibrations and persona in the film.&rdquo;</blockquote>Your latest is JD Reid ft Novelist&#39;s Ready, shot by DoP Ruben Woodin Dechamps on 16mm. How did the pair of you approach this shoot, and working with film, knowing full well that you&rsquo;d be manipulating the footage after the fact?Shooting on film for us film-heads is almost like some kind of religious ceremony that must be honoured and respected at all times. It literally chews up money with each frame, but puts out a wonderful product, so we both felt we wanted to find a balance between the styles and let the 16mm footage shine through with the post and not get buried under the VFX and digital manipulation.Also, it was important to us that we could have a small crew and strip back to a lightweight setup to capture the energy and dynamic of a buzzing London city.[vidtoken data:3]&bull; Taz Tron Delix is represented for music videos and commercials by COMPULSORY.

Q&A: Taz Tron Delix on his trippy visions for Declan McKenna, Strangelove and Novelist

Declan-Mckenna-'Brazil'-by-Taz-Tron-Delix

Declan-Mckenna-'Humongus'-by-Taz-Tron-Delix

Strangelove-'Lonely-Souls'-by-Taz-Tron-Delix

Jd-Reid-Ft.-Novelist-''ready''-by-Taz-Tron-Delix

Taz Tron Delix is back with another tour de force of mindbending visuals, this time for&nbsp;JD Reid and&nbsp;Novelist.Shot on 16mm by Reuben Woodin-Deschamps, the video for Ready takes in a slew of performance set ups intercut with a surreal rollercoaster camera trip around London. And the the prolific, UKMVA-nominated director once again employs his signature techniques, moving between fast-pace edit motivations and a kaleidoscopic whirl of effects, all executed with careful consideration&nbsp;to&nbsp;the ebb, flow and energy&nbsp;of the track. &nbsp;Very cool.

James Malamatinas

Nai Sukanant

Ana Krkljus

Compulsory.

Rinse

Urban

JD Reid ft. Novelist 'Ready' by Taz Tron Delix

The prolific Taz Tron Delix continues his fine form, and resumes his collaboration with Oscar Worldpeace, for Run.It&#39;s another highly watchable lo-fi effort, with Oscar on the run, appropriately enough, straight into the Delix box of FX tricks, and trippy transitions. This follows their earlier project for three tracks from the artist&#39;s debut album Recluse, Tate Modern+Wary+Pearls.

Taz Tron Delix&#39;s latest video is another awesome display of virtuosity, this time for London-based rap trio Strangelove.Their track Lonely Souls expresses&nbsp;the anxiety and anguish of life in a big city, and Delix uses each line of the lyrical flow as the jumping-off point for a bombardment of impressionistic&nbsp;imagery. It&#39;s diverse and, as with much of the director&#39;s work, distinctively surreal. But this one is also grounded in a sense of disquieting, growing horror. Like a waking bad dream, but one to return to again and again.&bull; Premiered at <a href="http://www.dummymag.com/videos/premiere-strangelove-lonely-souls" target="_blank">DUMMY</a> &nbsp;

Strangelove 'Lonely Souls' by Taz Tron Delix

Taz Tron Delix brings his unique visual approach to Cartae&#39;s Long Time, and is bang on target again.After a couple of excellent videos for Declan McKenna, including <a href="http://www.promonews.tv/videos/2017/06/13/declan-mckenna-humongous-taz-tron-delix" target="_blank">Humungous</a>, following work for Oscar Worldpeace, Ragz Original and others, Delix&#39;s homemade hypersurrealist style creates a collage of well-considered cutouts&nbsp;around the&nbsp;London R&amp;B singer-songwriter - and then cuts into Cartae herself. What&#39;s really impressive is how these super-inventive visuals - clearly the work of an individual who is working the VFX controls too - sits so well with a mainstream R&amp;B&nbsp;track. Undoubtedly one of the best new talents out there.

James Mccolgan

Daniel Jaroschik

Matt Kelly

Grace Sinnott

Pop, R&B

Cartae 'Long Time' by Taz Tron Delix

Cartae-'Long-Time'-by-Taz-Tron-Delix

Taz Tron Delix&#39;s latest collaboration with Declan McKenna, following their first outing for <a href="https://www.youtube.com/watch?v=QHgh77iE6qc" target="_blank">Brazil</a>, sees McKenna wander through humongous&nbsp;collages for Humongous.The hand-cut feel of the world contained within this video is one huge lo-fi trip that flips perspectives and takes viewers on a dizzying, saturated aesthetic ride. Performance intercuts with dreamlike and nightmare-like vignettes that results in some of the video&#39;s inhabitants feeling worse for wear.&nbsp;

Nick Hayes

Jack Meredith

Andi Bequiri

Rhona Ezuma

Charlotte Belinda Kraftman

Jim Bracher

Indie, Alternative

Declan McKenna 'Humongous' by Taz Tron Delix

Declan McKenna gets the Taz Tron Delix treatment with a psychedelic journey into space, a fish tank and beyond.The performance video is a glorious retro-futurist&nbsp;colour collage, with trippy transitions and psychedelic scenery galore. The clip pulls off a wonderful marriage between the in-camera and post-production aesthetics (by Ruben Woodin Deschamps and Taz Tron Delix&nbsp;respectively), blending the two seamlessly whilst giving each a life of its own.

Lisa Chau

Indie, singer-songwriter

Declan McKenna 'Brazil' by Taz Tron Delix

Taz Tron Delix follows some impressive first steps as a director with a bravura blitz of imagery for three tracks by UK rap artist Oscar Worldpeace.Using multiple formats and various VFX and editing techniques,&nbsp;Delix presents&nbsp;a&nbsp;bravura&nbsp;stream of psychedelia, as snatches of each track become&nbsp;part of the artist&#39;s&nbsp;subconscious, as he sits&nbsp;in an everyday&nbsp;train journey.It&#39;s quite a trip, marking out Taz Tron Delix as a directing talent of considerable promise.

Taz Tron Delix

Director

Interviews featuring Taz Tron Delix

Videos featuring Taz Tron Delix

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