Executive Producer

Precious Mahaga

Joe Wheatley directs an idiosycratic and mysterious&nbsp;road movie&nbsp;for Ben Woods, aka The Golden Dregs.The black and white promo for Before We Fell From Grace opens with two characters travelling by foot across a wintry landscape. One of the pair - played by dancer Joe Grey Adams - is dressed entirely in white, and leads the other in&nbsp;a flamboyant folk-dance,&nbsp;seemingly inspired by some kind of otherworldly force.&nbsp;They reach a lake, and then the&nbsp;other character - played by Woods - pulls out a mysterious object. They walk further across the terrain through woods to a place where this enigmatic journey reaches its climax.[imgtoken data:1]"Ben approached me after Mark Jenkin, my old university lecturer and friend,&nbsp;never got back to him - and I don’t mind that at all," says Joe Wheatley. "He had some key references such as Bait, Paris&nbsp;Texas and True Stereo, my video for Willie J Healey. If there’s anything I might know how to do it’s people wandering around in places."I loved the track. He’s an extremely talented artist and fellow Falmouth graduate. I had some pretty heavy duty darker ideas that he liked but we ultimately settled on this kind of meditation on loss. Initially Ben wanted to find a body but we settled on the thing in the video that I still don’t know how to describe but the amazing prop maker, Rosie Tonkin, seemed to be telepathic and absolutely smashed it.&nbsp;"For the majority of my filmmaking I’m having the most fun dreaming up a project and then executing it. My enthusiasm wanes when I cross the finish line as I’m often worried if it’s any good or not. This project has been the exact opposite for me. Our first shoot day was cancelled midway through. We then waited a month whilst Ben was on tour to complete the shoot."As the sands of time rolled on to our second shoot day we battled with daylight saving hours, some of the worst rain I’ve experienced, a pheasant shoot holding us up and Ben getting an unauthorised haircut. Needless to say I was thrilled to get this one across the line."

United Kingdom

Joe Grey Adams

Cassie Walker Graham

Joe Wheatley

Ynez Myers

OB Management

Agile Films

Sophie Hall

Joe Cook

Sana Khan

Joe Mulvihill

Corey Milo

Milo Brown

Riccardo Angei

Adam Jones

Jason Wallis

Electric Theatre Collective

4AD Records

Rosie Tonkin

Lulu Johnson

Indie

Alternative

Singer-songwriter

The Golden Dregs 'Before We Fell From Grace' by Joe Wheatley

The-Golden-Dregs-'Before-We-Fell-From-Grace'-by-Joe-Wheatley

Maisie Peters feels suffocated by an egotistical love interest in the stylish promo for Not Another Rockstar.&nbsp;We all know the type. Beautiful to look at, heart-meltingly charming and exciting - but a real piece of work in every other way.&nbsp;Maisie laments this archetype as she runs around an empty theatre with a guy who just won't stop getting between her and the camera, pushing her aside for a moment in the spotlight.“We need hugs, not a pretty babe that doesn’t care about our feelings!" declares Keshtmand. "This is a real telling off to those trashy lovers and wannabe rockstar heartbreakers."&nbsp;Fashionable, theatrical and fun, it's a brilliant video with plenty of attitude to boot.

Stefania Lucchesi

Maycie Ann

Alizee Levrino

Luci Ellis

Lux Artists

Avesta Keshtmand

Nychollas Abreu

Dan Curwin

Benjamin Leggett

Natasha Duursma

Ali Copland

Joe Hunt

Jonny Lewis

Michael Mroczek

Elizabeth Rita

Joe Corrie

Jonny Tully

CHEAT

Reece Litchfield

Atlantic Records

Maisie Peters 'Not Another Rockstar' by Avesta Keshtmand

Maisie-Peters-'Not-Another-Rockstar'-by-Avesta-Keshtmand

Etta Marcus' bathtub is a portal to her subconscious, in&nbsp;Jesse May Fisher's arresting promo for Nosebleed.Transitioning to a nocturnal, psychic landscape after bleeding out black liquid in the tub, the video is an ethereal, otherworldly interpretation of emotional turmoil.Complemented by a dynamic, pulsating edit, the video is a brilliant introduction to the artist, and a great visualisation of Marcus' inner world.&nbsp;

Joshanne Dar

Caitlin Moriarty

United Talent

Jesse May Fisher

Jess Quilter

Louis Danckwerts

Nela Resler

Peter Bishop

Rose Esme Lucas

Justin Range

Adam Fox

Scarlett Gardner

Emma Regan

Agile

Myles Bevan 

Time Based Arts

Polydor

Etta Marcus 'Nosebleed' by Jesse May Fisher

Etta-Marcus-'Nosebleed'-by-Jesse-May-Fisher

Jesse May Fisher directs a contemplative promo for Anaiis.Following a rebirth narrative, the video for Be Alright explores themes of&nbsp;entrapment and liberation, whilst proposing nature and movement as tools to self-heal.&nbsp;The cinematography matches the reflective atmosphere, switching between fluid, gentle camerawork and moments of stillness to mirror the absorbing concept.&nbsp;

Amarnah Ufuoma Cleopatra

Nicki Coombes

Rishy Malik

United Agents

Ella Kenny

Marina Lewin

Miles Ridgway

Llewelleyn Harrison

George Telling

Sabina Claici

Marco Turcich

Sharon Robinson

Yolanda Dohr

Karol Cybulski

Ollie Cartlidge

Anaiis 'Be Alright' by Jesse May Fisher

Anaiis--'Be-Alright-(solo)'-by-Jesse-May-Fisher

Etta Marcus inhabits a dark and dreamy world where potent feminine power unfurls, in Jesse May Fisher's promo for Crown.&nbsp;In a blank studio space, the video starts traditionally enough, with plenty of posing and performance, until Marcus' hair starts to grow, wrap and envelop her body.&nbsp;Darkly tender and intimate, the cinematic visual is a powerful introduction to the artist, and suits the poignant soundscapes of the enigmatic track.&nbsp;

Thomas Viney

Amy Holden Brown

United Talent Agency

Abbey Valentina

Louis Dankwertz

Ryan Delahunty

Oliver Hill

Michael Ferrall

Steph Kennedy

Simeon Geyer

Sebastian Chan

Liv Lockwood

Pal Berdahl

Chess Thornton

Agile Studio

John O'Riordan

Pundersons Gardens

Etta Marcus 'Crown' by Jesse May Fisher

Etta-Marcus-'Crown'-by-Jesse-May-Fisher

Lewis Capaldi returns to action with Forget Me, and teams up with Louis Bhose to show he is up for a crazy, even mind-boggling challenge for its video -&nbsp;a shot-for-shot remake of a classic video from the early 1980s.Many viewers won't have seen the original when it first appeared - it is over forty years old, after all - but the iconic visual of WHAM!'s Club Tropicana&nbsp;is immediately recognisable in the opening frames of Bhose's video for Forget Me. Viewed through a contemporary lens, this is&nbsp;completely offbeat in the best way. Throw in Capaldi's cheeky personality and Bhose's love for whimsical ideas, and you're onto a winner.&nbsp;It's also something of a remarkable feat. And despite being a carefully structured&nbsp;remake, the video is still full of its own energy and vigour, largely down to the creative crew involved.[imgtoken data:1]&nbsp;"It's not exactly what I imagine most people had on their bingo cards for 'Big Lewis Capaldi Comeback Vid'," reflext Louis Bhose.&nbsp;"But hey, sometimes you gotta kill yourself precisely recreating a classic paean to hedonism for a melancholy song about second heartbreaks. It was really fun though - a week in San Antonio getting carsick and annoying our excellent local art department ('yes! that's almost it!!')."Hard to single out members of our incredible crew, but everyone went absolutely above and beyond to make the vid the best it could be. Big shouts to Lewis for being up for anything and choosing such an odd idea... And am happy to report that I got heat stroke on the shoot and live in hope that any BTS will never see the light of day."&nbsp;

Bon Walsh

Holly Shearn

Joshua Gochez

Ellora Soret

Chris Anthony

Thomas Liam Davis

Vision

Louis Bhose

Scarlett Barclay

Caroline Clayton

Willy Spruytte

Spike Morris

Ffion Kunz

Álvaro Fernández

Eddy Ibarra

Toni Tur

Miquel Mayans

Ariane Kohler

Supple Nam

Ainslie Currie

Jack Williams

Assembly Rooms

Matthieu Toullet

Company 3

Kevin Marien

Martin Fickling

Virgin Records

Lewis Capaldi 'Forget Me' by Louis Bhose

Lewis-Capaldi--'Forget-Me'-by-Louis-Bhose

Charlie Robins directs a hypnotic promo for The Comet Is Coming.&nbsp;Unabashedly wild and atmospheric, the visual sees a small group of people driven insane by an enigmatic force, visualised in the form of a circle.&nbsp;Kept purposefully vague, Robins combines live action with elements of animation, demanding&nbsp;viewers to come to their own conclusion as to what's happening. One thing's for sure, it's not your everyday scenario.[imgtoken data:1]"This was always going to be pretty nuts," says Robins. "I had a great conversation with the band about the new album called Hyper Dimensional Expansion Beam. That name was enough of a jumping off point, and I just threw a load of crazy shit at it. It felt right to be weird and post-apocalyptic but also disorientating and fucked up. I wanted to make people feel a bit sick in all honesty. "The music is so crazy yet intricately put together, there is something beautifully chaotic about it which fit very well with some post and camera techniques I’ve been developing for a while."I worked very closely with the immense team at Agile (particularly the post guys!) to make this film happen. What a seriously talented, generous and wonderful bunch of humans they are."&nbsp;

Joe Munro

Max Johnson

Philippe Medina

Chris Jones

Andrius Vizbaras

En Williams

James Sayer

Sefa Kocakalay

Andrew Patrick

Bella Dupèe

Charlie Robins

Joseph J Goldman

Kerstan Mackness

Sam Crooke

Jack Exton

George Nelson

Austen Philips

Nick Curry

Toby Mckay

Kairo Jones

Natasha Lawes

Kevin Corry

The Assembly Rooms

Jonny Thorpe

Glassworks

Jenn Sanders

David Horsburgh

Miles Jovian

Luisa Paige

Universal

The Comet Is Coming 'Technicolor' by Charlie Robins

The-Comet-Is-Coming--'Technicolor'-by-Charlie-Robins

A simple greeting turns into a full-on choreographed dance, in Louis Bhose's splendid promo for The Big Moon.&nbsp;Celebrating the comeback of the alternative indie group, we follow vocalist Juliette Jackson as she wakes up in the middle of a field, eventually regrouping with her fellow band members and running through an increasingly complex routine.It's a refreshingly simple yet punchy concept&nbsp;which feels fresh and timeless, whilst carrying a certain emotional weight to it, as the girls celebrate the start of their next chapter together.[imgtoken data:1]&nbsp;The use of a black studio environment to represent a fantasy version of the real world heightens the stylish aesthetic, whilst the real emotion drawn out of each member&nbsp;acts as an anchor to the whole project.&nbsp;"I've always been interested in bands returning from the wilderness - updating their Insta after eighteen months away with shadowy images and emojis," says Louis Bhose.&nbsp;"I thought it would be fun to have a band bump into each other, having not seen one another for ages, and start with this little handshake that then gets increasingly elaborate and emotional."That extends from a little fist bump into a big choreographed piece..."&nbsp;&nbsp;

Daniel Breheny

Taff Williamson

Maya Dufeu

Louise Latimer

Lee Parfitt

Kai Blamey

Beau Pritchard James

Orlando O'Mahoney Morris

Aida Vega

Lydia Buckler

Emily Engleman

Andre Rodrigues

Universal Records

The Big Moon 'Wide Eyes' by Louis Bhose

The-Big-Moon-'Wide-Eyes'-by-Louis-Bhose

Avesta Keshtmand directs a slick, studio-set promo for up-and-coming girl group FLO.&nbsp;With a stripped-back, futuristic vibe, we see the trio perform their track Immature in a black infinity studio, with minimalist art direction that suggests a sci-fi, space-inspired environment.&nbsp;The focus here is on introducing viewers to the new group, and with sharp choreography, inspired styling and an effortlessly cool vibe, it's clear why the girls are already creating such a buzz.&nbsp;"With Immature, I wanted to transport FLO into a new aesthetic realm, showing them in power and prowess for their second video," says director Keshtmand.

Precious Mahaga

Executive Producer

News featuring Precious Mahaga

Videos featuring Precious Mahaga

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