Producer

Katie Lambert

Carlota Guerrero&nbsp;directs a dazzling, challenging&nbsp;promo for Ellie Goulding.The video for Let It Die presents a series of&nbsp;performance setups, blending contemporary aesthetics with raw, primal movement and animalistic instinct.&nbsp;Visualising the breakdown of a relationship through these abstract scenes, the contrast&nbsp;of refinement and spontaneity bleeds into every element, from the gallery-esque location to the sensational styling - including a naked breast-revealing bra top worn by Ellie.&nbsp;

United Kingdom

Ellie Koslowksy

Maggie McDermott

Olivia Jessop

Nathan Klein

Carlota Guerrero

Maya Dufeu

We Folk

MrMr

Katie Dolan

Will Pope

Jack Exton

Martha McGuirk

Ella Woollgar

Alasdair Copland

Callum Hammet

Mike Linforth

Joshua Dadson

Candela Capitan

Dasha Taivas

Lucy Berry

Final Cut

Megan Lee

Electric Theatre Collective

Ellie Goulding 'Let It Die' by Carlota Guerrero  

Ellie-Goulding-'Let-It-Die'-by-Carlota-Guerrero--

Suede have launched their latest album Autofiction with a short film to feature two of its singles - She Still Leads Me On&nbsp;and 15 Again - written and directed by Katie Lambert.The film is the story of a couple, Hannah and Chris. Hannah is ready to settle down and start a family; Chris far more inclined to retain their independence. Can they reconcile these conflicting impulses?Lambert's short film directing debut is impressive, with engaging performances by&nbsp;by Hannah Higton and Noah Granville, with outstanding cinematography by Adam Barnett.&nbsp;&nbsp;"It's about that moment in a relationship when it’s crunch time," says Lambert. "The moment when you’re at a certain age and forever feels incredibly close. When you’re not sure if you’re with the one, or if you could find another one, or if that’s a crap societal construction anyway."

Elena Muntoni

Lane Casting

Ellie McNaughtan

Holly Adamthwaite Wood

Lucy Bradley

Faye Hunter

Ian Stowe

Adam Barnett

Wayne Bentley

Dave Littlejohns

James Wicks

Patrycja Cygan

Emily Engelman

Rain Keene

Work Editorial

Felipe Szulc

Nomad

Hannah Higton

Noah Granville

Indie

Rock

Suede 'Autofiction' by Katie Lambert 

Suede--'Autofiction-'-by-Katie-Lambert-

Olivia Rose delivers an up-close and personal promo for Emir Taha's debut music video for Huyu Suyu.&nbsp;As explained by the artist himself,&nbsp;"'Huyu huyuma denk, suyu suyuma denk’ means getting on well together, being of the same disposition. The literal meaning is ‘her ways match my ways, her water matches my water.’ That chemistry is captured perfectly in the video. It’s about two people who share the same energy, dreaming underwater through hallucinations."The alluring visuals flicker between&nbsp;intimate vignettes in the water, from bathtime romps to solo soaks in the tub, an amalgamation of memory and fantasy. Taha continues, "It’s my first ever music video so its is a defining moment in an artist’s visual world - I feel so lucky to have had the chance to work with the amazing Olivia Rose whose taste I admire a lot.”DoP&nbsp;Nathalie Pitters creates a sensual, physical experience with the cinematography, utlising opulent gold&nbsp;and orange colour palettes usually to portray a sense of luxury and fantasy.[imgtoken data:1]OLIVIA ROSE:<blockquote>This was an amazing experience in how much water can change the dynamic of shooting.&nbsp;</blockquote>“Huyu Suyu, the coming together of the masculine and feminine. Taking influence from Emir’s lyrics as well as his Turkish heritage we set the video in water - from a bath to the deep blue - where Emir meets a mirage in a red veil - loosely based on Turkish bridal attire."The promo focuses on that electric moment when you think two people are coming together but they don’t quite make it, the moment the mirage disappears and Emir realises he is alone in the bath once more."Leaning in to his heritage which is so beautifully captured in the melody of the track, we wanted to attempt to recreate Turkish ebru art around his body in the bath - it’s a metaphor for Emir’s world becoming trippy and ethereal, a marker point for us before he is dragged under. For me, this was an amazing experience in how much water can change the dynamic of shooting.”

Olivia Rose

Kavita Babbar

Danny Rumbelow

Nathalie Pitters

Catharina Scarpellini

Davide Scalenghe

Leopold Naessens

Kelli White

Max Windows

Jason Wallis

Oliver Whitworth

Mikko Ruostila

Hands London

alternate pop

Emir Taha 'Huyu Suyu' by Olivia Rose

Emir-Taha-'Huyu-Suyu'-by-Olivia-Rose

Geej Ower reflects upon memory and family loss, in her slow-burning video for Keaton Henson's Prayer.Focussing on the rooms of an empty home, the light changing at different times of the day, human presence is provided via home movie footage - particularly of the singer-songwriter's father, the actor Nicky Henson, who died late last year.&nbsp;&nbsp;&nbsp;&nbsp;

Geej Ower

Charlie Goodger

Jax Harney

Stink Films

Keaton Henson 'Prayer' by Geej Ower

Keaton-Henson-'Prayer'-by-Geej-Ower

Felix Brady explores our sense of self in the mesmerising video for Greentea Peng's Hu Man.&nbsp;Spanning a series of hyperstylised vignettes, the video is packed full of iconography alluding to our sense of self and the falsehoods we have bought into as a society, and laments the way we are so reliant on our own egos.&nbsp;Peng explains, "The track is a war cry. Calling upon the energy of Kali Ma- ‘The Dark Mother’, to strip us from our ego, take the skin and leave the spirit and transcend the veil of Maya - The cosmic illusion. For the battleground is inside of us - between you and your ego. In Lak'ech Ala K'in” - “I am you , you are me.”The sleek cinematography - care of&nbsp;DoP&nbsp;Ben Fordesman - feels almost dreamlike in its execution, and the use of VFX to transition between scenes and&nbsp;characters is a characteristic Brady touch that's seamless and very effective.[imgtoken data:1]&nbsp;

Felix Brady

Jonathan Sidwell

Ben Fordesman

Edward Tucker

David Ansah

Jono Yates

Jake Hunte

Natasha Lawes / Maha Aleselami

Joseph Bicknell

Astro Pirata

George Zador

Steve Ohalloran

Kikz Katika, Mette

Virgin EMI

Soul

Greentea Peng 'Hu Man' (Director's Cut) by Felix Brady

Groove Armada celebrate their comeback with a remote lockdown party, in MrMr's video for Get Out On The Dancefloor.&nbsp;Almost a&nbsp;decade after their last release, Armada have created a new record from their last album's outtakes and extracts left on the cutting room floor.&nbsp;Featuring cameos from Sophie Ellis Bextor, Rose McGowan, UK drag artist&nbsp;Divina De Campo and Jeremy from Stink, the video is a celebration of music, dance and togetherness under our shared experience with lockdown.&nbsp;

Paul O'Reilly

Connor Coolbear

John Hassay

Electronica

Groove Armada 'Get Out On The Dancefloor' by MrMr

Groove-Armada-'Get-Out-On-The-Dancefloor'-by-Mrmr

Nick Roney's first video since the UKMVA-winning video for Cayucas' Girl&nbsp;tells the story of Chipper, a mechanical squirrel pop star, years after his novelty has worn off,&nbsp;who has one remaining adoring fan.In his video for Real Estate's Paper Cup, the innocent, bright-eyed lad turns up into the sleazy games emporium, to see his beloved Chipper perform - who turns out to be a grinning Disney-esque robot, with the essence of something human deep within.&nbsp;But he has become&nbsp;like&nbsp;a monster in a carnival sideshow, badly in disrepair, on the point of collapse&nbsp;- and the lad is about to be stripped of his innocence.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In this director's cut, Roney's black comedy on the&nbsp;life after pop stardom is particularly&nbsp;unsettling, with elements of classic&nbsp;grand guignol&nbsp;horror. It's a departure from the videos for <a href="https://www.promonews.tv/videos/2017/02/14/lemon-twigs-i-wanna-prove-you-nick-roney/46130" target="_blank">The Lemon Twigs</a> and Cayucas where Roney and members of his family have played important roles - sometimes for laughs, and sometimes not. But like in all good horror, there is also a sense of something rooted in the personal going on here. And once seen, it stays with you.

United States

Nick Roney

Elisha Gustafson

Ryland Burns

Tyson Whitney

Chris Ripley

Jordan Utley

Spencer Goff

Brenna Empey

Chris Hammock

Jared Jaynes

Brent Rowland

Cortni Wimberley

Subrina Mohr

Lianna Hartley

Dusten Zimmerman

Exile Edit

Alex Budlan

John Bashyam @ Warm’n’fuzzy

Geoff Stephenson

Real Estate 'Paper Cup' by Nick Roney

Real-Estate-'Paper-Cup-'-by-Nick-Roney

Tom Misch and Yussef Dayes return with Lift Off,&nbsp;a song that infuses jazz and funk through modern sensibilities, complete with a lovely video from&nbsp;Douglas Bernardt documenting their live performance of the track&nbsp;with Rocco Palladino, shot on 16mm film in Kiev.&nbsp;DoP&nbsp;Adolpho Veloso utilises drawn-out Steadicam&nbsp;shots, which float through the warmly-lit studio as an&nbsp;orange&nbsp;sun orbits the artists&nbsp;on a track. In the background, a couple are performing choreography as the guitar and bass lines crescendo to an addicting groove.It's a simple and clear concept, and Bernardt finds the magic within the hypnotic performances.&nbsp;

Douglas Bernardt

Vadim Yuzba

Adolpho Veloso

Vlad Dobrik

Leonid Sidorenko

Max Halushka

Lucas Moesch

Timothy Stipan

Company 3

Flavia Gannam

Nash Tv

Connie Meade

Duncan Murray

Radioaktive Film

Valentyn Petyshkin

Kate Galytska

Jazz

Funk

Tom Misch & Yussef Dayes (ft Rocco Palladino) 'Lift Off' by Douglas Bernardt

Tom-Misch-&amp;-Yussef-Dayes-'Lift-Off-(feat.-Rocco-Palladino)'-by-Douglas-Bernardt

Paranoia takes hold in&nbsp;Douglas Bernardt's thrilling vision for Tom Misch &amp; Yussef Dayes.&nbsp;Traversing an&nbsp;subway station in Kiev, the lead character - played by&nbsp;Demian Piatakov -&nbsp;snaps his neck back and forth, trying to catch a glimpse of the eyes trained on him. Everyday people morph into threatening figures as they glare and gossip, and all Piatakov can do is keep walking.Moments later, Piatakov is running through&nbsp;a vast forest, representing his confused emotions and the labyrinth that is his mind. Inside this world, he has a chance to pause and consider his surroundings, a juxtaposition to the dark&nbsp;city and its cacophony of noise and violence.&nbsp;DoP&nbsp;Adolpho Veloso contrasts the two locations through considered lighting and composition:&nbsp;the forest shots utilise slow zooms and breathtaking natural lighting, whilst the train has pulsing artificial light and lots of close-ups. A judicious use of VFX add a huge amount of production value to the project, and help create the haunting and ethereal world inside the character's mind.&nbsp;

Tim Stipan

Cinelab Film and Digital

Alternative

Tom Misch & Yussef Dayes 'What Kinda Music' by Douglas Bernardt

Tom-Misch-&amp;-Yussef-Dayes-'What-Kinda-Music-'-by-Douglas-Bernardt

Director Matthew Thorne returns to his hometown to capture an authentic portrait of its people and places, in the video for&nbsp;The Only Boy Racer Left On The Island.&nbsp;Exploring themes such as lost youth, family dynamics and skewed perspectives on masculinity, the video is both highly affecting and beautifully shot. Thorne lingers on intimate portraits of strangers in the middle of their day to day activities, momentarily pulling them out of real life and giving them a chance to reflect as they stare down the lens.&nbsp;DP&nbsp;Adric Watson's&nbsp;composition of the&nbsp;landscape and establishing shots is also fantastic, keeping things wide to give context and showcase the action happening in the frame, whilst the steady, often locked-off shots represent the crew's role as observers, capturing a story that is solely about the community, not about their presence.&nbsp;

Matthew Thorne

Christiana Roberts

Adric Watson

Nikki Powell

Peter Schulz

The Howl & The Hum 'The Only Boy Racer Left On The Island' by Matthew Thorne 

The-Howl-&amp;-The-Hum-'The-Only-Boy-Racer-Left-On-The-Island-Ft.-Nathan-Bush,-Skye-Bush'-by-Matthew-Throne-

Matilda Finn delivers a surreal and disturbing&nbsp;nightclub-set thriller for Brodinski, inspired by nightclub scenes in the classic hip-hop film&nbsp;Belly, with added notes&nbsp;of David Lynch's Blue Velvet.Overlooking the sexy moves on the dancefloor, a tweaked-out, earphone-wearing Mr. Big&nbsp;descends from the VIP section to join the party, stop everyone in his tracks, and command his security to bring him a terrified partner to indulge his&nbsp;gruesome predeliction. And it ends with a bang.&nbsp;Finn builds the tension through the relentless drive of the simple yet shockingly eery&nbsp;narrative, threatening chaos over ZelooperZ's unhinged vocal on&nbsp;Master Selection, within her perfectly executed world - a club that switches from&nbsp;glamourous and inviting, to dangerous and claustrophobic in seconds. The cinematography by Ben Fordesman is superb, so is the grade by Myles Bevan. Above all, a virtuoso masterclass of direction by&nbsp;Matilda Finn.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Matilda Finn

Gloria Bowman

Dreamers

Melodie Saba

Islay Leefe-griffiths

Jerome Franc

Phil Heron

Stephan Dunn

Esteban Gimpelewicz

Shaun Fenn

Flora Huddart

Andrea Gomez Anzola

Myles Bevan

Time Based Arts

Mathematic

Brodinski ft ZelooperZ 'Master Selection' by Matilda Finn

Brodinski-Ft-Zelooperz-'Master-Selection'-by-Matilda-Finn

Emilie Norenberg gives indie four-piece The Big Moon a fabulous Nineties&nbsp;music video makeover in her video for Take A Piece.Drawing from a style last seen in vids for the likes of East 17 and B*Witched, Norenberg offers a&nbsp;rose-tinted tribute&nbsp;that celebrates the hazy lighting, fisheye lenses and questionable fashion taste that the 90s were so famous for, with the London band as her enthusiastic accomplices.&nbsp;This slightly ironic love letter to a bygone era honours both the look and feel of the decade -&nbsp;its technically spot-on with similarly well-matched performances. And utterly absurd to watch for anyone who lived through it the first time around.&nbsp;

Emilie Norenberg

Nellie Heron-anstead

Liam Wallace Cook

Catharina Scarppellini

Maria Camillia Piana Brizio

Zik Udenze

Hannah Davis

Sian O

#039;donnell

Dominika Kasperowicz

Einar Christian Lindstøl

Caroline Morin

Wash

Mikeal Nakkas

Indie Rock

The Big Moon 'Take A Piece' by Emilie Norenberg

The-Big-Moon-'Take-A-Piece'-by-Emilie-Norenberg

We've been here before, most memorably with Beastie Boys' Intergalactic. But Eoin Glaister puts a whole new spin on a classic Japanese monster&nbsp;movie trope for Joji and Jackson Wang.So&nbsp;Giant Lobster (or Crayfish?) - played by Joji -&nbsp;is causing terror by smashing through&nbsp;the city. It&nbsp;must be saved by Jackson,&nbsp;stoically operating his Giant Robot. Battle ensues amid the cardboard skyscrapers, to the unseemly delight of Jackson's girlfriend.But just when we think that Giant Lobster is vanquished, having been summarily poleaxed by Robot, there's a twist in the tale. It's very sweet - a kind of 'snowflake' revisionism that will enrage&nbsp;neo-conservative lovers of Godzilla films. So that makes it great.What's more, there's also room for an enjoyable epilogue of Joji and Jackson having great fun, mock-fighting on set - until Joji's magnificent lobster/crayfish outfit starts falling apart...

Katie Lambert

Producer

Videos featuring Katie Lambert

2022 (2)

2020 (9)

2019 (14)

2018 (12)

2017 (23)

2016 (17)

2015 (6)

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