Director of Photography

Conor Chalk

Samuel Douek at <a href="https://camp.productions/">CAMP</a> directs a vibrant,&nbsp;mindbending promo for Baby Queen,&nbsp;visualising the insecurities of our 20's, with a hypnotic trip through pastel-pink fantasies and nightmarish liminal spaces.&nbsp;&nbsp;Using a sense of place to reflect the artist's emotional turmoil, the video for Quarter Life Crisis switches between three distinctive vignettes, filmed in a surreal, dreamlike manner.Elevated with a little VFX magic, the video reflects the lyrics in a brilliantly conceptual way, capturing&nbsp;an all too familiar feeling that many viewers will relate to.[imgtoken data:1][imgtoken data:2]

United Kingdom

Nicole Bell

Amy Stephenson

Samuel Douek

Elliot Zelmanovits

Alexa Haywood at Free Agent UK

CAMP 

Jorge Higgins

Francesca Woods

Adam Wells

Josh Jacob

Jak Waughman

Harry Coleman

Felix Wildey

Reiss Alexander

Lucy Wearing

Andi Chu

Electric Theatre Collective

Jamvfx

Polydor Records

Baby Queen 'Quarter Life Crisis' by Samuel Douek

Baby-Queen-'Quarter-Life-Crisis'-by-Samuel-Douek

Kassandra Powell directs a gorgeous promo for breakthrough artist Talia Mar.Riffing off&nbsp;the idea of&nbsp;toxic love, Powell brings to life three&nbsp;different beauty setups using bold art direction, gorgeous styling and sensual movement direction.Balancing a Y2K monochromatic colour palette in the opening with hyper-vibrant concepts later in the visual, the video takes a multifaceted, inspired approach to represent the different sides of Mar's brand and personality.&nbsp;Anchored by an alluring performance and confident direction, it's another hit for Powell and the CAMP team.&nbsp;

Sarah Asmail

Olivia Lockwood

Zack Tate

Kassandra Powell

Aidan Brooks

Kat Cattaneo

Vini Curtis

Daragh Mccann

Seb Joly

Fabio Olgiati

Josh Ighodaro

Alicia Dobson

Caitlin Jones

Sam Marr

Alexandre Nerzic

RCA Records

Talia Mar 'Self Portrait' by Kassandra Powell

Talia-Mar-'Self-Portrait'-by-Kassandra-Powell

Fresh off the back of the electrifying promo for <a href="https://www.promonews.tv/videos/2023/01/13/tayce-swagzilla-kassandra-powell/79946">Tayce's Swagzilla</a>, Kassandra Powell returns with an innovative promo for another graduate of the&nbsp;RuPaul's Drag Race franchise.&nbsp;Blending live action and AI, the video is a riotous romp through surreal visions and killer choreography.&nbsp;Opening in a white room under the watchful eye of a camera, we soon dive into mesmerising AI textures and haunting dreamscapes, which match the breathless pace of the track.&nbsp;Thrilling, stirring work - and another hit in the bag for Powell and team.&nbsp;[imgtoken data:1][imgtoken data:2][imgtoken data:3]

Ally Lux

Sebastian Hinds

Camille Calyssa

Jake Gerrard

Jacob Howard

Matthew Edge

Dale K

Mikat Black

Sophie Yeff

Creative Outpost

Alternative Pop

Hey, Baby 'Theatre' by Kassandra Powell

Hey,-Baby-'Theatre'-by-Kassandra-Powell

Get taken into another dimension&nbsp;in Elliott Gonzo's thrilling promo for Enter Shikari featuring Wargasm.Employing a hypnotic blend of visual techniques, including depth sensors, drones and glitchy post effects, the video sees a man getting chased down whilst the artists rock out in a nondescript industrial setting.&nbsp;Combining a dystopian futuristic aesthetic with degraded footage, the video feels as unique as the innovative track, and will no doubt go down as one of the best crossovers in the genre this year.&nbsp;

Dylan Bolister

Kitty Cowell

Elliott Gonzo

Dave Gourlay

Mouthpiece

Kode

Alex Rice

Nathan Killham

Anita Okpongete

Sam Barnham

Dan Newcombe

Jamie Oliver Lia

Nics Paskauskas

Nathan Greenwood

Katie Dymmock

Coffee & TV

Harvey Mcgarry

Enter Shikari ft Wargasm 'The Void Stares Back' by Elliott Gonzo

Enter Shikari - The Void Stares Back (feat. Wargasm) - Official Music Video

David Ranson explores the disquiet and tension of being in a relationship, in his affecting promo for Boy Bleach.Cut together in an abstract, almost dreamlike fashion, the video races through a series of memories which are connected by movement and subtle transitions.&nbsp;The use of split-screen and off-kilter camerawork heightens the etheral aesthetic, and the lead performance add a certain weight to the emotional narrative.&nbsp;

David Ranson

Poppy Davies

Blindeye Films

Jack Lightfoot

George Lawrence

Austen Lane

Michael Long

Rae Harrison-Doyle

Sarah Scott

Ed Chappell

Chris Bell

Boy Bleach 'Luvu2x' by David Ranson

Boy-Bleach-'Luvu2x'-by-David-Ranson

A super-stylish girl gang kidnap a helpless Finn Askew, in Elliott Gonzo's glossy promo for Tokyo.&nbsp;Marking the release of the artist's latest EP, the video balances a sense of nostalgia with a futuristic aesthetic, as the gang take him via&nbsp;limousine to an unspecified location, for the performance of a lifetime.&nbsp;It's a grungy, cinematic affair, built around a simple yet very effective premise. The art direction and styling are the standout stars of the show, creating a vision that falls somewhere between real life and an angsty superhero film.&nbsp;

Marion Solheim

Ed Chambers

Yelena Guillen Ortega

Scarlett Gardner

Ellie Walker

Nicole Paskauskas

Matt Gabzdyl

Final Cut

Creep Post

Marco Grey

Harry Clements

Finn Askew 'Tokyo' by Elliott Gonzo

Finn-Askew-'Tokyo'-by-Elliott-Gonzo

Elliot Gonzo directs a trippy promo for pop up-and-comer Finn Askew - his first at his new production company home,&nbsp;Kode Media.&nbsp;In the video for Adidas, Finn finds himself walking down a colourful neon-drenched tunnel, pushing his way through ghostly dancing characters, trying to escape from what can only be described as a surreal and conceptual MDMA trip.Finn's journey eventually takes him out of the club setting, through a phalanx of riot police and a snowstorm, towards a big white light.[imgtoken data:1]Having made his mark with riveting work for the likes of Nothing But Thieves, Au Ra and more, this is Elliott Gonzo's first video since signing to Kode Media.&nbsp;“I’ve been a fan of Elliott’s work for a couple of years, and as soon as we met up we really hit it off," says Kode's head of music Nathan Killham.&nbsp;"Elliott’s got a brain full of crazy and cool ideas which I’m really excited to bring to life with him.”Elliott&nbsp;adds “I am delighted to be accompanying such a forward-thinking and lovely group of people on the next leg of my filmmaking journey, to give me the release and encouragement I need to make my bizarre and twisted dreams a reality. They have some amazing directors who consistently push the boundaries of filmmaking and I’m over the moon to be accompanying that roster."If this video is anything to go by, we have lots of surreal and engaging visuals to come.&nbsp;

Kevin Cheung

Ethan Lodge

Cameron Sealby

Joe Munro

Henry Howard

Wash

Alan O’brien

Jack Goodwin

Finn Askew 'Adidas' by Elliott Gonzo - just signed to Kode Media

Finn-Askew-''adidas'-By-Elliott-Gonzo---Just-Signed-To-Kode-Media'-by-Elliott-Gonzo

Hamzaa takes her destiny into her own hands, in the sci-fi inspired promo for In Between directed by Loona Riia.&nbsp;Set in a near-future world, we see the artist perform across several glossy vignettes, whilst an abstract narrative plays out in the background.&nbsp;Complemented by sharp styling and makeup, futuristic art direction and empowering themes, this is a top-notch visual for a fast-rising R&amp;B artist.

Loona Riia

Grace Finger

Tonic

Beth Montague

Molly Fenn

Devan Clarke-Sheward

Tom Hall

Federico Belloli

Amelia Tavenner

Holly Adamthwaite

Paige Cole

Gonçalo Sá Correia

Karol Cybulksi

CHEAT

Henry Medhurst

Carrie Sutton

Sam Seager

Parolophone

Jacob Gerrard

Hamzaa ft Miraa May 'In Between' by Loona Riia

Hamzaa--'In-Between-(ft.-Miraa-May)'-by-Loona-Riia-(concept-Hamzaa-&-Loona)

Dan French has directed an impressive one shot video for Only Girl - that&#39;s Ellen Murphy,&nbsp;a&nbsp;young artist emerging from the DIY music scene of South East London.Set in a mansion&#39;s grounds, Murphy is joined by three dancers who are&nbsp;choreographed by Liv Lockwood&nbsp;to reflect the meaning of her soulful, longing&nbsp;lyrics through movement and expression.&ldquo;Choreographically it was important to capture Ellen&#39;s spirit and the meaning of the song, both of which are so beautiful and powerful,&quot; says Lockwood about the song Bittersweet. &quot;The movement I created, sees the dancers supporting Ellen as she moves through this luscious yet isolated landscape, both effortlessly and with a force behind it; they are kind of like a team of angels, giving her this invisible support that she needs to keep moving through.&rdquo;Ellen Murphy adds that she wrote the song &quot;during a difficult time in my life, when I was trying to adjust and adapt myself to huge changes.&quot; She had written the song Mountain about her boyfriend suffering a brain injury, and she says that Bittersweet was about them re-entering the real world, trying to adjust and adapt to the huge difference we faced in our life.&quot;Despite his recovery, it was incredibly hard to accept the different course that our lives had taken. I realised that one of the only things that could keep me going was being uplifted by the love and support of those around you; the idea that this love can pull you through anything, which I wanted to convey physically in the video.&quot; &nbsp;&nbsp;

Dan French

Georgina Doig

Ellen Murphy

Ro Tagliarini

N/a (one Take)

Nigel Tadyanehondo

Nx Vision

Only Girl (ellen Murphy)

Dancers Meshach Henry, Lydia Cowcher, Jack Butler

Self Represents

Only Girl

Lemon Records

Liv Lockwood

Only Girl 'Bittersweet' by Dan French

Tai Campbell&#39;s stylish video for emerging three piece rock outfit Black Palms augments their nicely-shot performance with well-executed VFX.Smoke and fire effects loom out of the bandmembers&#39; near-silhouettes&nbsp;to reflect their debut release Turned To Ash, exploring&nbsp;what it&#39;s like when you&#39;re under so much pressure you&#39;re about to explode.

Tai Campbell

Andy Woodruff

Epik Music Videos

Ben Pengilly

Sian Roberts

Rock

Black Palms  'Turned To Ash' by Tai Campbell

Jack Barraclough&#39;s video for Mind Enterprises&#39;s old-school dancefloor magnet S.H.A.K.E. is very daft indeed - in a good way.

Jack Barraclough

Jennifer Metcalfe

Jean Dakar

Louis Hollis

Leon Pyszora

Las Bandas Be Brave

Because Music

Dance

Mind Enterprises 'S.H.A.K.E.' by Jack Barraclough

Mind-Enterprises-'S.h.a.k.e.'-by-Jack-Barraclough

Daniel Broadley directs a one-take video for his own musical project Meadowlark, which&nbsp;goes against the grain of the song Headlights. It focuses on the metaphors embedded within the lyrics and expressed in a freeflowing video that sways between Meadowlark (Broadley and Kate McGill)&nbsp;as well as two conceptual dancers.&quot;I wanted to create something a little different for Headlights&nbsp;and I&#39;d never attempted directing a one-take music video before,&quot; he says. &quot;I&#39;d had the idea for quite some time and finally felt like it would work for one of our songs.&quot;

Daniel Broadley

Kode Media

Nicholas Lee Shield

Sabina Emrit

Naomi Lake

Harriet Roberts

Meshach Henry

Meadowlark 'Headlights' by Daniel Broadley

Meadowlark-'Headlights'-by-Daniel-Broadley

Savannah Setten has directed this video for British rapper&nbsp;Yungen first single&#39;s&nbsp;Take My Number, featuring British singer&nbsp;Angel.&nbsp;As&nbsp;both artists grew up in&nbsp;London, Savannah&#39;s aim was to capture&nbsp;an authentic depiction of the city, where they come from, from one of the highest rooftop in central London down&nbsp;to the underground train ride.On the collaboration with Yungen and Angel,&nbsp;Savannah&nbsp;says,&nbsp;&ldquo;I loved the opportunity to collaborate with Yungen and create a London-based narrative for Take My Number that felt very real and fun; and one that people can watch and truly relate to. The visual captures Yungen and Angel&#39;s energy and personality and was a pleasure to create this with such an incredible team.&rdquo;&nbsp;

Conor Chalk

Director of Photography

Videos featuring Conor Chalk

2023 (3)

2022 (1)

2021 (4)

2018 (3)

2016 (2)

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