Following their successful collab for The Last Dinner Party, Dora Paphides and Harv Frost join forces again to create another seriously impressive pop video, for rising singer-songwriter Chinchilla.The video for Cut You Off is a dark fantasy, boasting eccentric costumes, and offbeat, conceptual vignettes in the vein of Tim Burton - with a particular nod to Edward Scissorhands - and the darker side of fairytale lore, all embodying different toxic traits that the artist is ridding herself of. A complete step up in both scale and concept for Chinchilla, the video is a fully-realised, unique vision, which builds upon the artist's persona and character, whilst delivering some very solid alt-pop visuals shot by top American DoP Rob Witt.

LAUZZA directs a breezy Brighton-based promo for Frankie Stew and Harvey Gunn - from the perspective of a troublesome AUX cord. The video for No Idea places viewers inside a car, where Frankie Stew attempts to connect his phone to the elusive AUX cord, ready to unveil the new song he's been working on.However, as the AUX snaps the audience is transported into the POV of the cable itself, offering a unique view of the artists' escapades as they navigate through car seats, fields and the colourful roads of Brighton in their quest to restore the connection.In true LAUZZA style, its an offbeat idea grounded by a commitment to brilliant execution and a confident handle on the zeitgeist - and a great match to the bouncy track.

The latest collab between Jungle's J Lloyd and Charlie Di Placido follows the grand tradition of the band's music videos - and then some. Back On 74 comes as an innovative interactive experience, powered by WeTransfer, as well as the normal video. And its also part of a full visual album of the new Jungle LP, Volcano. The one-take promo is everything you expect from a Jungle video - breathtaking choreography by Shay Latukolan and performances from the regular dancers in Jungle videos, with slick camerawork, and a distinctive aesthetic. It's beautifully lit by DoP Natasha Dursmaa, with sterling work from Steadicam operator Gary Kent.The interactive version was created in collaboration with WeTransfer's in-house creative team and Emmy Award-winning creative studio Nexus Studios. When playing the video on the official WeTransfer-Jungle site, a selection of six unique artworks appear on-screen, populated from a bank of ten thousand created by Josh Lloyd-Watson. The artwork is then made downloadable through WeTransfer, and a hundred lucky viewers also have the chance to find downloadable tickets for upcoming Jungle gigs.And WeTransfer are also benind the making of the entire visual album for Volcano - in which Di Placido and Lloyd explore the relationships of the dancers within the making of a big TV special.

Aus Taylor directs a gripping allegory on racism for LA duo Paris Texas, from the POV of a bullet, chasing a young black man.In the video for Bullet Man, the white teen grandson of a racist redneck transforms into a black teenager, runs from the grandfather's trailer, pursued by a bullet from the old bigot's rifle. The offbeat balance of themes and execution in this video makes for a fresh, unique concept. As dark and grotesque as the allusions to gun violence are, the over the top, almost comical cinematography - which follows the spinning bullet around corners and into a swimming pool - makes it completely surreal and cartoonish. With a riotous climax and an air of mystery to the final scene, it's an unmissable video that lingers long after watching.

Thomas Davis directs a vibrant promo fusing performance and animation for London-based producer Macwetha's new track.The video for Dani Song rides the wave of the latest trends - imbued with a multiformat, Y2K-inspired aesthetic - whilst also carving a unique identity for itself in its inspired, lo-fi approach and a buzzing performance from the artist. It's a great complement to the track, and an exciting breakout for Macwetha - best known as the NiNE8 collective's resident producer and now blazing his own trail as a solo artist.

Yung Filly boasts about the dream life he's living in Dir. Lx's promo for 100 Bags Freestyle. The video has all of the Lx trademarks - mixed media visuals, glossy vignettes, unique perspectives - with a hyperreal aesthetic paving the way for one of the director's best projects yet. Filly's playful performance glues together the flurry of different setups, whilst DoP Tom O’Keefe's polished cinematography ensures every frame is as slick as the last.