Chris Saunders celebrates a decade of Little Dragon in the video for Where You Belong. Utilising over ten years of documentation, shot by the band and filmmaker Pether Lindgren, the footage was collected and curated over a two month period, and edited during the restrictions of lockdown. Spanning a multitude of memories and snapshots of everyday moments, the visual is interweaved with a new live performance, that was remotely directed by Saunders. The edit style is high-energy and colourful, layering footage in quirky and unique ways. A spattering of lo-fi VFX and rotoscoping creates an artistic and abstract aesthetic, that works perfectly within the celebratory concept. It's intended to feel fragmented, as if within the mind's eye of the band members, and takes us through a visceral replay of Little Dragon's story and memories.

Look up! It’s the Queen of Monsters. Lana Del Rey plays a vengeful giantess in this woozy romp by Rich Lee.In an allusion to the ’50s B Movie Attack of the 50 Foot Woman, Del Rey wanders peacefully through downtown Los Angeles towards Venice Beach. Suddenly, the video changes gear. It’s revealed that this entire setup was just a sequence from a pulpy drive-in movie. A different Lana watches, replete in a blonde Shake-N-Go wig, and wonders where her no-good date has gone. Then, in a sublime fantasia, the giantess Lana dances on Venice Beach, before emerging from the screen in a blast of sand to wreak havoc in the real world.Rich Lee is Del Rey’s current go-to director, and this video comes hot off the heels of their double video for Fuck It I Love You/The Greatest. Less recently, he directed a cosmic delight for Love. Doin’ Time was shot by Christopher Probst, ASC and edited by Logan Hefflefinger.Allegedly, the video’s schedule forced them to shoot Lana’s elements before the backgrounds, making this a wild achievement for the crew and VFX team. You can catch a glimpse of Lee’s storyboards here.Who knew that after all this time and speculation about her perceived authenticity, the enigmatic singer was actually guarding a wicked sense of humour. For an artist who has built an entire mythology out of restraint and careful repetition, this is an unusual deviation - a rare foray into kitsch comedy. But in a way, nothing could be more Lana Del Rey than a 50ft Lana Del Rey reclining in the LA basin on a hot afternoon. The risk paid off; this ranks amongst the her most iconic videos.

Ringan Ledwidge makes a very rare return to directing music videos with an absolute riveter for Massive Attack's Voodoo In My Blood featuring Young Fathers (from the new EP Ritual Spirit), with top British actress Rosamund Pike in an encounter in a deserted London underpass with a very menacing floating orb.Ledwidge draws on influences from classic '80s horror (in particular the late Andrzej Żuławski's Possession, and Phantasm 2) to create something with a less obviously creepy aesthetic. But the way that the sphere controls an increasingly Pike is a nailbiting study in menacing suspense, as well as a metaphor on human dependence on technology.And although less obvious that the recent Chemical Brothers video directed by Dom & Nic, this is also the result of some brilliant VFX work, in this case executed by the team at Electric Theatre Collective.