Ozzie Pullin directs an entrancing promo for DJ/producer Tourist, taking us into the world of an amateur Artistic Swimming Team. The video for Valentine presents an expression of love and freedom, through the movement of this team of young women, engaged in what has latterly been described as synchronised swimming - and has been a favourite theme of filmmakers since the early days of Hollywood. In this case, Ozzie Pullin adds another dimension to the subject - an element of documentary and an almost poignant tone, that works with the track. So as well some spectacular water work and great cinematography by DoP Spike Morris - both above and under the water - the inclusion of individual portraits of the swimmers gives additional depth and meaning to their work and performance as a team. Cinematic and utterly captivating, Ozzie Pullin has created a marvellous visual accompaniment to Tourist's uplifing track.

Following Ducrot's stunning rendition of Hallelujah, Slane directs a second live promo with support from The Royal Northern College Of Music Student Choir - this time for I'll Be Waiting. The artist performs at a piano in the confines of a Victorian swimming pool, whilst the camera glides effortlessly around him, eventually revealing the twenty-piece choir situated on the viewing platforms above. Filmed twice to allow for a dramatic lighting change, the video is an absorbing and atmospheric piece of work, that captures the emotion of the track and the magic of the moment in stunning detail.

Ever since his marvellous video for Metronomy's The Bay, David Wilson has been able to make magic happen by the pool. And that's what happens in his video for Glass Animals' It's All So Incredibly Loud.GA's frontman Dave Bayley emerges through wisps of smoke to negotiate the diving board of a swimming pool in a suburban home at night. Yes, once again Wilson is making an English summer appear impossibly glamourous. He also brings us a heightened reality which almost seems nostalgic in its visual crispness.The intention is to capture a moment, and explore it's metaphorical meaning. Shot on both a Phantom and an Alexa, the time when Bayley inevitably enters the pool's water is stretched out to last as long as possible. Time is slowed, just as seems to happen when you dive into cold water - and also when you are faced with the emotional issues discussed in the song.Suitably Bayley also delivers a heartfelt performance to camera in this video that marks a triumphant return by David Wilson to the music video mainstream. A nod too to marvellous camerawork, supervised by DoP David Foulkes.