Alex Southam's riveting, crazy whirlwind of a video for Bring Me The Horizon, has frontman Oli Sykes is a down-at-heel outsider who is remodelled by a sinister corporation to lead a cult - with hair-raising results.In this supercharged Director's Cut, Southam manages to cram pretty much a B-movie's worth of lurid, satirical comic horror into four piledriving minutes of action, with the panache of an early Cronenberg. Mantra is a chaotic mix of mendacity, vulnerability, revenge, served up on a bed of psychotropic drugs, with a helping of voodoo for pudding. Hold on to your hats.

Donald Glover returns as Childish Gambino with This Is America, and a new video by long-time collaborator and comrade Hiro Murai - a scathing satire on the state of the nation.With everything to Glover's 'Jim Crow' pose to the appearance of a Horseman of the Apocalypse being analysed and deconstructed all over the internet, the details are there to be debated and discussed. But the themes of violence, gun reverence, chaos and fear - and the fact that this comes from a black man's perspective - are plain as day. Draw your own conclusions. With it's anarchic, cartoonish action, set in a gigantic hangar, this is a stretch from the uber-cool urban-set videos by Glover and Murai when Childish Gambino was just starting out, and before they started making Atlanta, their Golden Globe-winning TV show.But at the same time this seems in keeping with what has gone before. Glover is a virtuoso performer, who can be different things at different moments. And this is a seriously absurd comedy for serious times.Childish Gambino captures the grim surrealism of being black in America (Guardian)An expert's take on the symbolism of This Is America (TIME)Hiro Murai on 'Atlanta' and the This Is America video (New York Times)

For the second collaboration between Salomon Ligthelm and Young Fathers (following Mr Martyr) the director was inspired by the track to create a world where dictators behave like spoilt little children, throwing tantrums because things aren’t going their way.Sorry, that is the real world. In this case, Ligthelm actually turns our terrifying leaders into children - a great device at the heart of a stirringly satirical and highly entertaining interpretation of the track Toy.“The tone of the track is so visceral and abrasive, which I think marries the political subject matter perfectly,” says Ligthelm. “Looking at the political climate of our time, I’d say truth is certainly stranger than fiction.”With a wonderful cast of youngsters playing the nasty rulers, great locations, lovely photography (DoP Steve Annis give it a classic look) and a fine edit by Dan Sherwen, this is a very strong addition to the excellent campaign of videos accompanying the new Young Fathers' album, Cocoa Sugar.

Jack Whiteley's new video for Young Fathers presents itself initially as a recognisable sub-genre of the medium - beautifully-shot, tastefully art directed, evocative and 'artistic'. And then it begins to strip away at the artifice.Whiteley's video for In My View is a meta-satire that like others of it's ilk works on at least a couple of levels - not least in presenting Young Fathers in a fascinating light. It coincides with the announcement of the band's third album, and makes you want to hear it.

Jillian Banks and director Marie Schuller have collaborsted on this compelling pop video for Trainwreck, spotlighting on the machinations of the music industry through graphic symbolic imagery.And it's quite the nightmarish vision - with three identical, expressionless drones in suits, pointing a massive camera at her and following her every move. Filming her in a dark hallway, the execs duplicate, creeping up behind her for a choreography that can be describes as rythmic manhandling - dropping her onto beds, dragging her back as she tries to get away, manipulating her and coercing her by controling her movements.Frightnening and unfortunately, still grossly relatable, the artist fights the good fight to get back in control of her own creative vision.

Chris Ullens has directed this giddy, over-the-top satire for Kill The Noise's track Kill It 4 The Kids, inspired by a certain American businessman who is running for the 2016 presidential election.It sees a perfectly pleasant town get trampled over by the arrival of Tronald Dump, a greedy business executive who instantly sets up Big Evil Corp (the video isn't aiming for subtlety). Then, he turns the townspeople into crazed consumers by plastering ads all over town. But the job isn't finished until he has sets up a burger chain, of course...

Christiaan Van Vuuren and Nicholas Boshier play their Bondi Hipster characters from their popular Aussie TV show Soul Mates, in this completely over-the-top music video for their song Hipsta Shit. The satirical clip sets out to skewer hipster pretenciousness and by outright slapping their faces off, and after knocking a few eyes out of their sockets, it nearly succeeds in its aim. Described by its creators with a checklist of pop-culture trends, 'sick drops, dragon semen, illuminati symbology, hipster-bashing, and an unborn foetus dumping a pinger,' the result is an entertaining high-budget Aussie version of the infamous youtube meme Being A Dickhead's Cool.

Matt Halsall has expressed his anger and indignation at the result of the UK General Election in May through this cri de coeur for Darkstar's Pin Secure. There is no subtle insinuation to be found here. The dizzyingly immoderate storyline sees burnt-out shop workers tormented by a sexually and psychologically abusive boss (reimagined as an evil Koala Bear) and a monstrous, animalistic ruling class. Clearly Matt Halsall has a bone to pick...