Aus Taylor directs a gripping allegory on racism for LA duo Paris Texas, from the POV of a bullet, chasing a young black man.In the video for Bullet Man, the white teen grandson of a racist redneck transforms into a black teenager, runs from the grandfather's trailer, pursued by a bullet from the old bigot's rifle. The offbeat balance of themes and execution in this video makes for a fresh, unique concept. As dark and grotesque as the allusions to gun violence are, the over the top, almost comical cinematography - which follows the spinning bullet around corners and into a swimming pool - makes it completely surreal and cartoonish. With a riotous climax and an air of mystery to the final scene, it's an unmissable video that lingers long after watching.

It's all sweetness and light in Kemba's world, as he makes his way to work at the diner every day. Only thing is, black men are always getting arrested...Describing his video as 'Get Out meets Groundhog Day', Tomson Tee has created a brilliantly chilling satire on race relations in the USA, for Nobody I Can Trust.Kemba plays an initially happy-go-lucky worker in an aggressively retro-Americana suburb. We witness a loop of the same three scenes that make up his day-to-day routine. And each day it starts with a different African-American person getting arrested, on Kemba's walk to work. And as more and more black men get locked away by increasingly aggressive cops, Kemba begins to notice the town’s attitude toward him shifting eerily, the mood in the diner changing. Things start to get ugly.Tomson Tee's crucial eye for detail serves the narrative so well, using a style employed by B movies and TV shows from the 50s and 60s, and building a surreal nightmare that feels increasingly plausible.Entirely plausible in fact, as the truth about the rise of racism in Trump's America is repeatedly borne out by events.