Roisino directs an exciting performance promo for Denis Coleman. Following up previous collaboration Halogen Nights, Roisino takes a nostalgic, Noughties-vibe approach to this video, which features Coleman facing his demons in a therapist's office. The video switches between a clever two-shot of the artist as both characters, and then plunges into a frenetic, lo-fi fantasy montage. "I wanted to create a meaningful, engaging and realistic yet surreal reference to the experience of anxiety, negative mental health and the harsh reality of entering therapy and the resulting impact," says Roisino. "We used clever masking composition and a split custom set to illustrate that Denis is facing himself as the most intense hurdle for his own healing."Creating subliminal messaging through a TV visualiser, through POV shots, Denis is able to see the possibilities of outlets for his frustration and exhaustion. Eventually the video results in his own music allowing him to reconcile with confronting his demons in an nostalgic 00's epic pop-punk band scene."

Callum Lloyd-James directs an engaging performance promo for Pale Waves' newest release. Across a handful of dark, evocative vignettes, we see the group perform in long takes, cleverly transitioning from scene to scene through hidden cuts. Giulia Mazzocchi's art direction in particular adds a grungy, early 00's vibe to the project, reminiscent of promos for artists such as Avril Lavigne and Blink 182, and perfectly encapsulates the angsty energy of the concept.

Trapped in a video game controlled by men, Beach Bunny's Lili Trifilio breaks free and shows them who really has the power, in Lua Borges' promo for Good Girls (Don't Get Used). Favouring a more authentic, real-world style aesthetic (as opposed to a glitchy, overly vibrant environment), the video combines desaturated pastel-hued cinematography with a kick-ass performance to deliver something strikingly refreshing. The contained, stark location is a perfect setting for the concept, feeling blocked-off in a world of its own, with a brand new set of rules and a sense of anarchic chaos - perfectly suited to the themes that are present throughout the video.

Cult pop-punk band Neck Deep retreat to their native South Wales (Rockfield Studios) for this old-school performance video, directed by Our World is Grey.It has become incredibly fashionable to mine ’90s rock performance videos as a reference. The improvisational approach of videos for Breeders, Pixies and early Weezer, as well as the cheap 16mm aesthetic of grunge, has become oddly aspirational. So it’s great to see a video that looks authentically like the post-rock videos it is channeling. And appropriate for a young, regional band carrying the DIY spirit of that era.DOPs Jamie Harding and Daniel Broadley deserve a special mention. Their period look, shot on 16mm and Super-8mm, gives the video a homegrown, lived-in quality.

Daniel Broadley unfolds a narrative for the emotional December by Welsh pop-punkers Neck Deep over two videos, with two slighly different versions of the track on each one. The first features a guest appearance of Chris Carrabba from Dashboard Confessional on vocals, while Mark Hoppus from Blink 182 appears on the track in the second.In the first video we home in on a couple whose circumstances is putting a real strain on their relationship. And it seems at the end of the first video, that it ends in tragedy...

Dylan Pharazyn has directed this short and impactful video for Kiwi noiseniks Die! Die! Die!'s Dark Arrow in Kiev, Ukraine, which sees a young girl walking through an abandoned industrial park, confronted by her alter-ego - a 'performing' version of herself.