Jack Brown directs a psychedelic, dreamy visual for regular collaborators Yussef Dayes and Tom Misch.The animated video for Rust is a spacey journey through hypnotic dreamscapes and performance vibes, with an inspired blend of 3D background and hand-drawn, 2D characters. This is Jack’s third collaboration with Yussef Dayes and Tom Misch following Nightrider and Tidal Wave (taken from the duo’s 2020 album What Kinda Music), this time for Dayes' first solo album.“It felt really special to work with Yussef and Tom again, to make the third instalment of our animation saga and extra special to do it for Yussef’s incredible debut album," Brown says. "I wanted to expand the world of Nightrider and Tidal Wave by bringing it into a 3D space while maintaining the classic 2D feel."This was made possible by the big brain, super-talented Richard Noble who built these landscapes from my silly sketches. Big love to the small crew of dedicated and talented people who worked on this and to Yussef and Tom for consistently making the best sounding music out there."

Nathan Miller directs an effervescent promo for Ezra Collective, featuring Sampa The Great. Shot between London and Lusaka - the capital of Zambia - the video for Life Goes On explores parallels between daily life and culture in the two cities, framed by two dancers - Lauryn Bryan in London, and Jonathan Tupaki in Lusaka - who energetically tear up the streets with breathtaking dance moves.Portrait-style shots and cutaways of the hustle and bustle of the cities - including markets, restaurants, kids playing sports, traffic jams - create a buzzing, palpable energy which underscores the bouncy track. It's wonderfully celebratory and upbeat, a perfect counterpoint to the London jazz outfit Ezra Collective's euphoric tune. And a terrific music video debut by Miller, recently signed to Biscuit Filmworks.

Trailblazing London jazz outfit Ezra Collective hit the ring in Femi Ladi's joyous video for Victory Dance.Customers of a cornershop receive a mysterious invitation by the shopkeeper, leading them downstairs into the basement and a magical space. Suddenly we are in a big hall, a boxing ring in the middle - not to witness a boxing bout, but the moves of jazz dancer Jay Allen, and a thrilling performance of the individuals of Ezra Collective, and then the group as a whole.This is the band's first ever music video, reflecting their position at the heart of London's resurgent jazz scene. Femi Ladi achieves a sense of wonder and real occasion by keeping things based around the performances, and top and tailing the piece with the narrative element involving the audience. It really works. "I’m a big fan of the Ezra Collective, I find their music so refreshing and unexpected," says Ladi. "I had a personal experience of hearing the band's music for the first time when I stumbled into a performance of theirs by accident a few years back. I instantly became a fan. So, we went with an Idea that had similar journey of discovery with the band playing a secret gig somewhere quite unexpected."

Enter the kaleidoscopic vision of Winston Hacking’s latest promo, for BADBADNOTGOOD's Timid, Intimidating.The visuals are entirely shot on location, with large-scale cutouts held up practically by stand-ins, reflecting Hacking's trademark collage style."The film takes its enigmatic blueprint from the song, constructing playful image associations out of collages shot along the Pacific Northwest," explains Hacking. Undeniably innovative and creative, the video is visually reminscent of Monty Python's iconic art, with a touch of art installation and vintage postcard graphics - but that doesn't do it nearly enough justice. It's rare such a unique vision plays out in this way, and this tour de force has to be seen to be experienced.