Jay Green returns with a mind-bending promo for rising underground star Fly Anakin. The hypnotic performance video for Class Clown features swirling cameras, vibrant lights and otherworldly effects, following the artist as he drives around the city with a small crew late at night. The trippy aesthetic perfectly suits the innovative soundscapes in the track, and Anakin's potent delivery ties together the menagerie of conceptual imagery on-screen. Breathtaking work.

Alessandro Amaducci creates a darkly futuristic animated promo for PROGedia, a mash-up of psychedelic rock and dance beats by Turin-based producer Fed Conti. In the video for Down, a group of lonely androids absorb the energy of the music of the past from a screen, producing a digital hybrid that tries to interpret the sights and sounds. The glitchy textures and unsettling atmosphere of the video perfectly encapsulate the haunting soundscapes of the track, and balances a bittersweet contrast of post-apocalyptic narrative versus our innate appreciation of music - even when our human bodies have evolved to android form.

Daisy Dickinson takes us on a trip through an experimental dreamscape, in her promo for Dana Gavanski's Indigo Highway. Performing on the South Downs we see Gavanski multiplied across various landscapes, forming abstract patterns with her movements and being ripped from the image and replicated in some kind of distorted 3D space.The lo-fi nature of the cinematography lends itself brilliantly to the concept, with the line between reality and the "other" realm being crushed and reinterpreted through hypnotic, rudimental visual effects. “The video was shot between the chalk ridges of the Downs and the seaside cliffs of Rottingdean," says Daisy Dickenson. "The mirror acts as a portal into a dream realm, echoing Dana into infinity.”

To mark the release of her new album The Gods We Can Touch, artist Aurora and director Alexandra Green present an ethereal, experimental live experience. This is a trailer for the performance - which streamed digitally worldwide on the 25th January - and offers a rousing glimpse at the conceptual visuals, promising energetic dance breaks, otherworldly set design and breathtaking soundscapes. The livestream has already happened, but replays of the show can be purchased at https://www.momenthouse.com/aurora.

Rodrigo Inada directs Put It On Your Face!! - an all-singing, all-dancing extravaganza created for Swedish lifestyle brand Byredo andVogue Italia, with original music by Danny Harle and Isamaya Ffrench.Featuring Ffrench with members of the Theo Adams Company - with Adams acting as performance director - this centres around the power of makeup, in particular the new line of makeup that Ffrench has developed with Byredo. Highly theatrical and dripping with slick styling and, of course, flawless makeup by Ffrench herself, the fashion film blends a number of different aesthetics and an eccentric sense of anachronism, to create something daring, original and collaborative.

Lloyd Wakefield pays homage to recent pop culture in his cathartic promo for J Appiah. We see the artist trawl around Hackney streets, captured through chaotic cinematography which encompasses experimental perspectives and unique camerawork. The visual atmosphere leans on the rawness of Britpop and turn-of-the-century hip hop videos - with an infusion of Hackney energy buzzing under the surface.

Bristol-based director Matt Harris-Freeth delivers a playful and surreal one-shot video for Orlando Weeks’ Look Who’s Talking Now.Filled with visual trickery and floating red balls, the camera rotates around a room full of pillars, as multiple figures weave in and out of the space.Tied together with a timeless nostalgic aesthetic, the video is a love letter to the MTV era, and an exciting new direction for Orlando Weeks' aesthetic. Glitchy VFX add an extra layer of texture and experimentation, and elevate the whimsical nature of the piece.

Matt Porter directs and animates the video for Ben Power's Drink Like a God, a Dionysian prayer to late-night lust, to dreams, to longing for home and drinking for the muse.Using highly stylised 3D environments and rich, cinematic visuals, Porter crafts an epic tale of twin souls merging in the night, visualising the lilting emotions of the track. Dreamlike and whimsical in its execution, the world within the video feels dichotomous, at once authentic and artificial, human and alien - and this helps elevate the themes within the concept.