Taz Tron Delix directs the ethereal promo for Calvin Harris and Ellie Goulding's collab on Miracle. The otherworldly video is inspired by the Nineties-style trance elements in the track, exploring a futuristic clash of desert landscapes, anachronistic styling and mysterious movement, revitalising and contemporising the transcendent aesthetics that were born out of the original movement. The video cuts between Ellie wearing a jewelry filled tiara and leather outfit with the look of a powerful Queen on an elevated platform surrounded by what appears to be worshippers in sleek beige suits and balaclavas. The track progresses they march in a strong manner, break-out dancing and wave their hands towards Ellie in a worshiping stance.We then witness different groups of people embracing one another mostly in masks, helmets faces covered, buried in sand, twisting through colourful smoke creating a mysterious tone.Blending a whole host of unusual elements into an oneiric experience, it really is a visual feat that demands your full attention, and elevates the track to a whole new artistic plane.

Jain takes a whimsical journey into outer space, in Jules Jolly's impressive promo for The Fool. The trippy video starts with the artist receiving a Tarot card from a fortune telling machine, before being transported to an arid otherworld, where she begins the journey into space. Blending spectacular VFX landscapes with a gentle performance style, it's a delightful visual with plenty of character. A colourful, imaginative antidote to monotonous grey weather of late winter in the UK...

Hora Bolz directs an impressive music film for El Perro, consisting of visuals for the tracks Call Me When You're Home and Let Me Think That Again.Filmed in southern Spain, the concept is a surrealist twist to the classic Sword Of Damocles story: a couple of outlaws whose life is controlled by destiny and anxiety have to make a decision, to help them understand the true definition of their relationship."The idea for this came hand-in-hand with the location," explains Bolz. "It was really important for me to create a world that felt realistic enough so the surreal elements in it felt authentic. Like when you wake up from a dream, and you need to take a moment to understand what’s going on."For me, the best part when watching a movie - or any art piece - is the interpretation. That’s why I wanted this music video to be like a riddle. It had to be fun for you to decipher, and for me to see what you’ve found."DoP Benjamin Cotgrove adds that the video was shot in extremely testing conditions. "We ended up shooting at the height of summer during 40 degree celsius heat - at times the sun was pretty unbearable," he says. "I knew shooting on 16mm the stock wouldn’t miss a beat and even with our schedule forcing us to shoot when the sun was high noon, film helped to balance the crude, raw sun on the face of our cast."We had an incredible local crew who were not unfamiliar with these conditions and knew exactly how to support us through this: keep a cooler bag ready for the film."

Rollo Jackson's arrresting visual for Overmono serves as a teaser for the electronica duo's new track Is U? - and their forthcoming debut album Good Lies.Jackson's video for the opening minute of Is U? begins with a aerial shot of a twisting road in the desert, then cuts between a BMW coasting along the road, and a Doberman dog (who also features on the album cover) sprinting towards the camera, creating its own tracks in the dirt. The video may be brief, but it leaves a powerful impression. The enigmatic atmosphere creates plenty of mystery around the new track.

Love leads the way in AB/CD/CD's phenomenal promo for Dermot Kennedy's Kiss Me. Lying in the bed of a truck hurtling down an empty stretch of desert road, we see Kennedy and his love interest locked in an embrace, as the vehicle proceeds to break up around them. Boasting seamless VFX work and an absorbing concept, it's an instantly iconic visual, that delivers on the action but never forgets the beating heart of the story.

French-Cuban sister duo Ibeyi scale the desert with Jorja Smith, in Lucrecia Taormina's captivating promo for Lavender and Red Roses. We see the artists trek through the midst of a sandy landscape, following the line of a rope to a well in the middle of the desert. They pour a jug full of lavender and red rose petals into the well - where, at the bottom a mysterious masked man digs further downwards. Arguably this abstract narrative explores themes of femininity and divine energy, suggesting it is time to 'cut the cord', and stop relying on women to pull up men who are not actively helping themselves or looking for ways to improve their own situation. But the beauty of the visual, the magic of Taormina' concept, lies in the various ways in which to read the unfolding action.Taormina weaves this ambiguous and metaphorical tale in her characteristic hyperreal style - not in a real desert, we suspect, but a very convincing studio and VFX-created approximation of one. A certain episode of Squid Game may also springs to mind while watching this too.Once distracted by the petals, the man stops digging, and grabs the rope. Initially, the women pull with all their strength, to help him to climb up, but... then the rope is cut.

Max McLachlan directs a twisted descent into madness for psych-rockers October and The Eyes.Two parallel versions of October, the band's lead singer, roar in a reeling, perpetually spinning promo for their new single, Spiral.The chaotic concept opens in an ominous space and flickers between a green saturated desertscape and a minacious performance setup, whilst the camera builds momentum in a whirring, unpredictable fashion.

Shot in the Australian outback town of Coober Pedy, Confidence Man go buckwild in W.A.M. Bleakley's promo for Feels Like A Different Thing.This is a video that has it all... high-octane car racing in the desert, absurdly infectious dancing and otherworldly outfits, held together by wonderfully exaggerated performances. The location is the star of the show here, the stunning copper landscapes providing the perfect backdrop to the unabashed mayhem that ensues, and the burnt colour palettes perfectly contrast the light, airy vibes of the track.It's a superb sequel to Bill Bleakley's uplifting balloon-featuring video for the Aussie dance outfit's terrific single Holiday.