Louis Browne directs a sensual promo for Jack Newsome's Arms. Taking place amid the vast landscapes of the California desert, the video presents a series of performance vignettes, where Newsome shows off some charismatic dance moves across several distinctive locations. Taking inspiration from the chorus of the song; 'What's the point of having arms if I can't wrap them around you?' director Louis Browne embraces the quarantine world and drops the artist into a world of isolation. A lover of films with American desert landscapes, like Paris, Texas and Nocturnal Animals, the UK-born director has found the perfect opportunity to explore shooting in such locations with the this video.

Tim Mattia continues his collaboration with Los Angeles based group LANY, with the video for You! Shot during sunset in the middle of the desert, the visual is pure performance with unabashed energy to boot. Beautifully shot by Justyn Moro, the minimalist props and art direction help keep the focus on the music and performance, whilst the forward-thinking fashion adds an edge that separates it from similar videos in the genre.

Enigmatic hip-hop artist M Huncho heads to the California desert in Kaz Ove's dynamic performance video for Pee Pee. Coasting down the deserted highway in a luxury sports car, M Huncho thrives in the derelict setting, radiating Mad Max vibes as he speeds and drifts across the isolated landscape. The vibrant video is punctuated with moments of surreal visual effects, the camera frenetically spinning and zooming as the artist performs. DoP Will Turner contrasts the high-energy concept with slow-motion shots of the models flipping their hair and performing choreography, adding a layer of offbeat dynamism.

Col3trane ponders the shifting and unpredictable sands of time in Oscar Hudson's hallucinatory double video for the teenage R&B singer/rapper's Fear & Loathing and Britney.Taking Hunter S Thompson's gonzo classic, referred to in the title of the first track, as his jumping off point, Oscar Hudson and his regular cameraman collaborator Ruben Woodin-Deschamps employ some imaginative in-camera techniques for each song, and create a work that tackles the big subjects: life, death, drugs and flowers. First of all, Col3trane finds himself in the desert, his mental state altered courtesy of interesting combinations of camera zooming and pixellation. Then he's joined by a companion, a Thompson-like figure, transported to the desert after dropping acid, via his bowl of soup. Rather too much acid, as it leads to a decline and demise that Hudson turns into a black comedy of timelapse. And then things start to move back to the beginning... “I always wanted to make a double video for Fear & Loathing and Britney," says Col3trane. "The acid reference is an obvious nod to Hunter S Thompson but it was Oscar’s idea for me and the other guy to turn up in each other’s trips. Oscar is an amazing talent to work with. The song is about being stuck in a loop that you can’t get out of, and he really brought that to life with the visual.”

Fredrik Lund-Hansen gives us a minimal distorted dance film for CFCF's Time Flies.In the heat of the desert, our eyes can deceive us. Mirages warp our perception of the world and ripples appear in solid objects - including people. Distorting and changing how we perceive what's in front of us, Lund-Hansen uses the heat of the desert and some colourfully-dressed dancers to toy with gender.

Nabil takes Mike WiLL Made-It on a hell of a trip in this clip for Perfect Pint.Driving along a desert road in a drop-top before accidentally traveling through a rift in the space-time continuum, Mike Will Made-It & co. find themselves on a hell of a trip. Giant pills fall from the sky, giant women lie around in the desert, Gucci Mane is an astronaut and Kendrick Lamar has a flying car.Imagine if the people behind Fear and Loathing In Las Vegas teamed up with the people behind Coldplay's Up&Up video and everybody took enough drugs to kill an army of Hunter S. Thompsons and you're sort of close.

Rohan Blair-Mangat has directed this sultry slow-burner for Canadian R&B duo DVSN's track Too Deep. Taking place during sunset over a desert landcape, we follow a motorcyclist as she rides towards a fire sprawled along the horizon. When she gets close enough to it, removing her outerwear as she continues her journey on foot, until the sandy ground sinks under her, and she is swallowed into its depths...

Gal Muggia has directed this harrowing dystopian drama for Israeli group On Shoulders Of Giants aka OSOG's Who Who?, following two backpacking travellers through an barren desert landscape.It starts out on a positive note, emphasising the loving bond between the couple, but the true horror of their situation starts to emerge. Their fight of survival is a hard watch at times, because this post-apocalyptic scenario is so close to reality. It serves as a necessary reminder, of the often terrifying plight of refugees from warzones in Syria, Iraq and elsewhere...