Jordan Hemingway directs a darkly rousing, and quite saucy promo for Yves Tumor. In his trademark surreal, gothic style, Hemingway presents an abstract narrative in which the artist is dug up in a forest and thrown into a minacious religious gathering. DoP Jeremy Valender imbues the visual with a otherworldly, foreboding atmosphere, blending fashion and horror film aesthetics to create something dazzingly unique.

Florence Kosky directs a sensual promo for Alicia Davis. The video for Old Habits Die Hard has a contrasting blue- red colour palette, peppered with abstract textures and striking art direction. Alluding to a demonic force - through unusual cutaways and satanic shadows - the video is both impassioned and enigmatic, leaning into dark and dangerous territory with flair.

The Weeknd heralds his new album Dawn FM with a spectacular and nightmarish promo from Matilda Finn. The video for Gasoline is dripping in Finn's harrowing, hyperreal aesthetic, and follows an elderly version of the artist, who crashes his car into a stop sign and descends into a Hellish realm. He regains consciousness in a crowded room, where sinful beings are grappling for whatever physical pleasures they can acquire - sex, drugs, violence... it's all on the cards in this place. The crowd begin to show their true colours, as their faces distort into monstrous forms, and The Weeknd has a face-off with a younger version of himself, ending in another death. This is an enigmatic expression of existential despair in Matilda Finn's signature style, and it's outstanding work. The video touches upon life, death and addiction, and does so with sublime style - and lots of creepy crawlies.

Gustaf Holtenäs directs a mesmerizing and bizarre epic for rock legends Iron Maiden for Stratego, from their acclaimed new album. The film takes place in a Japanese-inspired landscape, with two rival armies heading to battle in an action-filled match of the ancient Japanese strategy game Shiogi. As with his recent video for Black Midi, Holtenäs combines 2D and 3D elements to create a mind-boggling visual to match the monumental tone of the song.This is the second collaboration between Blinkink and Iron Maiden, following The Writing on the Wall, directed by Nicos Livesey, released last month.Stunningly executed, the rich textures, vibrant colours and seamless animation form a dreamy, transcendent aesthetic, contrasted by the riotous, high energy pacing and bloody narrative. Truly epic in scale and well worth a watch.

SOB's latest music video for Hendrix Harris is a darkly, immersive film revolving around a night of seduction.Featuring actress Louisa Fernando, the directing duo - Eseosa Ohen and Joe Sha - create an enigmatic tension between the pair, the suggestion of erotic roleplay and a sense of the pair of lovers grappling with issues of trust.The video carries many of the directing duo's trademarks - rich textures, splendid art direction and an abstract narrative - and matches the addictive soundscapes in the track. Hazy, blurred cinematography elevates the sensual mood of the project, and a clever use of lighting effects creates a heightened, dreamy feel.

Raja Virdi directs another of his signature one-shot live performances, this time for Maisie Peters' US TV debut on The Late Late Show with James Corden, featuring James Bay.Backdropped against a haunting forest set with various lighting effects, the angsty performance is buzzing with an enigmatic energy, and aesthetically reminiscent of a dark fairytale. It's an accomplished debut which packs an emotional punch, and a befitting showcase for a promising up and coming talent.