Your Mother's Favorite Rapper is back with a new hip-hop / pop hybrid - this time joined by fellow artist Chaz Mazzota. Time To Kill follows two FBI agents who are on the hunt for a dangerous killer...but in their investigation, it turns out they were truly searching for each other all along (cue romantic music). Incorporating a thriller-esque narrative with some deadly performance shots (pun intended) it's a heartwarming story and a step up in scope for Jenison's self-directed videography, which is getting sharper and more ambitious with each release.

Noel Paul directs an uncanny, bizarre and hilarious promo for Portland-based rock band Portugal. The Man - featuring unruly team mascot Tank Dog. Filmed (mostly) in Alaska - where the band originate - the video follows the all-pink character's anarchic progress through a snowbound community, bouncing between causing a nuisance and trying to find a sense of belonging in a series of eyecatching vignettes - including, most ominously, strapped to the roof of a moving monster truck, firing a machine gun.As the freezing conditions, and a group of young boys, get the better of Tank Dog, the climax of the video sees a sudden change in location - to a carnival in Colombia. It's quite possibly the most 'Noel Paul' video ever... a high compliment indeed.

A woman falls in love with the Fatberg - yes, you heard right - in Eoin Glaister's marvellously entertaining return to music videos for Sam Dust, aka LA Priest.It's a tale both charming and ludicrous - in other words, classic Eoin Glaister territory - as a house cleaner (played by comedy actor Juliet Cowen) peers into a street drain on her way home from a hard day's work, and sees an amorphous blob of grease and fat - who looks back at her. And they fall head-over-heels for one another...What follows is a both lovely and a little bit disgusting, as Cowen ventures into the sewer system to properly meet the Fatberg, and we follow the inevitable steps of the relationship - the wooing, the (ahem) physical relationship, the arguments, the peace offerings of wet wipes and non-biodegradable products down the loo. And like all stories of star-cross'd lovers, it's not going to end well - but even then, love prevails. Kind of...It's Eoin Glaister's second video for Sam Dust, formerly of Late of the Pier, as LA Priest, and was shot in London over two days on 16mm. “The first video I made with LA Priest involved letting an untrained pack of dogs lick liver paste out of his ears, so Iwas somewhat surprised to get a call regarding It’s You - but needless to say l leapt," he says. “The track is about someone falling in love with a mermaid, but the time of year meant I kept running into safety issues with any water-based ideas. A fatberg provided an altogether greasier route."A few Mighty Boosh references later and we were away. Eternally grateful to the fabulous crew who went above and beyond to bring this to life on Valentine’s Day and to our stars, veteran genius Juliet Cowan, and Vanessa Del Bosco whose zen-like patience made the project possible. Watch out for a fabulous Flusher cameo from LA Priest.”

A naughty schoolboy goes on a sugar-fuelled rampage, in French director and graphic designer So Me's promo for Riton's infectious Sugar - featuring Soaky Siren. The eccentric promo sees the young rascal (played by Ethan Wesley) tear up the town, stealing various sugary treats in a riotous, explosive adventure - much to the dismay of the poor people trying to go about their day.With frantic, in-your-face cinematography, a great supporting cast, some laugh out loud moments - as well as some lively choreography - it's a brilliant video that takes a fun concept and pulls it right to the edge of absurdity... and the track couldn't have asked for a more catchy visual.

KSI and Oliver Tree can't catch a break with the woman they love, in the offbeat promo for Voices.Directed by Oliver Tree, and infused with his unique brand of oddball comedy, we see both artists try to impress the same girl at a romantic dinner - and failing dismally. She sees them as being just too childish. From there, we see a cycle of absurdist vignettes, with big hair, streams of CGI tears and a mini-meltdown at a restaurant. From the unique aesthetic through to the top-notch styling and visual effects, the video is a tour de force of creativity. Will no doubt make some waves come award season.

Aidan Zamiri takes an iconoclastic leap into new territory, and shows that the stuffy British legal drama is ripe for reinvention in his wonderful video for indie duo Jockstrap.The video for the band's splendid Greatest Hits takes on a familiar story throughout pop and rock history, when fame and success leads to in-fighting, legal wrangling, and ends up in court in a blaze of publicity. The genius of the video is how Zamiri gives this story a properly rock 'n roll treatment.Princess Julia - DJ, writer, "beloved mother of London’s underground" (The Gentlewoman), whose first video appearance was in Visage's Fade To Grey - and actor John Foley are superbly cast as the feuding rock couple at the centre of the story, around whom a courtroom epic plays out, delivered through the prism of a lo-fi, trashy, surreal version of Court TV. As a continuous scrolling news tickertape relays details of the somewhat incomprehensible legal case, witnesses arrive and testify and legal officials of the courtroom mouth lyrics of the song. And the portrait by the courtroom artist bursts into full animation.With an unfeasibly large cast of characters and cameos - including Don Letts as a witness and Jamie xx on a legal team - this is a satire on fame and media frenzy that hits the mark without ever losing its sense of fun or cool.In fact, in our judgement, it's supercool.

Director duo Grin Machine - that's Dan Streit and Cole Kush - create a mind-boggling promo for A$AP Rocky, combining tropes of hip hop videos - including Rocky's - with high concept Nineties comedy Weekend At Bernie's, delivered in the directors' wildly experimental comedic style. Released in collaboration with EA’s new videogame Need For Speed: Unbound, the video for Shittin' Me opens with Rocky at the height of his career, barking orders at office employees.But after an unfortunate crowd-surfing incident, Rocky collapses and dies. So his entourage then embark on various methods to keep the Rocky bandwagon/gravy train on the road.This involves their desparate attempts to puppeteer Rocky's lifeless body (as per Bernie's, and the DANIELS' debut feature Swiss Army Man) but eventually they revert to building a new, almost-realistic version of Rocky to replace the old. And hope nobody notices - even though he seems quite a lot nicer than the original Rocky.This gives full reign to Streit and Kush's leftfield aesthetics in a breathless blur of frenetic, AI-enhanced visuals. The whirlwind of imagery and textures create a hypnotic, almost out-of-body experience, and builds to a climax of haunting vignettes that look vomited up straight from the Uncanny Valley. “It was this weird and beautiful situation where Rocky had no notes and was fully on board to try out anything with our bizarre narrative.,” explain the Grin Machine pair. "We’re super grateful for that." The directors took an atypical approach to their unique production design, curating some set decoration and using AI tools to build upon the setups on the three day shoot. Streit and Kush handles all the editing and VFX themselves, implementing experiments from various AI tools including Stable Diffusion, Dall-E 2, RunwayML, amongst others.“We set out to make something that somewhat combined a goofy 80’s-90’s comedy movie narrative, told through a bizarre and frenetic mashup of experimental AI visuals, while still treating it as a 'cool rap video'. We HOPE we have succeeded with this!”

Lauzza and Kibo create a world that belongs in a Sega Megadrive, racing through different random scenarios in the aptly titled Mr Lamborghini Deathslide.Kibo and his pals are hanging out at home when an ancient VHS tape is discovered and slotted in the old VHS player.Cue a series of sharp, snappy, primary coloured yet visually fuzzy vignettes as Kibo raps a stream of memorable one-liners while popping up in an array of different costumes, situations and characters.There's an abundance of wild playfulness and visual inventiveness on display here to neatly dovetail with the infectious energy of the track - which happens to be a UK Garage banger of the old-school. So the lo-fi old school console vibe of the visuals is a perfect match.It's as if the viewer has dusted off their PS1 or N64 for old time sake. Well, you cannot play it, but you can certainly watch it, again and again.