Shan Phearon directs a hypnotic fantasy for Jazmin Bean, featuring Lucy Loone. Combining clever practical elements, novel visual effects and imaginative CGI world-building, the video follows the two artists as they cruise around an otherworldly environment, causing carnage at every turn.The unique aesthetic is achieved through an innovative hybrid of digital and 35mm fused into one image, which heightens the surreality of the eccentric concept. A pastel-pink nightmare with huge ambition, it's a brilliant piece of work from Phearon and team.

Theo Le Sourd directs an optimistic promo for Neil Baselo. In the video for Life, we see Neil, stuck in a nine-to-five job, decide to leave everything behind for a simpler existence.Shot in 4-perf 35mm, the cinematic concept boasts dreamy cinematography, with a gritty yet etheral aesthetic that feels ripped straight from an arthouse film. Life can be beautiful, and Theo Le Sourd has captured that sentiment in just over three minutes with this project. Lovely stuff.

Director trio Bleu Desert create an unsettling and controversial promo for French rap group S-Crew. The immersive concept follows a police car during a night-time patrol in Paris, cleverly shot using only interior and exterior car mounts, depicts the BAC (Anti-Criminality Brigade of the National Police) antagonising and abusing various people on the street - and planting evidence on their targets.The latter part of the clip sees the payback - the vehicle is vehicle commandeered by the S-Crew themselves, who take it on their own tour of the neighbourhood - and building to a fiery climax. Shot on 35mm to give the video a raw, cinematic aesthetic, this stirring and thought-provoking video is a must-watch introduction to an exciting new directing collective.

Bjorn Franklin and Johnny Marchetta direct an intimate portrait of a relationship, in their video for Nick Wilson's Yours To Take. The couple - played by Chuku Modu and Alina Allison - are quite obviously enamoured with each other, spending every day dancing and drinking without a care in the world. But when two men come knocking at the door, it spells the end of their relationship. The video allows some questions to linger, providing viewers with an opportunity to draw their own conclusions. By presenting the more dramatic scenes without any kind of audio track, the directors create an abstract narrative which communicates the emotion and context in a refreshing manner.

KC Locke directs another cracker for AJ Tracey, capturing his superstar lifestyle in a hyperreality of aspiration, for Little More Love. Released to coincide with Tracey's just-released blockbuster second album Flu Game, the video is a glossy, cinematic offering, featuring high-concept vignettes that boast a fantasy lifestyle - from the club to his hotel room at The Shard - and paying homage to iconic films such as Hype Williams' Belly. It's got all the telltale markers of a KC Locke video - top-notch cinematography, fresh perspectives and dynamic performance - whilst feeling like another smooth step-up in both scope and scale.

Joshua Osborne directs the new music documentary for Tom Misch and Yussef Dayes' debut album What Kinda Music.Switching between conceptual performance setups and behind the scenes, fly-on-the-wall filming, the visual delves into the background of production and collaboration, as well as the artists' respective journeys and influences. Punctuated by shifts in tone and pace, the documentary is intimate and informative as well as being brilliantly entertaining. Shot on 35mm, DoP James Rhodes reflects the concept with a dreamy and relaxed aesthetic, elevated by slow and steady camerawork, often acting as spectator in the background whilst the creative process unravels on screen.