Naor Aloni weaves an intriguing crime story for Bastille's Things We Lost In The Fire, which transitions smoothly between more naturalistic scenes and dark, dreamlike set-pieces. Naor travelled to Lithuania to create this very opaque, almost Lynchian tale, packed with stunning images.
Naor Aloni:
"I wanted to create a space that was both cinematic and mystical, somewhere that you couldn't really identify or recognise. I thought that it would be interesting if we filmed in a wide, flat and deserted landscape, but light it as if we were shooting in a studio. We could then play with visual motifs and make it look cryptic and dreamy.
"The band was touring in Europe on a tight schedule so the real challenge was to find a desert near by. Everything happened so fast that before we had time to think, my DOP Jake Scott and I were on a plane to Lithuania looking for locations two days before the shoot.
"I have to give a huge credit to my producer Sonya and Nordic Productions in Lithuania for getting it done over a weekend of pre-production."
| Director | Naor Aloni |
| Production Company | FRIEND |
| Executive Producer | Nico Chavez |
| Producer | Sonya Sier |
| Director of Photography | Jake Scott |
| Editor | Vid Price |
| Editing company | Family Editing |
| Colourist | Matt Osborne |
| Grading company | MPC |
| Commissioner | James Hackett |
| Label | EMI Records |
New Rokkit signing Naor Aloni delivers his impressive promo for Baby Monster's The Fear Of Charlie Sunrise, shot on a budget of £2.5k "and a lot of hard work". "For the Baby Monster video, the …
Shot around his sold-out shows at the world-famous Troubadour club in West Hollywood, Tom Odell delivers a brilliant performance in Jamie Thraves' excellent, thought-provoking new video for …
As aficianados of his videos for The Hickey Underworld will attest, Joe Vanhoutteghem's work is unique - a bleak, disturbing, violent, grubby, weirdly fathomless vision of the world. He …
Romain Chassaing departs from his usual style of pastel colours and post-production trickery to deliver an altogether more cinematic experience for Vitalic’s Fade Away – a blackly comic …
Here are the nominations for the Best Interactive Video, and Best Live Video and Best Live Concert categories at the UK Music Video Awards 2018, including the director, production and label credit …
Here are full details of the nominations for the Technical Achievement categories at the UK Music Video Awards 2018 – including director, production, commissioner and label credit …
Here are full details of the nominations for the Best Video - Newcomer music genre categories at the UK Music Video Awards 2018 – including director, production, commissioner …
Here are full details of the nominations for the Best Video International music genre categories at the UK Music Video Awards 2018 – including director, producer, production company, …
Here are the details of the nominations for the UK music genre categories at the UK Music Video Awards 2018 - including director, production company, commissioner and label …
Greg Barnes, who has directed videos for Kamaal Williams, Haus, Benny Mails and Nathaniel Ratecliff and the Night Sweats, has signed to Black Dog Films in London.With a passion for finding stories …
©Promonews 2018