Rags to riches (to rags) story of the new pop duo that have nothing whatsoever to do with the Yeah Yeah Yeahs. More like this year's wannabe Hoosiers.
The Saturdays’ I Just Can't Get Enough by Harvey Bertram-Brown
Depeche Mode covered by The Saturdays might be a hard pill to swallow, even if it is for Comic Relief. But this will sweeten the pill considerably: a very well executed take on the classic 1940s pin-up style by Harvey Bertram-Brown and his team.
And as Harvey point out below, the look is quite timely. What's more, the Saturday girls wear that austerity- chic lingerie at least as well as Katy whatsherface. And you can always turn the volume down.
Harvey Bertram-Brown on making the video for The Saturdays' Just Can't Get Enough
"Taking influence from artists like Gil Evgren and Alberto Vargos, I set about creating the ultimate pin up video for Comic Relief. Traditionally the pin up girl was a symbol of hope, a moral boost to the boys away from home and an antidote to the depression of the 1930's and 40's. Her glowing skin and perfect airbrushed form were deliberately designed to lift the spirits and make us smile. So, with five beautiful girls and a song designed to bring 'comic relief' and raise money at the brink of our recession, it felt like the perfect fit.
"The video was great fun to make. The challenge was to keep it "cheesecake", light and provocative without getting too sexy. The styling and the attitude had to be just right and we spent hours in front of the mirror together practicing poses. Every time we struck a wrong pose one of us would shout out "hoochy" (or other quotes from America's Next Top Model and Project Runway!)
"The girls are wonderful to work with and a lot of the good humour on set was kept in the video - Rochelle falling off her chair, Vanessa banging her head as well as the pranks the crew pulled on Una and Frankie by chucking popcorn at them or bombarding them with red noses.
"The art direction and styling were kept firmly in a strict colour palette, but the look really came together in the TK. We made the colours even more flattened and painterly, and then finished the look off with sharpened highly contrasted black tones.
"The final look was to make the images to feel printed on Calendars, and each image is even signed by each of the girls in homage to the original pin up artists of the time."
|Production Company||Merge@Crossroads Films|
|Director||Harvey Bertram Brown|
|Executive Producer||Trudy Bellinger|
|Production Manager||James Bolton|
|1st AD||Jay Arthur|
|Art Director||Tom Gander|
Fred Rowson - who has previously directed videos for Police Dog Hogan - brings some night-time mystery to Friendly Fires' cover of the Eberhard Schoener (featuring Sting) track 'Why …
John Malcolm Moore stretches your eyeballs to the limit with this energetic performance promo for Scrifizzer featuring some incredible illustrations from Hattie Stewart. It's a morphing, feisty …
Lee Jones explores the late night, break-up blues with Kate Nash, in this single from Nash's forthcoming album 'Girl Talk'. Kate's unable to tear herself away from the nostalgic …
Caviar has announced the arrival of London-based director Quba Tuakli to the …
Cinelab London, one of the world's leading film laboratories, has expanded its digital services by …
Director Andrew Thomas Huang has taken to social media to bring attention what he feels is …
COMPULSORY-signed director Mitch Kalisa’s debut short film Play It Safe has won the prestigious …
Park Village have announced the arrival of Adam Booth and Leonie Ellis to it's management …
Priscilla Akosua-Boatemaa Owusu, known as Scilla Owusu, and director and producer of videos for …