Studio RM is an award-winning colour grading and finishing studio for film, print and digital.

Since 2010, we’ve continued to discover and collaborate with new and established artists that we respect and admire from around the world. Through our trusted relationships and expertise, we offer a high-end, artistic and curated approach; partnering artists and brands with our team across our studios in London and New York.

Colour grade company

Studio RM

C Prinz sets up a performance video in a single white room, then toys with viewers' perceptions, in her video for LA indie band The Marias.&nbsp;&nbsp;Within this space, the band's lead singer Maria Zardoya moves from what appears like a conventional live performance of the track Back To Me into a journey through the room's unorthodox layout and dimensions - including the optical effect of the window, or gap, revealing the outside world beyond the room.C Prinz's talent is to blend storytelling with raw movement, in this case to echo the song's&nbsp;themes of love and loss."Maria is like a timeless vessel," she says. "Her presence is something you can't quite put simple words to... magnetic and present like an otherworldly essence. And when I heard Back To Me it plunged me into that beautiful liminal space. Caught between this realm and some other."The music video we created together is a visualisation of this feeling state - a gracefully tortuous one."[imgtoken data:1]&nbsp;&nbsp;[imgtoken data:2]&nbsp;&nbsp;&nbsp;

United States

Brielle Hubert

Harper Slate

C Prinz

Eli Raskin

Sally Sujin Oh

SMUGGLER

Tate Mccurdy

Maximilian Pittner

Joel Spencer

Elizabeth Doonan

Tori Himes

Jon Coyne

Ryan Sax

Milo Kim

Aitor Bigas

Myles Bevan

Hands 

Rock

Indie

The Marías 'Back To Me' by C Prinz

Harry Tomlin puts a breezy twist on the story of Adam &amp; Eve in his latest for singer Kat Penkin, turning it into a female revenge fantasy. How do you like those apples? &nbsp;The video for Ugh begins in a crowded waiting room, where a young man&nbsp;ditches his girlfriend to chat up&nbsp;the&nbsp;receptionist - played by Kat. She offers him an apple - and with one bite he's transported to Eden-like countryside. Kat is about to teach him a lesson.What follows is an entertaining comedy, where Kat expresses her disgust by terrorising the chat-up guy in outlandish scenarios&nbsp;- usually involving apples - plus wonderfully stylised performance set-ups which accentuate Kat Penkin's cheeky and irreverent&nbsp;personality.&nbsp;&nbsp;&nbsp;&nbsp;[imgtoken data:1]“I wanted the opening scene to subvert the style of the piece," says Tomlin.&nbsp;"Cinematic, desaturated and slow, luring the viewer into a world that we would soon flip on its head. Then we gave ourselves the licence to go all out with the rest. Bright, saturated, poppy, infectiously fun.“Unlike some of my other work, I wanted this to feel very graphic and editorial, taking inspiration from photography and magazine covers to bring an iconic style as Kat enters a new era in her career with her new EP!”[imgtoken data:2]“I love working with Kat, we have a great shorthand and a real mutual trust in each other which always allows for a fun process and fantastic end result."We started discussing the Garden of Eden and how exciting it could be to explore this cheeky, subversive world, that felt slightly perverse in how ‘Adam’ was being tortured, but ultimately sympathising and rooting for Kat.”

United Kingdom

Luba Kuziw

Taise Kerr

Savannah Jones

Harry Tomlin

Charlotte Bamonte-valerio

Andrea De Leon

Linus Sandelands

Estefania Carpio

Gemma Mancinelli

Gule Korkmaz

Rossino Elia Griffin

Elina Balint

Eden Rae Read

The Assembly Rooms

Alyssa Medina

Tom Kingman

Audio Network

Kat Penkin 'Ugh' by Harry Tomlin

Kat-Penkin-'Ugh'-by-Harry-Tomlin

Drake brings a calvacade to the film studio in Theo Skudra's super-sized extravaganza&nbsp;- filmed in IMAX.The video for Nokia is a melting pot of ideas, paying homage to hip hop and carnival through squadrons of dancers, Drake's hometown of Montreal and the graphics of the pre-smartphone era - and much more.&nbsp;It's brought together in the grand style&nbsp;and black and white aesthetic in the manner of the golden age of Hollywood. A treat of Drake's huge fanbase.[imgtoken data:1]&nbsp;

Theo Skudra

Jason Aita

denim

Christian Tyler

Alex Dall'Orso

Cameron Frengopoulos

Kelly Jeffrey

Tanisha Scott

Lewis James

David Dennis

Drew Ferguson

Drake 'Nokia' by Theo Skudra

DRAKE - NOKIA (Official Music Video)

Candice Lo directs an impassioned performance by Griff, taking its inspirational cue from the songtitle. And things are going to get messy.The video for Last Night's Mascara begins with Griff in white, in an all-white space. But the first smudge of black indicates what is coming, as Lo orchestrates the addition of streaks of 'last night's mascara' through the pop singer's choreographed performance.&nbsp;She mars the white space and her own clothing with handprints and stains, as the&nbsp;ever-flowing mascara acts as a cathartic release, leading to an artistic portrayal of grief. A captivating concept anchored by the artist's commitment to the performance, and Lo's inspired direction.[imgtoken data:1][imgtoken data:2]

Ash Halliburton

Adam Reid

Ella Hill

Mike Coley

Kamran Rajput

Candice Lo

Isabella Culver

Academy Films

Kirstin Cruickshank

Vini Curtis

Jaime Ackroyd

Heza Jalloh

Medb Riordan

Elsa Grace

Dan Huntley

Barney Batchelor

Fredricka Lathbridge

Jay Revell

Tomi Roppongi

Michelle Dacillo

Amy Dang

Avenue Studio

Warner Records Uk

Mouthpiece

Griff 'Last Night's Mascara' by Candice Lo

Griff - last night's mascara (Official Music Video)

BRTHR return with a delirious dream of a video for JENNIE and Dua Lipa's internet-busting team-up on Handlebars.The directing duo (Kyle Wightman and Alex Lee) have, rather incredibly, been making music videos for over a decade in their distinctive and highly influential&nbsp;style. And once again they deliver a breathtaking&nbsp;bombardment&nbsp;of imagery, fused by propulsive editing and virtuoso VFX. But rarely, if ever, has their&nbsp;maximalism been so lazer-focussed on producing sheer, shiny&nbsp;gorgeousness on-screen.The ultimate style and look is so very BRTHR, but they have been ably assisted by individuals who have been involved in other hugely impactful pop videos of recent times. DoP Ben Carey and colourist Myles Bevan play their part here too, in achieving the fusion of old and modern Hollywood-style glamour&nbsp;at the heart of the Handlebars&nbsp;video.&nbsp;[imgtoken data:1][imgtoken data:2] &nbsp;

BRTHR

Bryan Younce

Saul Levitz

LFR Productions

Sergio Vaccaro

Francesco Rizzo

Luigi Rossi

Chris Dodds

Ben Carey

Jeremy Herron

Griffin Stoddard

Brandon Tan

Allison Twardziak

Graham Patterson

Modern Post NYC

Alex Lee

Vhs Entertainment

Moritz Staub

Columbia Records

K-Pop

JENNIE & Dua Lipa 'Handlebars' by BRTHR

JENNIE & Dua Lipa - Handlebars (Official Video)

Studio RM is expanding its footprint in the advertising world with the addition of Senior Colourist Jack McGinity and Executive Producer Mike Coley at the company's London studio.&nbsp;McGinity (above left) joins from Harbor Picture Company, with prior roles at acclaimed studios Cheat, Time Based Arts, and Rushes. Two decades of experience has meant McGinity has played a key role in shaping the visual language of leading commercial campaigns, helping brands stand out in an increasingly competitive landscape. His ability to combine artistic sensibility with technical precision makes him a sought-after collaborator for agencies and filmmakers looking to create work that emotionally resonates, on campaigns for Palace x Gap, Nike, McDonalds, Harry's&nbsp;and more; and on recent music videos for Rema and Hak Baker.In addition, McGinity’s recent BAFTA-nominated projects include Sienna Miller-backed Marion (2025, OB42/Solab) with directors Joe Weiland and Finn Constantine and DoP Harry Wheeler, Rye Lane (2023, Searchlight) with director Raine Allen-Miller and DoP Olan Collardy, and Such Brave Girls (2023, BBC Three) with director Simon Bird and DoP Ed Tucker.Joining McGinity is Executive Producer Mike Coley (above right), who worked alongside him at Cheat for many years. Known for his keen ability to build relationships and manage creative projects, Coley’s addition complements Studio RM’s ethos of collaboration and integrity at a time when the company is setting its sights&nbsp;on offering brands and agencies an even greater level of creative excellence across film, print, and digital media.Founded in 2010,&nbsp;has carved a niche in the industry with its expertise in colour and finishing for motion and stills and is now based in London, New York and Paris. Their growing global roster includes&nbsp;award-winning colourists Myles Bevan and Jamie Noble, and recent signing Jules Wileman."Studio RM’s commitment to craftsmanship and collaboration aligns perfectly with how I work," says Jack McGinity. "Their reputation for elevating visuals through colour, across disciplines makes this an exciting opportunity to refine and expand my approach for brands that want to stand out."Mike Coley adds that he considers Studio RM’s approach to colour and new business as being unique in the UK market.&nbsp;“Their emphasis on quality and artistic integrity resonates deeply with both Jack and me," he comments.&nbsp;"Together, we aim to build meaningful relationships while delivering work of the highest calibre.”• Jack McGinity's showreel at Studio RM <a href="https://studio-rm.com/services/colour-grading/jack-mcginity" target="_blank">here</a>

Jack McGinity

Colour team Jack McGinity and Mike Coley join Studio RM

Holly Hunter self-directs the festive and funny&nbsp;promo for Ho Ho Ho (The Christmas Number One).&nbsp;In the video, we see Holly portray a village gal going for a rather alternative attempt at Christmas number one, with a rambunctious and risqué rap performance to a sparse Nativity play audience.Deadpan performance&nbsp;clashes with bright red latex costumes and a full backdrop display, bringing the holiday vibes in a playful and frankly rather saucy way.&nbsp;It's a competitive world out there at this time of year, and even if it doesn't quite topple Last Christmas, it's unlikely you'll see a more memorable Christmas debut this year...&nbsp;[imgtoken data:1]

Holly Hunter

Jacob Bacon

Charlotte Nind

Jack Hayter

Jules Wileman

Holly Hunter 'Ho Ho Ho (The Christmas Number One)' by Holly Hunter 

Holly-Hunter-'Ho-Ho-Ho-(the-Christmas-Number-One)'-by-Holly-Hunter-

<h3>The colourist, who recently joined Studio RM, on the influence of cult TV show Utopia, her amazing&nbsp;trip to Japan this year&nbsp;and creating her own film emulation box of tricks in the grading suite.</h3>In just five years, Jules (aka Juliette) Wileman has built a substantial reputation as one of the top young colourists working in London. And she has now made a big move across town to a new home, from Absolute Post to the London base of <a href="https://studio-rm.com/" target="_blank">Studio RM</a>.At Absolute, under the mentorship of award-winning colourist Matt Turner,&nbsp;she&nbsp;quickly progressed from assistant to grading her own&nbsp;jobs, accruing&nbsp;commercial projects for Samsung, Burberry, Expedia, Aston Martin, TikTok, Women’s Aid, Adidas&nbsp;and more. In the process, she&nbsp;developed creative&nbsp;relationships with numerous directors and DoPs, including&nbsp;Fan and Fon, Hot Icarus, Stephen Pipe, Benedict Spence and Rosie May Bird Smith. And she has been consistently busy with music videos too, grading numerous projects for the likes of Anne-Marie x Aitch,&nbsp;Talia Mar, Manga Saint Hilare and Harvey Causon.Wileman has now joined Studio RM, based in the company's&nbsp;London studio, and part of Studio RM’s global roster of award-winning colourists, joining Myles Bevan and Jamie Noble. On her arrival at the company, Camilla Bateman, Studio RM's global MD, described her as a rare talent.“Jules brings an artistic sensibility to her advertising and promo work that perfectly aligns with Studio RM," commented Bateman.&nbsp;"As our global presence continues to grow, her expertise is invaluable in expanding our fashion, luxury, and music offerings into new advertising categories, all while maintaining the beautiful aesthetic we’re known for.”A&nbsp;good time, therefore, to catch up with Jules Wileman and find out how momentous a year she has been having, in our latest Snapshot Q&amp;A.&nbsp;Name: Jules WilemanBirthday: 6th OctoberWhere did you grow up? North LondonPlace of further education and course (if any)? Bournemouth University, studying TV ProductionWhere do you live now? Walthamstow. So really not far from where I grew up!Name a film or video or other creative work that had a huge influence on&nbsp;your career choice?Utopia, the Channel 4 series, was a huge inspiration to me – I just loved everything about the visuals. Otherwise, it’s hard to single out one piece, as there are tonnes of creative works that have influenced me in some way or another..![imgtoken data:1]What were the important first projects for you, in terms of a learning&nbsp;experience and getting noticed?<a href="https://www.youtube.com/watch?v=AqcUDZvOA9M" target="_blank">World’s Strongest Women for Women' Aid</a>, directed by Fern Berresford, was a&nbsp;big turning point for me. It was one of the bigger projects from the start of my&nbsp;career that helped me get my name out there.However, I think all of the first projects I did were important! Each one was a&nbsp;different learning experience. For example, A.G Cook - Beautiful Superstar,&nbsp;directed by Prosper Unger-Hamilton, was my first music video grade, and my first remote session! Ironically, some of the references were from&nbsp;Utopia&nbsp;so it felt a bit like&nbsp;fate...[vidtoken data:0]Best film you’ve seen this year? <a href="https://www.imdb.com/title/tt27367464/" target="_blank">Kneecap</a> – it's kind of like an Irish Snatch.&nbsp;But then, I’m not sure that’s a fair way to describe it, as it’s pretty unique. It’s one of the few films this year I’ve left the cinema just grinning, without any comments; I've been told I can be a bit of a harsh critic, so this is quite rare!Favourite song/album/music artist this year? I’ve been listening to The Paul Simon Songbook a lot this year, with some Billy Joel mixed in too. My music taste is a bit all over the place though; I’ve also been loving Alligator Bites Never Heal by Doechii, and a fair bit of Rex Orange County.<blockquote>Music videos are my favourite things to work on - but it’s often beg/borrow/steal to get anything done.</blockquote>Favourite music video/videos you’ve seen this year?<a href="https://www.promonews.tv/videos/2024/10/04/fka-twigs-eusexua-jordan-hemingway/88435" target="_blank">FKA twigs – Eusexua</a> by Jordan Hemingway is amazing; I love how surreal it is, and of course FKA is stunning. Whilst it’s not my normal music taste, I really enjoyed <a href="https://www.promonews.tv/videos/2024/09/03/sabrina-carpenter-taste-dave-meyers/87988" target="_blank">Sabrina Carpenter's Taste</a>, directed by Dave Meyers. All the classic horror references were fab, and I particularly loved the reference to Death Becomes Her.&nbsp;And Rex Orange County - Finally directed by Nicholas Walker is beautiful, and pretty much one-shot which is so impressive![vidtoken data:1]Technically this came out last year, but <a href="https://www.promonews.tv/videos/2023/01/16/antslive-number-one-candidate-tom-emmerson/79967" target="_blank">AntsLive's Number One Candidate</a> directed by Tom Emmerson is one that I still think about from time to time. It’s just so cool!What has been (or usually is) your favourite night out this year? I’ve ended up in <a href="https://www.slimjimsliquorstore.com/" target="_blank">Slim Jim’s</a> quite a few times; not sure I’d call this a favourite though!In terms of the music video-related jobs of the past year or so, what were the most rewarding creatively, and why?Tove Lo – Let Me Go Oh Oh (directed by Fa and Fon) and <a href="https://www.youtube.com/watch?v=UhAaIvmZxZw" target="_blank">Desire</a> (directed by David Wilson). These were two of four promos going out, and it was an interesting challenge to simultaneously grade each to have its own visual identity whilst also making all four feel like they were in the same world. David was jumping between my suite and Matt Turner’s (who graded the other two) which was quite amusing![vidtoken data:2]Glass Animals' The Extremely Existentially Late Show,&nbsp;directed by Jim Wilmot. This was a trio of VEVO live performances, that were also cut together in one long mega-mix, also featuring the artist’s dog! We went with a film emulation look in the end, and I got to use a preset I’d made myself. Luckily it worked, and we were both really happy with the final look. It was also a great challenge to copy the look of the CRT monitors in Show Pony specifically![vidtoken data:3]What are your favourite other (non-mv) projects of the past year or so?The short film Rise, directed by SHIRZAN [about the women's protests in Iran], is one of the projects I’m most proud of, and pleased to have been involved with. It ended up an Immortal Award too, which was a nice bonus![vidtoken data:4]Life Uncensored&nbsp;for Lionsgate+, directed by Diego Nuñez Irigoyen, was fun - we played around with varying degrees of film emulation which I always enjoy doing. This was another job where I used my ‘magic emulation box’, and it was shortlisted for the Craft: Colour Grading at the Berlin Commercial 2024 Awards which was a great ego boost for me.There are a few projects in the works that have been wicked to grade this year, and I can’t wait for them to be out in the world.What’s the most surprising thing that’s happened this year?&nbsp;I did a solo trip to Japan, which is the first time I’ve ever travelled alone – it was unbelievable, and somewhere I’d love to visit again. It was also quite liberating to be able to do exactly what I wanted, when I wanted. Plus, I was able to spend some time sorting my brain out and came back far calmer and more refreshed![vidtoken data:5]<blockquote>This was another job where I used my magic emulation box.</blockquote>Your top suggestion to change and improve how the music video industry works? It’s difficult to have a proper opinion on this, as I’m only in post, so I don’t really know the nuances of production. However, I do think it would be nice if there was a bit more time and budget put aside for post!Music videos are my favourite things to work on, but a lot of the time it’s beg/borrow/steal to get anything done. On the other hand, it is quite amazing to see what can be achieved on shoestring budgets, and it’s always quite satisfying to have helped in some way.What are you looking forward to for the rest of the year? In terms of work, I’m excited to carry on getting stuck in at Studio RM; I’ve only been here a short while, and I’m loving it! Otherwise, I have lots of plans with family and friends to enjoy. Most importantly, seeing the family dogs as much as possible – they always improve my day!• Jules Wileman is now at Studio RM; watch her showreel&nbsp;<a href="https://studio-rm.com/services/colour-grading/jules-wileman" target="_blank">here</a>.

THE SNAPSHOT Q&A: Jules Wileman

A. G. Cook - Beautiful Superstar (Official Video)

Rex Orange County - Finally (Video)

Tove Lo & SG Lewis - Let me go OH OH (Official Music Video)

Glass Animals - The Extremely Existentially Late Show | Vevo Official Live Performance

‘RISE’ بپاخیز

LIONSGATE+ - Life Uncensored - Just Romance

Directing duo UNCANNY direct an uplifting new promo for Obongjayar's super-catchy Just My Luck, featuring the singer. -songwriter down at the swimming baths with a synchronised swimming team.&nbsp;Packed full of graphic images and a punchy colour palette, we follow a team of synchronised swimmers as they perform&nbsp;around the artist - and pull off some impressive choreography.&nbsp;The video blends dynamic underwater cinematography with breathtaking shots above the water to create a well-rounded, captivating visual. And&nbsp;UNCANNY conjure&nbsp;a playful mood throughout, exemplified by Obongjayar's captivating central performance.&nbsp;&nbsp;

UNCANNY

Maggie Curwin

Peter Bishop

Toby Heard

Thomas Viney

Jamie Noble

Martina Trlik

Christopher Broomfield

Obongjayar 'Just My Luck' by UNCANNY

Obongjayar - Just My Luck

Ruy Okamura directs a dazzling&nbsp;promo for reigning Eurovision champion Nemo.&nbsp;The video for Eurostar is a vibrant ode to freedom, identity&nbsp;and the electrifying&nbsp;pulse of&nbsp;London's queer club scene.Featuring exciting cameos from Nemo's Eurovision friends, the video is a full-throttle trip through colourful performance vignettes and frantic snapshots of life.Dizzying camerawork and a quickfire edit heighten the atmosphere, whilst the punchy, vibrant styling and makeup create an unforgettable experience.&nbsp;

Switzerland

Sam Storey

Ruy Okamura

Nathan M. Legger

Lovechild

Nikita Khatsarevich

Aidan Brooks

Luke Clifton

Samuel Barnham

Mike Vega

Nemo 'Eurostar' by Ruy Okamura

Nemo-'Eurostar'-by-Ruy-Okamura

Colin Solal Cardo shoots this singularly dynamic&nbsp;video for Paris-based queer pop artist JENYS - shot entirely on an iPhone.&nbsp;&nbsp;The video for Like A Virgin crafts a compelling dynamic&nbsp;between JENYS and the&nbsp;camera in perpetual motion, allowing them to move together as partners as the performance intensifies.&nbsp;Using a motion control arm, the cinematography is explosive and hypnotic throughout, matching the impressive dance performance.&nbsp; Solal Cardo envisioned the video as “an intense performance brimming with rage, humour, and catharsis,” focusing on capturing Jenys, a young artist in her prime. Known for her hands-on approach to her art, writing, singing, producing&nbsp;and directing, the challenge was to showcase her skills as a performer.It's a sizzling achievement, ramping up in energy from start to end, with a frantic and effortlessly cool final result.&nbsp;&nbsp;

Malik Le Nost

TrÉ Koch

Colin Solal Cardo

La Pac

CÔme Naulleau

Jeff Bierman

Lola Idounda Charles RamarÉ

Flore Pierens

Mathieu PÉrez 

Mathis Liabeuf

Georges Fromont

Matthieu Legoupil

Katrin Sachenko

Catalina Sartor

Marco Novoa

Émilien Denis

Axelle Duarte

Lavko Gavric

JENYS 'Like A Virgin' by Colin Solal Cardo

JENYS - Like A Virgin (Official Music Video)

Directing team TORSO direct a sensational video&nbsp;for Katy Perry - a mind-boggling clash of stunts and sex - for I'm His, He's Mine -&nbsp;featuring rapper Doechii.&nbsp;It opens with a skydiving scene, where Katy shares a kiss with her partner, creating a striking contrast between the intensity of the fall and the tenderness of the moment.&nbsp;Between these freefall moments, we see Doechii in a glass elevator, defying gravity.&nbsp;The video seamlessly transitions into further strking sequences: Katy slides across the bonnet of a moving Corvette, dressed in a metallic bikini - and doing the splits -&nbsp;while Doechii is suspended from a drone, wrapping her legs around her crush.&nbsp;[imgtoken data:1]The directors also play with surreal moments, such as a scene where Katy Perry and her partner kiss in the middle of a busy road, paying no attention to the traffic around them. Alternating between studio and outdoor shots, with lighting and wind effects, the video manages to balance chaos with intimacy, all while maintaining the energy of the song right through to the end.After a less than auspicious start to the campaign for her new album, Katy Perry silenced her numerous detractors with her show-stealing performance at the MTV Video Music Awards last week. That featured breathtaking high-wire work, and so the arrival of TORSO's video is a perfectly timed companion piece.It's also the directors' first video since they had Charli XCX crashing through Charles De Gaulle&nbsp;airport for <a href="https://www.promonews.tv/videos/2024/03/04/charli-xcx-von-dutch-torso/85511" target="_blank">Von Dutch</a>, at the start of her Brat summer. This one is also not afraid of being brazenly OTT - only ramped up several notches higher.&nbsp;Katy is definitely back now.&nbsp; &nbsp;

Georgia Pendlebury

TORSO

Jules de Chateleux

DIVISION

Jeremy Valender

Laure Salgon

Javier Prieto

Nicolas Huchard

Rick Henry

Alexandra French

Will Town

Elisa Johanna Känd

Monumental Fx

Colin Journée

Mathieu Jussreandot

Mathilde Hamart

Katy Perry ft Doechii 'I'm His, He's Mine' by TORSO

Katy-Perry-Feat.-Doechii-'I'm-His,-He's-Mine'-by-Torso

Studio RM has announced its partnership&nbsp;with the <a href="https://ukmva.com/76-welcome" target="_blank">UK Music Video Awards</a> for the fourth year in succession, and their sponsorship of&nbsp;the prestigious award for Best Colour Grading In A Video at this year's UKMVAs for the third time.Founded by Robert Moore in 2010, <a href="https://studio-rm.com/" target="_blank">Studio RM</a> is an award-winning colour and finishing studio for film, print and digital, offering&nbsp;a high-end, artistic and curated approach. Studio RM&nbsp;partners artists with teams in London, New York, and now also in Paris, where the latest studio opened in June.&nbsp;The news of Studio RM's partnership with the UK Music Video Awards 2024 comes during a big year for the studio. Together with the opening of the new base in Paris, awards have been won at&nbsp;Sharks, AICP&nbsp;and Ciclope. The studio's increasing output of grading for music videos has included high profile promos for Charli XCX, Troye Sivan, Griff and The Dare.&nbsp;Furthermore, Studio RM's New York base is expanding, with London-based colourist Myles Bevan relocating there this month.[imgtoken data:1]"We're thrilled to sponsor the colour grading category at the UKMVAs for the third time," says Camilla Bateman, Global Managing Director of Studio RM. "Music videos provide a unique opportunity for artists to collaborate creatively and explore bold new ideas in post-production. This year, we're especially excited to see the colour grading category expand to celebrate more exceptional projects including those created on smaller budgets."The Best Colour Grading In A Video category is one of&nbsp;37 awards in all at this year's UKMVAs,&nbsp;including prizes for best video by music genre, technical achievement and individual and company categories.The full range of categories can be found at&nbsp;the UKMVA website&nbsp;<a href="https://ukmva.com/30-categories" target="_blank">here</a>. More entry info is&nbsp;<a href="https://ukmva.com/41-entry-info" target="_blank">here</a>. Entries to the awards are now being accepted on the website,&nbsp;<a href="https://www.ukmva.com/videoentry" target="_blank">here</a>&nbsp;and&nbsp;<a href="https://www.ukmva.com/individualentry" target="_blank">here</a>. The deadline for entries is in less than a month's time - at midnight (BST) on&nbsp;Thursday, 1st August.That will be followed by two rounds of judging in most categories, with an announcement of nominations in late September. And the UK Music Video Awards 2024 ceremony will return to&nbsp;Magazine London, near the O2 Arena&nbsp;in London, on Thursday, October 24th.• UK Music Video Awards 2024&nbsp;<a href="https://ukmva.com/76-welcome" target="_blank">website</a>[imgtoken data:2]&nbsp;&nbsp;

UK Music Video Awards 2024: Studio RM sponsors Best Colour Grading In A Video

Nick Harwood's video for The Dare - aka Harrison Patrick Smith - channels a legendary perfume ad, directed by a legendary photographer, for the US&nbsp;singer and musician's track Perfume.Harwood and his team - including DoP Ben Carey and Studio RM colourist Myles Bevan -&nbsp;faithfully recreate&nbsp;the classic commercial for the launch of CK One, directed by the great Richard Avedon, for the&nbsp;for the US&nbsp;singer and musician's track Perfume, from his debut album What's Wrong With New York.Rather incredibly <a href="https://www.youtube.com/watch?v=7Oskart1IGI" target="_blank">the original ad</a>, featuring Kate Moss,&nbsp;is now 30 years old. But as Harwood and The Dare demonstrate, Avedon's classic style of studio portraiture is&nbsp;never going out of fashion.&nbsp;[imgtoken data:1]