Production Company

Partizan

Singer-songwriter Myles Smith steps behind the camera, writing and directing the video for his single Hold Me In The Dark -&nbsp;a short, cinematic narrative starring Stephen Graham. And the real power of the film is how it addresses a harrowing&nbsp;subject to create&nbsp;something emotional and moving.The film follows a father, played by Graham, through the final hours he spends with his dying daughter. He spends his days with her in hospital. Then each evening he returns to his flat and works obsessively on a construction of mirrors and coloured fragments... building toward something only he fully understands.The ritual looks like a man unravelling. But as the song rises, he carries the finished piece to a rooftop and, as the sun aligns, sends light spilling across the city - a final act of love, and the song’s title turned outward into image.[imgtoken data:1]A Partizan production, Myles Smith's first outing as a director sees him carrying the emotional directness of his songwriting into a new medium. In that respect he is greatly aided by the presence of a great actor in Stephen Graham, and Smith&nbsp;stays close to this&nbsp;central character throughout.Shot by cinematographer Joel Honeywell, it moves between the muted remove of the hospital, the claustrophobic loop of the flat and the open expanse of the rooftop, using natural light and a slow accumulation of colour to track the father’s emotional state. Production design by Syd Harmony grounds the mirror-and-light build as both a practical and an emotional object, while a restrained central performance from Graham keeps the focus on grief, ritual, and the fear of disappearing.Graham is joined on screen by Abbie Kay Ashworth and Chizzy Akudolu as well as real working nurses from Luton Hospital, with casting by Kharmel Cochrane. The film was produced by Partizan, with executive producers Danny Herman, Kirsty Richardson and Hannah Walters, and produced by Chris Murdoch.[imgtoken data:2]“What I loved about this concept was the misdirection," says Myles Smith.&nbsp;"At first, you think you’re watching someone unravel, but slowly you realise every strange object and every seemingly irrational decision is actually an act of love. He’s not losing his grip on reality; he’s trying to do something impossible for the person he loves most.”Executive producer Danny Herman says that&nbsp;Smith arrived with a really clear, personal vision for his own song. "The feeling was already there and our job was to build the right team around him and protect that vision all the way to the screen," he says."Myself and producer Chris Murdoch assembled a gang of our favourite HoDs, people we knew would bring the right experience, creativity and care to the project, while helping make it feel as special as it deserved to be," adds Herman. "When you get that kind of synergy on set, where everyone’s serving the same idea, a debut can feel as assured as anything we make.”With all of his considerable experience, Stephen Graham was also aware that this was a special project that had to be approached in the right way."When you're involved in a production like this, especially for a first-time director, it's important to come with an open-mindedness and a willingness to partake completely, a million per cent," he says. "For me, it's imperative that I'm one piece of a beautiful jigsaw every time I embark on any project. It was an absolute team game, and a joy to be part of that collective."&nbsp;

United Kingdom

Syd Harmony

Kharmel Cochrane

Oliver Whitworth

Harry Clements

Myles Smith

Chris Murdoch

Tom Nowell

Joel Honeywell

Danny Herman

Kirsty Richardson

Hannah Walters

Nathan M. Legger

Philips Nortey

Ben Oliver

Emilia Corfe

Darcy Norgan

Lucy James

Dasha Taivas

Eden Read

Luke Morrison

Electric Theatre Collective

Stephen Graham

Singer-songwriter

Myles Smith 'Hold Me In The Dark' by Myles Smith

Myles Smith - Hold Me In The Dark - Short Film (Official Video)

Erik He's third video for Irish DJ/producer Jazzy continues the stylish sensibility and use of subtle VFX that distinguishes the previous two for On A Wave and Invisible. And arguably there's a tribute to Jamiroquai's Virtual Insanity in&nbsp;her collab with Calvin Harris.&nbsp;Responding to the track's warmth and optimism, Erik He adopts a lighter visual touch than previously for Satisfy. Natural light, fluid camera movement and open architectural spaces create an effortless sense of movement throughout the film. An understated performance by Jazzy allows the music's uplifting energy to take centre stage.And the furniture is also occasionally moving across the floor within the space - reminiscent of Virtual Insanity. The result is a visual that feels as buoyant and expansive as the track itself.&nbsp;

Erik He

Will Cousins

Mouthpiece

Kat Cattaneo

Skye Goulding

Milly Grainge-Bennet

Samad Olukunle

Danny Rumbelow

Jack Hamilton

Jeff Vine

Mark Lane

Jade Rache

Gracie Jai Cox

Brittany Newman

Mishaal Memon

The Assembly Rooms

Nielsan Bohl

Selected Works

Hannah George

Dance

Electronic

Calvin Harris, Jazzy 'Satisfy' by Erik He

Calvin Harris, Jazzy - Satisfy (Official Visualiser)

The second of a trio of videos for Jazzy by multidisciplinary artist-turned-director Erik He finds the Irish DJ/producer in a cool bar crowded with invisible people - apart from one furious-looking older lady - and then on a dancefloor, packed with real people.Following on from the video for On A Wave (Jazzy's collab with East End Dubs), Erik He's&nbsp;video for Invisible (her collab with Chris Lorenzo) has similarly stylish, designer-led aesthetic with an&nbsp;additional side order of surrealism and subtle VFX - but this one brings Jazzy more centre-stage, to deliver her vocal performance.The&nbsp;end result looks absolutely great and demands you sit up and take notice of both the artist and the director.With a background in art practice spanning&nbsp;sculpture, performance and moving image, under He's direction&nbsp;ordinary social spaces become subtly uncanny, as anonymous, headless figures populate the frame, transforming familiar environments into psychological landscapes.Rather than relying on spectacle, restrained visual effects, atmospheric lighting, and carefully composed imagery create a world that reflects the song's emotional undercurrent, balancing performance with understated surrealism.It's another example of the skill and instinct that the director, who recently signed to Partizan, brings to the medium. One aspect is in providing an intriguing&nbsp;showcase for the artist and her music, giving her every chance&nbsp;to make a big step forward. And as there is a third one on its way, for Jazzy's with Calvin Harris, that next step seems virtually guaranteed.&nbsp;&nbsp;"Working with Jazzy and her team has been incredibly rewarding," he says about the collaboration.&nbsp;"Every project presented a different creative challenge, but there was always a shared willingness to experiment and find the best solution. Seeing that creative relationship evolve across three very different films has been one of the most rewarding parts of the process."[imgtoken data:1]

Ireland

Sam Murray

Tara Leonard

Laura Carrion Del Pozo

Basil Johnson

Gabriel Chao Healy

Ellie Rimmer

Manu Loca

Tim Smith

Rascal Post

Anchous

Arsenii Pronkin

Jazzy ft Chris Lorenzo 'Invisible' by Erik He

Jazzy & Chris Lorenzo - Invisible

Warren Fu directs a classic mid-century Californian dream&nbsp;with a star-studded cast for the gorgeously retro vocal stylings&nbsp;of Laufey. And it&nbsp;comes with its own deliciously chilling twist.&nbsp;The video for Madwoman features Heated Rivalry's Hudson Williams, alongside&nbsp;Olympic gold medalist Alysa Liu, Lola Tung of The Summer I Turned Pretty,&nbsp;and Megan Skiendiel of the girl group KATSEYE.The sun-kissed, vintage aesthetic is the perfect complement to a&nbsp;track in the retro-pop genre that Laufey has made her own. But the perfection of the lives of Laufey and her girlfriends starts to falter&nbsp;and&nbsp;things get darker as Hudson Williams's character reveals his true self. For Laufey it slowly degrades into a Stepford Wives-esque narrative - with some Hotel California vibes thrown in.&nbsp;&nbsp;It's an absorbing concept - Sabrina Carpenter would either approve&nbsp;or be green with envy -&nbsp;wonderfully executed by Fu and team. And in spotlighting&nbsp;mainstream talent across music, film, sports, and the arts, it's proof positive that Asian representation across these mediums is responsible for some of the greatest stories shaping culture today.

United States

Evaline Wu Huang

Lindsey Hartman

Warren Fu

Jason Baum

Pegah Farahmand

Andrew Yuyi Truong

Oscar Tang

Christine Yi

Maiqi Qin

Julie Fong

Molly Long

Jeffrey Bloom

Dante Pasquinelli

Laufey 'Madwoman' by Warren Fu

Laufey-'Madwoman'-by-Warren-Fu

Ben Cole collaborates with Christiaan Pienaar on a playfully saucy Berlin-set visual for club princess Miss Bashful featuring&nbsp;real members of the city's Furry community.In the video for Hunka Hunka - produced by&nbsp;Partizan’s Will Cousins and developed from Pienaar's concept - the outrageous Miss Bashful seeks out a new lover, and finds it with the Furries - males with chiselled bodies and animal heads.Tapping into the spectacle and anarchic spirit of Berlin clubland - where the Mexico-born, Texan-raised Miss Bashful has become a cult figure - its a fast-paced and cartoonish match for the humour, glamour and after-hours debauchery of the artist's lyrics. She lusts after a Furry, whilst&nbsp;delivering&nbsp;Hunka Hunka's provocative lyrics, runs into trouble with&nbsp;very clubland version of a Berlin cop, and finally arrives on the dancefloor in a hot mess.A highly entertaining&nbsp;showcase for the inappropriately named Miss Bashful, ahead of the release of her album Glamour Snobby on May 1st.[imgtoken data:1]

Ben Cole

Christiaan Pienaar

Jenny Beckett

Ella More O’Ferrall

Fleming Mason

John Lowe

Miss Bashful 'Hunka Hunka' by Ben Cole & Christiaan Pienaar

Miss Bashful x Luca Eck - HUNKA HUNKA

<h3>He's a leading actor in House Of The Dragon, The Serpent and recent HBO drama Task - and also now proving himself as a director, making two impressive music videos and recently signing to Partizan. Fabien explains how moving behind the camera is a family affair and reveals the legendary band he would love to work with.&nbsp;</h3>What’s your background? Where did you grow up?FABIEN FRANKEL: I grew up in London. My mum is French Italian and my dad is Iraqi Russian, though his family emigrated to the UK in the 1940s and settled in the East End of London. So I grew up in London, but that’s my heritage.When did you start getting into films as a director or in another role?FF: I got into films as an actor. I trained as an actor and that’s how I got into films initially. I also grew up in a very cinephile family. My family really love cinema, so it was always around.What was the first film you made where you felt this could be a career move?FF: I was making a TV show as an actor in Bangkok and I bought a Super 8mm camera in New York. It was the first gift I ever bought myself from my first acting job. <a href="https://www.imdb.com/it/title/tt7985576/?ref_=nm_flmg_job_1_accord_2_cdt_t_7" target="_blank">I brought it with me to Bangkok</a>, where I was doing another acting job, and I shot a bunch of Super 8 footage out there. I then cut it together to Little Red Rooster by The Rolling Stones. I suppose it was my first kind of music video.<blockquote>I love the process of bringing different people together when you’re making films.</blockquote>Can you tell us about your first music video and how it turned out?FF: My first music video was for some close friends of mine who started a band called Memory of Speke. I had heard demos from what would become their first release, including a song called Wife Once, and I pitched them an idea to make a 17th century Restoration style music video. They went for it.[vidtoken data:0]Where do you draw inspiration for your own work?FF: Cinema is the obvious answer. That’s been my biggest inspiration, stealing from great filmmakers and trying to find what that becomes in my own work.There’s also definitely a love of masks in what I do. I’m not entirely sure where that comes from, but whenever I come up with an idea there often seems to be something involving people being masked in some way. Both of my music videos have had elements of that. There’s something about the sort of primal dance mask feeling that I seem drawn to.[imgtoken data:1]Above: Fabien (right) with Mark Ruffalo in HBO drama&nbsp;'Task'.What has been the most creatively rewarding non-music project of the past year or so?FF: I made a TV show called Task for HBO. I’m really proud of it and I had a great time making that show.What aspect of the job do you enjoy the most?FF: Working with my brother [Max Mark Frankel, producer of his videos for&nbsp;Memory of Speke and Peter Zummo] is definitely one of the things I enjoy most about my work. More generally, I love the process of bringing different people together when you’re making films. Finding people whose energy either matches yours or raises you up so that what you make in the end feels like a shared vision.[vidtoken data:1]Can you tell us about your next project?FF: I can’t say too much, but I'm making an independent movie for a really exciting studio and we’re about to start filming.Which artist or band would you most like to make a music video for?FF: From a nostalgic point of view, making something for The Rolling Stones would be incredible. Their music runs through so many of the films I love, especially that iconic Scorsese era. For the kid in me, that would be a massive deal.Career-wise, where do you hope to be in five years’ time?FF: My dream would be to direct a film. If in the next five years I could have directed my first feature film, I’d feel really proud of that.• Fabien Frankel is signed to Partizan, represented for music videos by Mouthpiece.

ONE TO WATCH: Fabien Frankel

Memory of Speke - Wife Once

The Tape Is Chill by Peter Zummo Official Music Video

Erik He creates a very cool futuristic vision for the catchy collaboration between Irish dance artist&nbsp;Jazzy and&nbsp;London-based DJ and producer East End Dubs.In the visual artist's first project since signing to Partizan, He has taken a counter-intuitive approach to the uptempo&nbsp;On A Wave. His work&nbsp;blends sculpture, performance and moving image into striking contemporary compositions, and this sensibility runs through the film’s clean, stylised design.The pair are performing in what appears to be a gallery space - it was shot in&nbsp;Wayne McGregor’s Hackney studio - captured&nbsp;in stylish compositions. The video leans into a cool, silver-toned palette and a minimalist set design to create a refined, electronic visual world that mirrors the track’s driving pulse. This sets the scene, then He gradually&nbsp;introduces subtle elements of VFX as the track's momentum builds.Jazzy, the Dublin-born singer-songwriter behind dance hits including Giving Me and collaborations with Belters Only and Sonny Fodera, joins forces here with East End Dubs, a leading figure in the UK’s minimal tech-house scene who emerged from East London’s underground in the early 2010s.&nbsp;The result is a real statement for both the musicians and Erik He; a stripped-back but striking visual world that lets the track’s hypnotic energy do the talking.[imgtoken data:1][imgtoken data:2]

Nahal Ashrafi

Eno Enefiok

David Bird

Michael Mroczek

Matthew Vant

Ellie Koslowsky

Ella Fleur

Lorna Searl

Studio Wayne McGregor

Jazzy x East End Dubs 'On A Wave' by Erik He

Jazzy x East End Dubs - On a Wave

BAFTA-nominated animator Honor Price has directed a&nbsp;stop-motion epic for two songs from the Icelandic band Of Monsters and Men's comeback album.Price's nine-minute film was created for the two-part album sequence The Block and Mouse Parade from All Is Love and Pain in the Mouse Parade, released last October.The film unfolds as two parallel narratives occupying the same space. Above ground, a solitary mouse-like figure runs endlessly in a cage before tumbling into a vast wilderness. What follows is a relentless climb up a mountainous rock face; a physical and emotional ascent marked by isolation and strain.[imgtoken data:1]As the track transitions into Mouse Parade, the camera descends beneath the floorboards into a hidden underground city. Where the figure above is disconnected and alone, this subterranean community moves as one - tightly bound, resilient, and interdependent.Honor Price says that she was drawn to the emotional duality in the songs. “I was thrilled to create this two-part film for Of Monsters and Men - building two parallel worlds through stop motion, puppetry, and layered multiplane sets."Rendered in tactile stop-motion, the film leans into texture, scale, and atmosphere. Humans appear strangely mouse-like, while the puppeted mice feel deeply human, subtly inverting perspective. The result is eerie, intimate and quietly devastating - a meditation on isolation, belonging and the fragile light we carry for one another.“We were excited to make the bulk of the entire video by hand using traditional handcrafted animation methods," says Price. "Specifically stop-motion, puppetry, and multiplane. By layering real sets on glass and compositing rod puppets into them, we created a fully tactile, dimensional world that we think evokes the themes and emotion of the tracks.”

Iceland

Honor Price

Leo Green

Ella More O’Ferall

Duncan Gaman

Laura Taylor

Rob O’Kelly

Sehar Kidwai

Ellen Beaufoy

Paul “Gripper” Flannery

Harry Cohn

Second Home Studios

Rob Brown

Edoardo Lazzerini

Alternative

Of Monsters and Men 'The Block' & 'Mouse Parade' by Honor Price

Of Monsters and Men - 'The Block' & 'Mouse Parade'

Partizan has announced that Danny Herman is now heading it's Music Video division, while the music video roster at the London-based production company is expanding with the addition of five distinctive new directors: Ronan Day-Lewis, Gee Small, Erik He, Fabien Frankel and Ellius Grace.Herman has taken the reins of music videos at Partizan, while continuing to shape standout work across the company’s commercials slate. Nominated for Best Producer at the UKMVA 2023 and the recipient of numerous awards and nominations for his contributions to the music video landscape, Herman steps into this dual role as Partizan deepens its focus on music-driven visual culture and the next generation of filmmaking talent.The five new signings to the company's music video roster span a range of visual styles and creative disciplines, while sharing a focus on&nbsp;original ideas, precise execution, and a collaborative approach to working with artists and labels. Their work collectively pushes form and format while remaining grounded in strong visual identity and performance-led storytelling.<blockquote>Bringing Fabien, Gee, Ronan, Erik and Ellius into the fold fills my heart with joy -&nbsp;five distinct voices whose talent knows no boundaries.</blockquote><a href="https://partizan.com/director/ronan-day-lewis/music-content/" target="_blank">Ronan Day-Lewis</a> is a&nbsp;painter turned filmmaker, and fresh from the release of his debut feature Anemone, his work blends visual poetry with emotional precision. He's marked&nbsp;out as a rare multidisciplinary talent with a deeply cinematic eye. Dublin-based director and photographer <a href="https://partizan.com/director/ellius-grace/music-content/" target="_blank">Ellius Grace</a> boasts a refined cinematic style that is rooted in intimate portraiture and atmospheric world-building, which has made him one of Ireland’s most exciting creative voices. His work spans powerful collaborations with cultural icons, including Shane MacGowan, Sinéad O’Connor, Lankum, and even President Michael D. Higgins, demonstrating a rare ability to capture both the soul and the story of those he photographs and films.[vidtoken data:0] <a href="https://partizan.com/director/gee-small/music-content/" target="_blank">Gee Small</a> is a London-based director whose work is shaped by a background in acting, creative direction, and talent development. She has directed music videos for the likes of Hey Baby and the short film Baby, bringing an instinctive, performance-led approach to her storytelling. Founder of the modelling agency Gee Small Faces, her approach to storytelling is grounded in authenticity and presence. <a href="https://partizan.com/director/erik-he/music-content/" target="_blank">Erik He</a> is a&nbsp;visual artist shaped by a globally diverse upbringing across Asia, North America and Europe. Erik’s work brings together sculpture, performance and moving image to create a bold, contemporary visual language. <a href="https://partizan.com/director/fabien-frankel/music-content/" target="_blank">Fabien Frankel</a> is an actor and director whose international screen work informs a distinctive voice behind the camera. Alongside his brother Max, Fabien brings a storytelling instinct rooted in character, emotional nuance and atmosphere, expanding into an exciting directorial practice we’re thrilled to support.Each filmmaker brings a unique creative language and a strong commitment to craft, further strengthening Partizan’s position at the forefront of music video storytelling and visual innovation. Together, the expanded roster and new leadership structure mark a continued evolution of Partizan’s UK music video offering, with further projects and collaborations to be announced in the coming months.All the newly-signed directors and existing ones on Partizan's UK roster are represented for music videos by <a href="https://www.mouthpiecerep.me/">Claire Stubbs at Mouthpiece</a>.&nbsp;'I’m so excited to be back steering music videos especially at my own stable Partizan where music videos are the bedrock of everything we’re about," says Danny Herman."Bringing Fabien, Gee, Ronan, Erik and Ellius into the fold fills my heart with joy -&nbsp;five distinct voices whose talent knows no boundaries, and who sit perfectly alongside the brilliant directors already on our roster."• Partizan new music video directors roster&nbsp;<a href="https://partizan.com/directors/music-content" target="_blank">here</a>

Ellius Grace

Danny Herman leads Partizan's Music Video division - and adds five new directors

Partizan Fresh Music Video Roster

Rodrigo Inada directs a spectacular&nbsp;tour de force&nbsp;for Taiwanese pop icon Jolin, centred in an extraordinary&nbsp;desert landscape, where the artist is haunted&nbsp;by the memory of a lost love.&nbsp;Shot in Dubai, the video for Fish Love shifts between present and poetic flashbacks, Jolin repeatedly encounters the same mysterious figure, largely rendered as a shadow, blurring the line between memory and imagination.As we have seen in his previous videos this year, such as <a href="https://www.promonews.tv/videos/2025/02/25/jackson-wang-high-alone-rodrigo-inada/90161" target="_blank">Jackson Wang's High Alone</a> and <a href="https://www.promonews.tv/videos/2025/06/30/celeste-show-rodrigo-inada/91610" target="_blank">Celeste's On With The Show</a> - both nominated at this year's UKMVAs - Inada is capable of meticulously crafted visions on a grand scale - and this is undoubtedly among his grandest yet.[imgtoken data:1]"I thought it was the perfect opportunity to create a love story that was more inside of Jolin’s head than in the physical world," explains Inada.&nbsp;"How it feels like to be haunted by memories of a past love."Growing up, sci-fi was always one of my favourite genres. To work with shadows as a character was something that I have been studying for years now and trying to make it work in couple of my past videos, but this time I think I finally made it work."Inada reveals that weather conditions whilst shooting in the desert meant what was planned as VFX was actuallyt achieved in-camera.[imgtoken data:2]"I wrote on the treatment a sandstorm that was supposed to happen in VFX, but on the day of the shoot a real sandstorm started to happen in front of our eyes," he reveals."It was crazy, everything started flying around, there was sand in our eyes, but Pierre [de Kerchove, DOP]&nbsp;kept shooting through the sandstorm. Some of the shots you can see on the video the sky is pretty foggy you barely can see the city behind. That was real."Of course we had a crazy VFX post from Ryan [Dylan Selkirk] and his team as well on the sandstorm of the video. Shout out to all my collaborators that made this video come to life. Pierre&nbsp;did an amazing job, Side-Eye smashed it on the post, as well as Aaron Saiki on the edit and Daniel de Vue on the grading."Last but not least, the production team that supported me from the start Maurizio Von Trapp and Pegah [Farahmand]. This was a crazy ambitious idea and I am really glad it got made."&nbsp;

Taiwan

The Square Division

Kanika Oung

Tang Lai

Rodrigo Inada

Maurizio Von Trapp

Pierre De Kerchove

Aaron Saiki

Church Edit

Daniel DeVue

Traffik

Side-eye

Ryan Dylan Selkirk

Thomas Ritson

Vuk Ivic

Warner Music Asia

Jolin 'Fish Love' by Rodrigo Inada

Jolin-'Fish-Love'-by-Rodrigo-Inada

The Rolling Stones' incredible history comes to life in Camille Boumans' fabulous mixed-media promo for The Stones's rollicking cover version of Shirley &amp; Company's Shame, Shame, Shame.&nbsp;The video is an explosion&nbsp;of The Stones' greatest moments, a vibrant archive of vintage clips and stills, unfolding through the&nbsp;pages of a&nbsp;packed scrapbook. It's a concept which allows Boumans to deliver a huge amount of information - vintage footage, lines of lyrics,&nbsp;a miscellany of textures - with lots of imaginative graphic ideas.&nbsp;It also feels hand-crafted, like it was stitched together with bits and pieces from the Stones archive with a lot of love - and as its a bit rough around the edges, with pure&nbsp;rock ’n’ roll attitude.[imgtoken data:1][imgtoken data:2][imgtoken data:3]

Amy Hancock

Adolfo Redaño

Camille Boumans

Sharlene Oola

Joanna Asia Szyczewska

Semera Khan

Lauren Mills

Jack McGinity

Studio RM

Polydor

Rock

The Rolling Stones 'Shame, Shame, Shame' by Camille Boumans

The-Rolling-Stones-'Shame,-Shame,-Shame'-by-Camille-Boumans

A chess match transforms into&nbsp;a big musical production number in Iris Luz's scintillating collaboration with PinkPantheress - featuring&nbsp;US singer&nbsp;Destin Conrad as the eponymous Romeo.We start in reality as Pink enters a chess tournament&nbsp;that's taking place in a South London community hall - and where Pink proceeds to demolish the opposition, The Queen's Gambit-fashion. Destin is playing on another table, and they can't help give each other the eye, indulging in some flirting while winning their separate matches.And then, when they come together to play each other,&nbsp;it turns into a full-on musical fantasy: the chessboard is the dancefloor, the chess pieces becoming dancers, and this musical - with Pink performing&nbsp;next to a giant Queen chesspiece - plays out as Pink and Destin start the game in the real world... where Pink quickly takes control.Building on the excellent previous videos of her current Fancy That album campaign, Pink's signature style, and love of strong patterns - black and white checks and tartan - is slickly woven into the lighthearted narrative. Every element is delivered to a high level, and works to frame the singer and her message.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;It's a great addition to the PinkPantheress canon and an exciting step forward for Iris Luz, following her recent videos for the likes of Victoria&nbsp;and George Riley.&nbsp;[imgtoken data:1][imgtoken data:2]

Elena Isolini

Jack O'Mullane

Renäta Fabri

Milena Agbaba

Iris Luz

Ayomide Alli

Imran Malik

Tuomas Nurmi

Scarlet Green

Rose Lucas

Gary Kent

Bertie Wood

Milo Brown

James Burns

Simon Donnellon

Geri Docherty

The Quarry

Andi Chu

Warner Bros. Records Inc.

Oscar Stewart

PinkPantheress 'Romeo' by Iris Luz

Pinkpantheress-'Romeo'-by-Iris-Luz

Daniel Sachon's tumultuous video for Demi Lovato unveils a reimagined Demi, free from the scars of her past and untouched by the chaos around her.The promo for Fast counterintuitively has the singer as the calm centre at the heart of a storm, walking through a nighttime city scene engulfed in hysteria. With a large cast of extras, there is craziness at every turn, orchestrated by Sachon with an admirable eye for detail within the overall concept.&nbsp;Through this tightly-orchestrated mayhem - shot on a studio backlot -&nbsp;Demi emerges in complete control, setting the tone for her new chapter.&nbsp;Her final glance at the camera is the only acknowledgment of the outside world, intentional and poised.[imgtoken data:1]