Production Manager

Nnena Nwakodo

His very risqué&nbsp;and hilarious&nbsp;video for <a href="https://www.youtube.com/watch?v=1QGW6g4yceE" target="_blank">Povoa x Madge's Beat Bunny</a> won a Gold at the British Arrows last week, and now Tanner K Williams has brought his considerable&nbsp;talents&nbsp;to the services of Lizzo - and the result is just about as absurdly WTF as you can get.To the thumping disco beat of Don't Make Me Love U, newly minted blonde Lizzo is getting emotional performing the song - to a previous incarnation of herself. New Lizzo cries, screams, and then gets passionate with the Other Lizzo&nbsp;- who never moves a muscle. Is she, in fact, real at all?&nbsp;Shot in a 360 studio, on one level it's exactly the glamourous and dramatic performance that this super-catchy bombastic disco record (that's really quite a lot like Simply The Best)&nbsp;deserves. And on another level, it's the weirdly uncanny video that you least expect.And it just gets weirder when the previously statuesque Other&nbsp;Lizzo starts showing signs of life...[imgtoken data:1]&nbsp;

United States

Tanner K Williams

Disco

Lizzo 'Don't Make Me Love U' by Tanner K Williams

Lizzo-'Don't-Make-Me-Love-U'-by-Tanner-K-Williams

A married couple upgrade their sex life in the most imaginative and hilarious way in Tanner K Williams' brilliant video for French DJ producer Povoa and LA singer-producer Madge.Great casting, great performances, a brilliant idea - and once it gets&nbsp;going, powered by wonderful choreography by Robbie Blue. It's rude, it's very funny, its utterly marvellous.&nbsp;&nbsp;

Dance

Povoa x Madge 'Beat Bunny' by Tanner K Williams

Povoa x Madge - Beat Bunny (Official Music Video)

A spacecraft crashlands in an icy expanse and Kun emerges to forge an unlikely partnership in a video by Folkert Verdoorn and Simon Becks that would give any classic scene in Star Wars&nbsp;you care to mention&nbsp;a run for it's money.Shot in Langjökull Glacier in Iceland, Verdoorn and Becks's&nbsp;video for the Chinese singer and actor's&nbsp;Colder is both sci-fi action adventure and unexpected love story, delivered with top-notch cinematic ambition. With great cinematography from Daniel Bouquet and excellent steampunk-adjacent production design it comes with the directors' signature visual style on displlay in their previous videos for <a href="https://www.promonews.tv/videos/2025/01/21/cero-ismael-driving-round-looking-unknown-folkert-verdoorn-simon-becks/89745" target="_blank">Cero Ismael</a> and the recent Punk Rocky for ASAP Rocky.Kun meets his partner - a sentient snowperson. They advance through the frozen wastes, tracked by heavily-armed enemies. But arguably the most important character is the remarkable setting. You get a sense of its power in affecting what is happening in every carefully composed shot. It contributes massively to the impact of the song and&nbsp;to the ultimately heartbreaking story, as Kun is forced to make a decision between love and living.Colder may not have been quite as cold as it looks - if it was, how could they have made this?&nbsp;But this is a fantastic achievement nonetheless.&nbsp;&nbsp;It could be the best music video so far this year. It's certainly the coldest.[imgtoken data:1][imgtoken data:2][imgtoken data:3]

China

Folkert Verdoorn

Simon Becks

Hands 

Kun 'Colder' by Folkert Verdoorn & Simon Becks

Kun-'Colder'-by-Folkert-Verdoorn,simon-Becks

Folkert Verdoorn, Simon Becks and A$AP Rocky&nbsp;himself direct a star-studded promo for the rapper's lead-off track from his first album in eight years.&nbsp;The video fir Punk Rocky is a slice of suburban surrealism, featuring Winona Ryder as an adoring neighbour to punk-styled Rocky and his pogoing pals - &nbsp;also featuring a stream of cameos, including&nbsp;from Thundercat, A$AP Nast, the Williams Twins&nbsp;and a ripped Danny Elfman on drums.&nbsp;In the madcap narrative that unfolds, Rocky and his buddies run up against the law and Ryder's grotesquely pumped-up, super-angry&nbsp;husband.&nbsp;Treading the line between body horror, action film and dark comedy, it's an feverish amalgam of different inspirations, coming together to form something immediately iconic and exciting.&nbsp;A week into January, and if this is a sign of things to come in 2026, it's going to be a memorable year for music videos.&nbsp;

Alternative

Hip Hop

A$AP Rocky 'Punk Rocky' by Folkert Verdoorn, Simon Becks

Asap-Rocky-'Punk-Rocky'-by-Folkert-Verdoorn,simon-Becks

Poet, model and trans activist Kai-Isaiah Jamal adds music to their achievements as rapper Kissin Teef, accompanied by a vivid portrait of London life directed by Hector Dockrill and shot by Joel Honeywell.In the video for Jungle, Dockrill conjures an all-encompassing scene on a London estate in the realm of Hogarth. Honeywell's camera roams across the location,&nbsp;picking out numerous characters, their&nbsp;activities and interactions, while Jamal comments upon&nbsp;the scene as the narrator, both part of and separate from&nbsp;everything&nbsp;around them."JUNGLE&nbsp;is about the cultural and racial tensions in working class areas in London, its a love letter the to the beauty of the city being a melting pot of culture and reclaims what being British is," comments&nbsp;Isaiah-Jamal. "In response to a viral LBC caller Darren who you hear sampled in the chorus breaks, it is a song about resistance, community and standing fearlessly against racial hatred whilst reflecting on how marginalised communities have built this city into the radiant and alive patchwork it is today."

United Kingdom

Hector Dockrill

Joel Honeywell

Stitch Editing

Kissin Teef 'Jungle' by Hector Dockrill

kissin' teef - 'JUNGLE'

Directing duo Folkert Verdoorn and&nbsp;Simon Becks direct a feat of cinematic era-twisting and genre-bending absurdity for Dutch R&amp;B/hiphop artist&nbsp;Cero Ismael.&nbsp;Verdoorn and Becks have set their video for&nbsp;Driving Round Looking For Unknown in an alternate reality, appearing to be in a war-torn town in Napoleonic times, with touches of futuristic tech.&nbsp;In this gritty world,&nbsp;Ismael is portrayed as a disfigured unfortunate, dragged along by a&nbsp;carriage through the streets - but&nbsp;which is pulled by drones, which throws the setting into the realm of a steampunk sci-fi reality.The result is both playful and thought-provoking as we follow Cero's uncertain progress&nbsp;through this textured, gritty yet anachronistic, sci-fi tinged world. It's a breathtaking introduction to the fertile imagination&nbsp;of Verdoorn and Becks - and attention-grabbing vehicle&nbsp;for Ismael.[imgtoken data:1]"At its heart is the idea of alienation - a monster, like an artist, often feels out of place," the directors explain.&nbsp;"Turning the artist into a monster felt like the perfect way to explore this theme of not belonging.""We leaned into the absurdity, playing with humour and contrast, because why not? When we joke around, we inevitably end up with some ridiculous peepee and poopoo moments. It might not be highbrow, but it’s us, and it works."This video is our way of asking: what does it mean to belong? And what happens when you feel like you don’t? The answers aren’t simple, but we believe the journey should be as playful as it is profound."

Netherlands

Cero Ismael 'Driving Round Looking For Unknown' by Folkert Verdoorn, Simon Becks

DRIVING ROUND LOOKING FOR UNKNOWN

Directing duo UNCANNY direct a trippy and overstimulating promo for Danny Brown.&nbsp;Taking influence from old school video games, the eye-popping visuals are an anachronistic clash of lo-fi, nostalgic graphics and hyperactive overlays, cut together like an old-school MTV show.&nbsp;Spanning a huge breadth of pop culture inspiration and stylised vignettes, it's an ambitious and brilliantly executed video, that burns bright and crashes into a hallucinogenic climax.&nbsp;

UNCANNY

Pulse Films

Danny Brown 'Tantor' by UNCANNY

Danny-Brown-'Tantor'-by-Uncanny

IDLES return, on a mission to improve our terrible, benighted lives. We need to get dancing.So with Dancer blaring from every speaker in town, and the band grooving to their own beat, like a gang of Droogs, the townspeople are soon throwing their own shapes - whether they like it or not.Jocelyn Anquetil does a lovely job in capturing the ambiguous essence of IDLES. They appear somewhat conflicted about wielding power over people through their powerful music... but they are going to do it anyway.&nbsp;

Jocelyn Anquetil

tenthree

Rock

IDLES 'Dancer' by Jocelyn Anquetil

Idles-'Dancer'-by-Jocelyn-Anquetil

Oh my lord. Did Ants really do that? Yes, he really did. Apparently those are all his own salsa moves.Oh yeah, and that thing where he's on the top of the plane flying through the Alps? He did that too.Incredible stuff. The next episode in a music video adventure with Tom Emmerson and London rapper AntsLive that really got going with Number One Candidate - multi-nominated at the upcoming UKMVAs23 - is jawdropping.&nbsp;&nbsp;

Tom Emmerson

Kodak

Cinelab Film and Digital

AntsLive 'Captain Ants' by Tom Emmerson

Captain Ants - AntsLive (Official Video)

Jocelyn Anquetil concocts a hyperactive and scuzzily sexy visual confection&nbsp;for the irrepressible Tkay Maidza.Ring-a-Ling&nbsp;is taken from the new album Sweet Justice,&nbsp;out 3rd November via 4AD.&nbsp;

Tkay Maidza 'Ring-a-Ling' by Jocelyn Anquetil

Tkay Maidza - Ring-a-Ling (Official Video)

James Blake's surprising switch back to his dance music roots&nbsp;heralds the very welcome return to music videos by Oscar Hudson, fully exploiting&nbsp;Blake's new direction with a brilliantly nihilistic, sexy, beautifully made live action cartoon for Big Hammer.Hudson's video follows the exploits of a stylish, devil-may-care criminal gang, as they crash their car into various buildings during an ongoing crime spree - or simply to have a spot of lunch - mainly from the perspective of the dash-cam, which eventually assumes a life of its own.As with quite a few of the standout videos this year, it comes with a vague aura of nostalgia attached. it would certainly have been a great watch on old school MTV. And definitely to be enjoyed, for full explosive and comic effect,&nbsp;on the biggest screen you can find.As becoming a former Best Director winner at the UKMVAs (twice), it's probably one of the videos of the year so far.[imgtoken data:1]&nbsp;

Oscar Hudson

Trim Editing

James Blake 'Big Hammer' by Oscar Hudson

James Blake - Big Hammer (Official Video)

A robot vacuum cleaner goes walkabout in search of connection, in Aube Perrie's second video for Harry Styles.&nbsp;The video for Satellite is Perrie's follow-up to <a href="https://www.promonews.tv/videos/2022/10/31/harry-styles-music-sushi-restaurant-aube-perrie/79016" target="_blank">Music For A Sushi Restaurant</a>, where Harry played a captured Merman.&nbsp;This time, he hands over the spotlight, even as he is performing to thousands of&nbsp;fans on his current arena tour.&nbsp;Backstage, when a news report of the Mars Curiosity Rover appears on TV,&nbsp;the robot vacuum stops its routine business to take notice, and then takes on a life of its own.Soon we are with the little robot as it makes its determined way, out of the arena (we briefly see Harry out on stage) and into the big city, across dangerous highways, and into the surrounding country - just to get closer to that equally solitary robot on the TV. And he ends up, stargazing with none other than Mr Styles...&nbsp;This is a riveting fantasy of a quite a different type to the Sushi Restaurant video&nbsp;- warm-hearted, poignant, and probably influenced by&nbsp;several Pixar movies, including all the Toy Storys and, of course, the incredible Wall-E. But the fact is, it also looks like it was done mostly in-camera.&nbsp;Perrie gives it a beautiful visual aesthetic - and an irreverent twist -&nbsp;that sets this, and him apart from the crowd.[imgtoken data:1]&nbsp;[imgtoken data:2]

Aube Perrie

Harry Styles 'Satellite' by Aube Perrie

Harry-Styles-'Satellite'-by-Aube-Perrie

Jocelyn Anquetil directs a whimsical promo for the return of Archie Marshall, aka King Krule.&nbsp;The video for Seaforth opens with a montage of sleeping faces, including Marshall's own, before the illusory setting is washed away in a dusty haze. There is the dreamlike sensibility of a number of previous, supercool King Krule clips - but what follows in Seaforth is a definite sea-change.From Archie pondering the world on a sandy beach and in his country cottage, the focus switches to two Labrador dogs - mother and cute puppy -&nbsp;and their encounters with the human world. And the absurdity of it - cute pets in a King Krule vieo - is what makes the&nbsp;viewing experience so fun.&nbsp;Shot in&nbsp;both HD and lo-fi Mini DV, the video has a random, nostalgic aesthetic, and makes very good use of dog footage. We can only suspect that the experience on-set wasn't quite as laidback and charming as the final result...[imgtoken data:1]&nbsp;

CHEAT

Scott Wright

XL Recordings

Singer songwriter

King Krule 'Seaforth' by Jocelyn Anquetil

King Krule - Seaforth

Hector Dockrill directs a heartwrenching promo for new Lewis Capaldi track Pointless.&nbsp;The narrative for the video captures a mother-son relationship with beautiful and heart-breaking intimacy. Spanning a couple of decades, the concept follows a&nbsp;single mother who strives against all odds to give her son the life she never had, and is packed with an emotional punch.&nbsp;With a wonderful performance&nbsp;from&nbsp;BAFTA winner Niamh Algar (The Virtues, Raised by Wolves)&nbsp;and three actors playing the son at different stages of his life - including Charley Palmer-Rothwell as her grown-up son -&nbsp;the video reinterprets the song's lyrics to explore a different type of relationship, and it works perfectly.[imgtoken data:1]The naturalistic cinematography and relatable themes help make the video feel incredibly realistic and universal, and it will no doubt have viewers thinking about their own loved ones as we enter the festive period.&nbsp;With mixed dialogue throughout, we both hear and see glimpses into the ups and downs of their daily lives over the years including financial hardship and the tightrope of being a working single parent. And in keeping with the theme of family, Laura Dockrill – Hector’s sister - wrote the script, making this a family affair both on and off screen.“Lewis had a beautiful idea that focused on the mother/son bond, and how responsibility shifts as you grow older," says Hector Dockrill. "Niamh Algar is a phenomenal talent and we’re already chomping at the bit to work together again. With only a week’s prep, she managed to immerse herself into the role and completely make it her own. This is definitely a special film that everybody can connect with – a shout out to every mother.”

Lewis Capaldi 'Pointless' by Hector Dockrill 

Lewis Capaldi - Pointless (Official Video)

Jocelyn Anquetil directs a mesmerising promo for Californian bedroom popster Dora Jar.&nbsp;The&nbsp;fantasy-inspired promo is beautifully otherworldly, and boasts eccentric art direction and styling, and an overarching sense of whimsy.&nbsp;Experimenting with texture and colour, the video is refreshingly unique and standout, and perfectly matches the ethereal tone of the track.&nbsp;

Vid Price

Dora Jar 'Bump' by Jocelyn Anquetil

Dora Jar - Bump (Official Music Video)

KLVDR's 11 minute epic for Stormzy's big return with Mel Made Me Do It is remarkable in a number of ways, and not least of course due to the star quality and sheer number of the cameo&nbsp;appearances. And yes, that does include the Special One...More to the point is the ambition of the piece. Fom the chatshow hosted by Jonathan Ross and ZeZe Mills, with Stormz sharing the sofa with Louis Theroux and Dina Asher-Smith - watched by Usain Bolt, at his home in Jamaica -&nbsp;to performance elements in the studio and the meeting with Jose Mourihno, to the momentous final chapter bringing a couple of generations of Black British talent together that includes a tribute to the late Jamal Edwards.At that point, Stormzy hands over duties to provide the spoken-word piece called Greatness - written by Wretch 32 and read by Michaela Cole. It's a&nbsp;quietly powerful climax of an impressive and entertaining production - this was a five day shoot,&nbsp;plus shooting Bolt in Kingston - that amounts to a big statement of intent by&nbsp;Stormzy - and reminds us of his unmistakeable charisma.&nbsp;&nbsp;And of course, the eponymous Mel, stylist Melissa Holdbrook-Akpose, namechecked by Stormzy in the songtitle, is there too, both behind and in front of camera - with her lint roller.

KLVDR

Grime

Spoken Word

Stormzy 'Mel Made Me Do It' by KLVDR

STORMZY - MEL MADE ME DO IT

Directing duo Machine Operated deliver an intimate documentary-style music video for Loyle Carner's Georgetown - shot in the eponymous capital of Guyana.The pair travelled with Loyle to the country of his father, documenting his&nbsp;relationship with identity, community and belonging, with cinematographers&nbsp;Dan Landin - making a rare return to music videos -&nbsp;and Ola Pontakos.It starts with the words of Guyanese playwright/poet&nbsp;John Agard reciting his poem 'Half-Caste', and from that intriguing point, the film interweaves striking portraiture with understated performance vignettes, captured in a breathtakingly cinematic way, with gorgeous composition, colour palettes and textures.&nbsp;It's&nbsp;stunning work.[imgtoken data:1]&nbsp;

Machine Operated

Loyle Carner 'Georgetown' by Machine Operated

Loyle Carner - Georgetown feat. John Agard (Official Video) Prod. Madlib

Jocelyn Anquetil directs a sizzling showcase for the return of Sudan Archives - aka US singer/violinist Brittney Denise Parks - with Home Maker,&nbsp;in an unlikely setting.&nbsp;Sudan Archives struts into an indoor&nbsp;second-hand flea market to check out the furniture - dressed to kill and ready for action - with a few mesmerized males meekly in tow.&nbsp;The guys are prompted join her provocative,&nbsp;high-energy performance, and when the lights go down low, a pillow fight ensues under strobing UV lights.A diverse range of recording equipment - including&nbsp;CCTV footage and camcorders - captures the action,&nbsp;to create a world that feels anachronistic and playful, and heighten a saucy sense of voyeurism and tongue-in-cheek sexiness.With the&nbsp;inspired styling and atypical choice of location, and a terrific edit by Charlie Von Rotberg, it's a brilliantly orchestrated work by Anquetil. And as it&nbsp;marks the release of Sudan Archives' first original release since 2019, it represents&nbsp;a wonderful&nbsp;comeback.[imgtoken data:1][imgtoken data:2][imgtoken data:3]

Sudan Archives 'Home Maker' by Jocelyn Anquetil

Sudan-Archives-'Home-Maker'-by-Jocelyn-Anquetil

A day from Hell just won't let up, in&nbsp;Hector Dockrill's tragic promo for Chase &amp; Status and BackRoad Gee.&nbsp;&nbsp;The video for When It Rains features actor Jack McMullen as a down-on-his-luck everyman, trying to go about his day to day life to disastrous effect.&nbsp;It all starts with an antagonistic phone call and a cigarette lit the wrong way, and builds to a high-octane climax full of suspense, blood, chase scenes&nbsp;and the opportunity for the character to finally get the nicotine hit he's gagging for.&nbsp;Brilliant work which anchors on McMullen's performance and a Dockrill's keen eye for narrative.&nbsp;

Chase & Status, BackRoad Gee 'When It Rains' by Hector Dockrill 

Chase & Status, BackRoad Gee - When It Rains (Official Video)

Winston Hacking, the king of collage, now embraces the technique of photogrammetry, collaborating with Michael Enzbrunner on this video for Animal Collective.The video for We Go Back - from Time Skiffs, the first studio album by&nbsp;Animal Collective&nbsp;in more than half a decade -&nbsp;takes us through a distinct arrangement of random&nbsp;visual elements, as is a hallmark of much of Winston Hacking's work. But unlike earlier videos where he has used cut-out 2D art and collage as his practice,&nbsp;here he employs photogrammetry -&nbsp;the process that involves taking overlapping photographs of an object, structure or space and converting them into 2D or 3D digital models.Collaborating with Enzbrunner on the direction, and&nbsp;Chuck Diep on the photogrammetry, the style works well in visualizing&nbsp;Animal Collective's&nbsp;eery and somewhat disembodied version of classic pop.&nbsp;&nbsp;"It was a thrill to work with Animal Collective - they trusted our sense of play and commitment to spontaneity which is mirrored in their sound," says Hacking. "The video is composed of scanned locations, miniature sets and collage cutouts that embrace the lo-fi 3D aesthetic inherent in photogrammetry."

Winston Hacking

Michael Enzbrunner

Animal Collective 'We Go Back' by Winston Hacking & Michael Enzbrunner

Animal-Collective--'We-Go-Back'-by-Winston-Hacking-&-Michael-Enzbrunner

Hector Dockrill directs the promo Sam Fender’s Get Me Down, an emotional film symbolising the end of a relationship.The video opens with Fender revving a car engine, looking totally exhausted, moments away from speeding around a racetrack.&nbsp;A flashback montage encapsulates the ups and downs of a passionate relationship,&nbsp;flicking back and forth between memories with increasing intensity, before we return to the first frame... Fender hurtles towards a bloody accident, flipping the car, but surviving to tell the tale.&nbsp;Punchy and cinematic, the video has the same raw, authentic feel as all of the artist's videos, with an extra layer&nbsp;of action-packed drama.&nbsp;

Sam Fender 'Get You Down' by Hector Dockrill

Sam-Fender-'Get-You-Down'-by-Hector-Dockrill

KLVDR let&nbsp;us in on Young T &amp; Bugsey’s latest side hustle - house flipping - in the high stakes promo for Big Bidness.&nbsp;At a location somewhere in suburbia, we see the artists joined by a team of girls, ready to break in and 'repossess' the contents of&nbsp;a multimillion pound mansion.&nbsp;DoP&nbsp;Stefan Yap keeps the cinematography fluid yet glossy, employing unique camera moves to keep the story moving at a breakneck pace.&nbsp;Punchy and playful, it's a great spin on similar concepts, and is anchored by strong performances from all the cast involved.&nbsp;

Young T & Bugsey 'Big Bidness' by KLVDR

Young-T-&-Bugsey-'Big-Bidness'-by-Klvdr

SOB's latest music video for Hendrix Harris is a darkly, immersive film revolving around a night of seduction.Featuring actress&nbsp;Louisa Fernando, the directing duo - Eseosa Ohen and Joe Sha - create an enigmatic tension between the pair, the suggestion of erotic roleplay and a sense of the pair of lovers grappling with issues of trust.[imgtoken data:1]The video carries many of the directing duo's trademarks - rich textures, splendid art direction and an abstract narrative - and matches the addictive soundscapes in the track.&nbsp;Hazy, blurred cinematography elevates the sensual mood of the project, and a clever use of lighting effects creates a heightened, dreamy feel.&nbsp;

Homespun

Soul

Hendrix Harris 'Jeez' by SOB

Hendrix-Harris--'Jeez'-by-Sob

Hector Dockrill directs an imposing promo for Tendai's Not Around.&nbsp;The video opens on a city rooftop at night, as the skyline unravels behind the artist, and a palpable sense of danger lingers in the air.&nbsp;Cutting inside an apartment block, we see Tendai perform the track in a series of gritty vignettes, all shot in high contrast black and white.&nbsp;The final third of the visual - that was filmed on location in Kiev -&nbsp;is an impressive feat. As the artist steps out onto a balcony, the camera backs away to hang suspended in mid-air above&nbsp;him. Then it&nbsp;pans back across to the skyline, revealing a post-apocalyptic scene which signals the end of humanity.&nbsp;

Tendai 'Not Around' by Hector Dockrill

Tendai-'Not-Around'-by-Hector-Dockrill

KLVDR directs a palpably luxurious video with a brutal twist, for Skepta's return with Nirvana.Set in a stately home, Skepta plays a butler, second-in-command to the head butler (played by Terence Vincent),&nbsp;who provides a special service to the beautiful lady of the house (played by Marlene Marie) - in the boudoir.[imgtoken data:1]Things get darker when J Balvin makes his appearance, tied to an upturned chair in a dank basement. It's the first suggestion that things may not turn out so well for Skepta either.With a combination of the grand setting, supporting characters and the casting of a glamourous femme fatale, KLVDR has graduated to a fully cinematic experience, with elements of Bond. Ultimately, the ending is blood-soaked and downbeat - like the better Bond movies. But perhaps surprisingly, Skepta's fate is not to emerge as a winner, but to be replaced.

Skepta ft J Balvin 'Nirvana' by KLVDR

Skepta-'Nirvana-Feat.-J-Balvin'-by-Klvdr

KLVDR directs a slick performance promo for Fredo featuring Headie One.&nbsp;Taking place in a prison, the video intercuts a handful of fluid set pieces both inside and outside the complex, linked together by hypnotic drone footage.&nbsp;The muted colour palette and&nbsp;Jack Reynolds' cinematography add a gritty vibe to the project, lending a sense of authenticity to the heightened reality.[imgtoken data:1]&nbsp;

Fredo ft Headie One 'Wandsworth To Bullingdon' by KLVDR

Fredo-'Wandsworth-To-Bullingdon-(feat.-Headie-One)'-by-Klvdr

A classic band road trip descends into a night of kidnapping and burglary, in The Rest's adrenaline-fuelled promo for Beabadoobee.&nbsp;Maintaining the same late 90's/early 00's aesthetic as her&nbsp;videography to date, the video for Cologne&nbsp;has a dark, dreamlike aesthetic, and is cast&nbsp;with a group of the artist's real-life friends.DoP&nbsp;Sam Meyer complements the gritty action film aesthetic with high contrast lighting and plenty of shadows, and a colour palette that leans towards cool blues and grimy greens, staying true to the genre.[imgtoken data:1]&nbsp;

The Rest

Indie

Beabadoobee 'Cologne' by The Rest

Beabadoobee-'Cologne'-by-The-Rest

Pulse Films&nbsp;has announced that Nnena Nwakodo has joined the award-winning Music Videos division at the company as Executive Producer.In her central role within the division, Nwakodo will be responsible for the management and development of Pulse Films's directing talent across its music video roster, and signing new filmmakers. She will report into Rik Green, Head of Music Videos at Pulse.&nbsp;Nwakodo joins Pulse Films from her previous role as producer at advertising agency BBH. She is also the&nbsp;co-founder of Unsigned, an exhibition and platform that promotes up and coming photographers, illustrators and filmmakers. It was established in response to her observation that advertising agencies were working with a small, elite handful of talent and not embracing untapped talent. Nnena’s ability to spot and nurture new talent resulted in Unsigned featuring over 80 artists since its launch in 2018.On her appointment Nnena Nwakodo has commented:&nbsp;“I am beyond delighted to be joining the Pulse Films team after years of admiring the work coming out of the music video department. It's an incredible opportunity to unearth the next generation of exceptional talent and help them develop with industry-leading support and pedigree. I can't wait to get started and make some impactful, genre defying, culture-defining music videos!”Rik Green, Head of Music Videos added:&nbsp;“I am so thrilled to have Nnena join the Pulse Films music video team. Having someone with her level of experience and impeccable eye for talent to help continue the growth and development of the division is incredibly exciting.”

Pulse Films appoints Nnena Nwakodo as EP, Music Videos 

Jon E Price&#39;s latest video for Blue Lab Beats - his follow-up to <a href="http://www.promonews.tv/videos/2018/02/07/blue-lab-beats-pineapple-jon-e-price">Pineapple</a> - brings us a sweet mini-fantasy of London life. It&nbsp;centres around three friends who perform an impromptu dance piece in an East End cafe, while the girl waits for the waitress to bring her apple pie and custard.Taking reference from the French expression &#39;Ooh la la&#39;, the dance is inspired by one of French New Wave&#39;s most iconic dance scenes, but visualised with eccentric Britishness. It works delightfully well for the band involved in the new wave of British jazz.