Producer

Jamie Clark

Viral TikTok track Jiggle Jiggle gets an unexpected music video treatment from Stanley Brock.&nbsp;Louis Theroux is one of our great documentary filmmakers - but I don't think any of us expected him to be the lead artist in a music video.&nbsp;This all changed when Duke &amp; Jones transformed his iconic Jiggle Jiggle rap - first seen on an episode of&nbsp;Louis Theroux's Weird Weekends in 2000 - into a catchy pop track.&nbsp;The video is a warm, celebratory affair, with Theroux and Dimz (Chicken Shop&nbsp;Date's Amelia Dimoldenberg) cruising around town, stopping to drink some wine at a café and&nbsp;get some dinner at a 'drive-Theroux'. And the appearance of Jason Derulo, with his beaming smile beamed in from LA, is the icing on the cake.&nbsp;Matching the idiosyncratic nature of the track, its a brilliant visual with plenty of comedic - and downright unusual - moments.&nbsp;

United Kingdom

Elissa Morton

Stanley Brock

Chloe Culpin

Mouthpiece

My Accomplice

Adam Singodia

Billie Mckenzie

Joe Bolger

Homespun

Caroline Morin

Wash

Anthony Le

Sony Music

Gangsta Rap

Duke & Jones X Louis Theroux X Jason Derulo ft Amelia Dimz 'Jiggle Jiggle' by Stanley Brock

Jason Derulo x Duke & Jones x Louis Theroux x Amelia Dimz - Jiggle Jiggle [Official Music Video]

Harvey Pearson directs a spellbinding studio-based&nbsp;promo for&nbsp;Jessie Buckley and Bernard Butler.The first thing to note about this video for a track from the collaboration between actor/singer Buckley and ex-Suede guitarist Butler&nbsp;is the&nbsp;remarkable execution by Pearson - shot all in one-take, with mesmerising lighting cues, fluid camerawork and live audio, there are a myriad of complex processes at play, cleverly hidden by a seemingly simple concept.&nbsp;The black and white aesthetic - following from Pearson's other visuals for the&nbsp;pair's album&nbsp;All Our Days That Tear The Heart&nbsp;- paired with traditional lighting and engaging composition, elevates the atmospheric style&nbsp;and perfectly suits the artistic, jazzy number.&nbsp;

Holly Tidwell

Harvey Pearson

Ramzey Sabbath

Ailsa Aikoa

Ben Welch

Kate Eccarius

Joel Spence

Ruth Wardell

Okay Studio

Jazz

Jessie Buckley & Bernard Butler 'Seven Red Rose Tattoos' by Harvey Pearson

Jessie-Buckley-And-Bernard-Butler-'Seven-Red-Rose-Tattoos'-by-Harvey-Pearson

The Chemical Brothers' first single in two years comes with their first aollaboartion with RUFFMERCY - and not before time. It's utterly trademark RM stuff, and that works brilliantly with one of the&nbsp;Chems' most upbeat creations.“The Darkness That You Fear is a hopeful piece of music," says Tom Rowlands of the Chemical Brothers.&nbsp;"When we found the combination of the different voices worked set to the flow of the music it made us feel optimistic, like it was something we wanted to share.”RUFFMERCY has responded by transfoming archive footage of British rave and festival culture when The Chemical Brothers first emerged in the early Nineties. His distinctive&nbsp;abstract painterly animation style is applied to the vintage footage to create an astonishing tour de force of visual creativity.&nbsp;There's only one RUFFMERCY. And he's brilliant!

RUFFMERCY

Richard Grewe

Charlie Reddie

Patch Keyes

Alexa Haywood at Free Agent UK

Ailsa Robertson

Dance

Electronica

The Chemical Brothers 'The Darkness That You Fear' by RUFFMERCY

The-Chemical-Brothers-'The-Darkness-That-You-Fear'-by-Ruffmercy

Hector Dockrill and&nbsp;RUFFMERCY present a haunting visual for Ghetts' IC3, featuring Skepta.&nbsp;Dividing the workload on the enigmatic promo, Dockrill directed the live action footage, with RUFFMERCY creating and directing&nbsp;the&nbsp;overlaid animation. The resulting video is an exceptional piece of work,&nbsp;dark and minacious with an otherworldy, gritty aesthetic. The strobing textures and hyperactive scribble-style animation add a surreal vibe to the promo, and the frenetic camerawork builds upon this style.It's also a suitably strong addition to the current visual campaign around Ghetts' new&nbsp;releases&nbsp;in which RUFFMERCY has played a crucial role - including directing <a href="https://www.youtube.com/watch?v=DIhWBhf1lPY" target="_blank">the&nbsp;video for Mozambique</a>,&nbsp;nominated for the Best Animation award at this year's UKMVAs.&nbsp;

Hector Dockrill

Natalie Steiner

Pulse Films

Rik Green

Pru Ainslie

Ty Hack

Joel Honeywell

Chris Dowling

Liz El Kadhi

Lewis Munro

Jess Summer

Edward Cooper

The Assembly Rooms

Jason Wallis

Electric Theatre Collective

Oliver Whitworth

Nathan James Tettey

Warner Records

Erin Sayder

Hip-Hop

Grime

Ghetts ft Skepta 'IC3' by RUFFMERCY x Hector Dockrill

Ghetts-'Icu-Ft.-Skepta'-by-Live-Action-Directed-By-Hector-Dockrill,-Animation-And-Edit-Directed-By-Ruffmercy

Harvey Pearson addresses a tough subject in a hugely affecting way&nbsp;for young indie-soul&nbsp;singer Puma Blue.Jacob Allen (aka Puma Blue) wrote Velvet Leaves a few years after his sister attempted suicide - when he was finally able to process&nbsp;this traumatic and tragic event. Pearson's video for the song explores the relationship between the singer and his sibling - their friendship and the impact of her mental health issues upon him - in an impressionistic fashion, with reality slipping into a dreamworld and then veering towards somewhere nightmarish.With Mia Gill playing the sibling foil to Allen's sensitive performance, Pearson uses a number of effective, lo-fi&nbsp;visual devices to express emotion and instability: the film speeding up to a blur, the vision of the girl becoming indistinct; the siblings frozen in a fiercely white spotlight, as if in grave danger.&nbsp;But perhaps most effective of all is a more realistic snapshot, after Allen witnesses his distressed sister storming out of the house.&nbsp; &nbsp; &nbsp; &nbsp;"This was a really special project and the first job out of lockdown," says Pearson. "Jacob (Puma Blue) came to me with this beautiful track and the touching story it told, one of family and getting through the hard times - balancing on the line of life and death. The video is a small tribute to Jacob’s sister, exploring memories and an abstract journey through mental health."&nbsp; &nbsp;

Frankie Willcock

Imogen Harrison

Natalie Wetherell

Hunter Daly

Josie Thieme

Alex Hudson

Kit Wood

Millie Tennant

Matthieu Toullet

Edwin Elkington

Kodak

Mia Gill

Blue Flowers

Indie

Soul

Puma Blue 'Velvet Leaves' by Harvey Pearson

Puma Blue - Velvet Leaves (Official Video)

Imogen Harrison dives into surrealism in&nbsp;the video&nbsp;for legendary&nbsp;new-wave outfit The Psychedlic Furs' Come All Ye Faithful.&nbsp;Following dancer Emma Holt through the isolated Suffolk coast, Harrison experiments&nbsp;with off-kilter dance snippets and undulating light&nbsp;to create a hyperactive and distorted aesthetic.&nbsp;Hauntingly unique and refreshing, the contrast of the black and white setups and hyper-saturated reds&nbsp;leans into the concept, and wraps the entire narrative in a cloud of mystery.&nbsp;

Andrew Rawson

Simon Plunket

Tanmoye Khan

Kye Corfield

Anthony Neale

Gabbi Edmunds

Sarah Buitelaar

Blaine Pearson

TenThree

Andi Chu

Emma Holt

Cooking Vinyl

Alternative

Rock

The Psychedelic Furs 'Come All Ye Faithful' by Imogen Harrison

Psychedelic-Furs--'Come-All-Ye-Faithful-'-by-Imogen-Harrison

Lily Rose Thomas&#39;s video for electronic duo Ider explores what it&#39;s like losing part of your identity when going through a break-up - and not recognising yourself in the mirror.Her method is to have both bandmembers,&nbsp;Lily Somerville and Megan Markwick, performing seperately in the same situations, side by side in split screen. It shows that both have considerable charisma, and the effect is powerful.And just when you&#39;re used to the split screen technique, Thomas mixes it up to show that these girls really are stronger together.

Lily Rose Thomas

Aleksandra Bilic

Jack Meredith

Nathalie Pitters

Undefined

Zik Udenze

Alicia Howitt

Anna Inglis Hall

Tom Mooring

Tim Smith @ Etc

Megan Markwick

Lily Somerville

Andrew Law

Ider 'Mirror ' by Lily Rose Thomas

Ider--'Mirror-'-by-Lily-Rose-Thomas

Adam Powell&#39;s video for The 1975&#39;s&nbsp;Love It If We Made It throws out chunks of memorable imagery: colourful silhouettes of the band performing juxtaposed with a blaze of footage of modern news events and its most notorious figures; then an anonymous boyband dancing and a succession of headshots&nbsp;of ordinary young people.&nbsp;&nbsp;This brief excursion into showing how modern life has never been more rubbish, and frightening, with snatches of visual wit and humanity.&nbsp;The excellent song comes from the forthcoming album A Brief Inquiry Into Online Relationships, out at the end of November.

Adam Powell

Emily Crofton-Atkins

Tim Sidell

Joseph Mastrangelo

Sebastian Marczewski

James Hamilton

Matty Peacock

Patricia Villirillo

Elaine Lynskey

Kim Rance

Pete Fullarton

Carbon Vfx

Lewis Kyle White

Aubrey Woodiwiss

Semera Khan

Dirty Hit Records

The 1975 'Love It If We Made It' by Adam Powell

The 1975 - Love It If We Made It (Official Video)

James Slater portrays Grace Carter&#39;s coming of age, from a little girl to teenager to womanhood.Each version of Grace treads the same pavement, seashore, and path through her town, and each follow the literal and emotional journey it took her to find out why her father had left her family.A strong, simple idea that delivers the emotional force of the singer&#39;s Why Her Not Me.

James Slater

Fred Bonham Carter

Matt Farant

Rachel Wood

Jess Doxey

Lettie Grumbar

Natasha Lawes

Cut+Run

Universal Music

Grace Carter 'Why Her Not Me' by James Slater 

Grace-Carter--'Why-Her-Not-Me-'-by-James-Slater-

No Rome&nbsp;chills in Japan in Adam Powell&#39;s video&nbsp;for Do It Again, and&nbsp;the aesthetics match&nbsp;well with his laidback vocals and his own personal style, such as the delicate cherry blossom floating in the wind to late night motorbike rides through blue tinted tunnels.

Yoshiko Tanaka

Kateb Habib

Dirty Hit

Justin Carson

No Rome 'Do It Again' by Adam Powell 

No-Rome--'Do-It-Again-'-by-Adam-Powell-

What could be cooler than a Thom Yorke soundtrack to a remake of Suspiria by Luca Guadagnino, director&nbsp;of Call Me By Your Name?&nbsp;That would be RUFFMERCY doing a video for one of the songs from the movie.Here&#39;s a simple dance performance to Yorke&#39;s stark voice and piano composition Suspirium, rendered entirely in solarised pink and blue, where the dancer has acquired the signature RM skull face. It&#39;s lovely, and mesermizing, but with an appropriate hint of impending menace.

Jessica Wylie

Thom Yorke 'Suspirium' by RUFFMERCY

Thom-Yorke--'Suspirium'-by-Ruffmercy

Incorporating vintage footage of the postwar immigration experience, from the Windrush generation onwards, and haunting references to Grenfell, the video for Rudimental&#39;s Toast To Our Differences by directing collective Cousin is a melting pot of emotion.Ultimately, with the video centring around a happy gathering of band and special guests - including Brixton&nbsp;legend Steve Blacker, the subject of Molly Dineen&#39;s superb doc Being Blacker -&nbsp;&nbsp;this is an uplifting statement of London&#39;s rich diversity, and the music that has come out of it.

Cousin

India Bradshaw

Ed Hubert

James Heaphy

Nick Dalby

UNIT

Ian Luxford

Nicola Sheppard

Atlantic Records

Tom Pollard

Lachlan Munro

Jack Layfield

Rudimental ft Shungudzo, Protoje & Hak Baker 'Toast To Our Differences' by Cousin

Rudimental - Toast To Our Differences (feat. Shungudzo, Protoje & Hak Baker) (Official Video)

RUFFMERCY deconstructs and repaints Preoccupations&#39; Matt Flegel on Saunton Sands, for the jangle-core of Disarray.It&#39;s gorgeously hypnotic in its ethereal yet trippy rendering of Flegel&#39;s walk on the beach, and another superb combination of live action and animation by the man they used to call Russ Murphy.&quot;When I was writing Disarray, it started off with an image of a mother combing her daughters hair that came into my mind,&quot; says Flegel, about the song. &quot;I liked the metaphor of splitting the braids and combing through the tangles, and wrote the rest of the lyrics around that image. This song sat untouched for close to six&nbsp;months as a recording with just bass and drums before we came back to it and wrote and recorded the guitar line while out of our minds one night in the early AM.&quot;

Bonnie Anthony

Tim Crawley

Jagjaguwar

Preoccupations 'Disarray' by RUFFMERCY

Preoccupations-'Disarray'-by-Ruffmercy

A young man, carrying a bagful of loose audiotape, becomes embroiled in a surreal cycle of repetition, with timecode flickering on and off screen and&nbsp;the image fragmenting, in RUFFMERCY&#39;s hypnotic video for Nightmares On Wax.Throughout RUFF&#39;s handmade strokes lick around the young man - the trademark visual motif of a director adding a interesting new layer of narrative to his usual work.

Ato Yankey

Thomas English

Ben Oliver

Adam Kavanagh

Westley Aguis

Gabbi Edmonds

Ruffmercy Studio

Nightmares On Wax 'Shape The Future' by RUFFMERCY

RUFFMERCY sprinkles his own brand of stardust over Alex Ebert&#39;s meanderings in his hometurf&nbsp;for a very enjoyable collaboration to accompany Broken Record, the new&nbsp;release by Ebert&nbsp;(aka Alexander, aka Edward Sharpe and the Magnetic Zeros).&nbsp;The result is surely one&nbsp;of the few videos created in both Bristol and New Orleans.&quot;We spoke about Kid &#39;N&#39; Play, PM Dawn, Kenny G, Chung King Express, John Woo, Tokyo vending machines, Miami Vice... and if you look hard enough you might see these influences within our video (kind of),&quot; says Russ Murphy, aka RUFFMERCY, tells us.&nbsp;&quot;I really enjoyed this collaboration.&quot;&nbsp;Ebert, for his part, told PAPER: &quot;Despite my history of surrounding myself with crowds of wonderful musicians, and despite my interest in all things communal, I am more or less married to the lonerishness of solitary work - which is the reason my romantic relationships inevitably disintegrate, just as the relationship that inspired Broken Record disintegrated. And yet they disintegrate so that I can integrate ever more with my muse...whatever that may be.&quot; And the video attempts to capture some of that &quot;oddball&quot; solitude.&nbsp;&quot;I was inspired to do a video with Ruff Mercy because to me it has that same sort of personal freedom that only comes from handmade things done in some kind of solitude. And yet he lives in London [sic]. So instead of flying there I just spent a few nights and mornings shooting myself in total solitude, doing those things you might not otherwise think to do in the presence of others. Its a bittersweet thing, being lonesome - emphasis on sweet, for that lonesomeness is responsible for that extra bit of handmade intimacy in art that is simply not possible otherwise.&quot;

United States

Alex Ebert

Alex Ebert 'Broken Record' by Alex Ebert & RUFFMERCY

Alex-Ebert--'Broken-Record'-by-Alex-Ebert-&-Ruffmercy

Geej Ower has created a perception-challenging video for Naughty Boy &amp; Laura Mvula&#39;s Dancing Machine. A statuesque figure is seen alone in the Thames underpass, but they are not initially what they seem to be.What first appears to be a woman in a glittering shift is revealed to be a male. But the outfit does not define him. It becomes a secondary element to his performance, guiding the viewer through a sensual and emotional journey, the camera stalking his every move.It is so hypnotic it merges with this cover version of a Jacksons&#39; hit from the 1970s, so throughly reworked by Naughty Boy and Mvula it&#39;s virtually unrecognisable from the original.

Jamie Clark

Producer

Videos featuring Jamie Clark

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