Producer

George Telfer

Iggy London directs a&nbsp;visual exploration of girlhood, growing up and self-love, in his affecting promo for Grace Carter.&nbsp;The video for Pick Your Tears Up contains several intimate portrait vignettes&nbsp;of Carter and her friends, capturing them in a transitory, poignant manner.&nbsp;Carefully blending character study and an abstract, elevated aesthetic, the video exists somewhere between a music video and documentary, and is instantly captivating and moving.&nbsp;A beautiful complement to the track, which perfectly visualises an intangible, yet universal, set of emotions.&nbsp;

United Kingdom

Elena Isolini

Jinjo Casting

Verity May Lane

Iggy London

Park Pictures

Christian Huck

Shelley Jones

Lallie Doyle

Sam Barnham

Emmy Robinson

Ada Wesolowska

Tiffane Williams

Maya Man

Ed Hanbury

Trim Editing

Jason Wallis

Electric Theatre Collective

Grace Carter 'Pick Your Tears Up' by Iggy London

Grace-Carter-'Pick-Your-Tears-Up'-by-Iggy-London

Brock Neal Roberts's new video for Sam Fender - his second for the South Shields singer-songwriter, after last year's&nbsp;MVA-nominated&nbsp;video for&nbsp;Seventeen Going Under - elevates an everyday story of teenage friendship&nbsp;with a clever visual device.&nbsp;In the video for Getting Started, we see four friends work their way down their tower block, picking each other up on the way as they prepare to head for a night out. And each stage is mainly presented as a three dimensional photo, the camera tracking through the boys as they are caught static,&nbsp;in the moment.[imgtoken data:1]Brock has mainly used&nbsp;in-camera effects to create this sense of hyperreality, with the young actors freezing their bodies in a physical way&nbsp;rather than achieving the effect in post-production - identical twins were used to play the same characters, to bring the complex blocking to life.&nbsp; Imaginative art direction assists to make this work, such as the spray of a deodorant can and smoke from a cigarette created with cotton wool.Sam Fender's performance&nbsp;is the final piece of the jigsaw, walking through the same night-time streets, the unseen narrator of the boys' lives. In the Director's Cut we are featuring here, he is slightly more incidental to the action than&nbsp;in the official release. Ultimately, it is a charming and positive representation of youth and young male friendship.[imgtoken data:2]

Louis Simonon

Bardha Krasniqi

Holly MacDonald

Brock Neal Roberts

Manoela Chaibai

OB Management

Agile Films

Semera Khan

Vini Curtis

Precious Mahaga

Sana Khan

Smera Kumar

Elle Lotherington

Nick Teulon

Barney Batchelor

Chris Starkey

Katya Bourvis

Kiloh Falby Clark

Ed Cooper

Assembly Rooms

Richard Fearon

Bruce Langfield

Black Kite Studios

Polydor

Digital Orchard

Rock

Sam Fender 'Getting Started' (Director's Cut) by Brock Neal Roberts

Sam-Fender-'Getting-Started-(dc)'-by-Brock-Neal-Roberts

Jamie Whitby takes on a trip to the Psychedelic Views Hotel in his video for Sad Night Dynamite - a hallucinatory POV journey, where logic falters and goats roam free...Whitby references previous SND videos - the ones where they roam around in a stretch limo - and brings a strangeness to proceedings through clever use of visual effects and animation, to enhance the woozy, sleazy atmosphere.

Jamie Whitby

Kevin Cheung

Ty Hack

Jamie Harding

Karl Hui

Nina Mangold

Jorge Higgins

Jabez Bartlett

Suzie Walsh

Lauren Webster

James Bradley

Alex Gregory

No.8

Agile Studio

Ellen Wilson

Kit Falck

Sam Seager

Parlophone

Sad Night Dynamite 'Psychedelic Views' by Jamie Whitby

Sad-Night-Dynamite--'Psychedelic-Views--'-by-Jamie-Whitby

Joshua Osborne directs the new music documentary for Tom Misch and Yussef Dayes' debut album What Kinda Music.Switching between conceptual performance setups and behind the scenes, fly-on-the-wall filming, the visual delves into the background of production and collaboration, as well as the artists' respective journeys and influences. Punctuated by shifts in tone and pace, the documentary is intimate and informative as well as being brilliantly entertaining.&nbsp;Shot on 35mm, DoP&nbsp;James Rhodes reflects the concept&nbsp;with a dreamy and relaxed aesthetic, elevated by slow and steady camerawork, often acting as spectator in the background whilst the creative process unravels on screen.&nbsp;

George Telfer

Producer

Videos featuring George Telfer

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