We are DOMA. A new post-production company specialising in Edit and Colour.From our offices in London, we work with production companies, producers, directors, artists, and agencies worldwide. We offer complete post-production services including offline and online editing, VFX, animation, colour grading, and finishing.

Post production company

DOMA

Len's highly anticipated international collaboration&nbsp;featuring Florida's Cochise, comes to life in a captivating blue-hued music video directed by Len himself.In the video, Len portrays the persona of a charismatic ‘home-wrecker’ superstar, attracting the attention of a woman who believes he is the one for her, while being pursued by 'TMS' paparazzi, with the visuals seamlessly complementing Len's braggadocious lyrics.The single serves as a glimpse into Len's upcoming project&nbsp;Cobalt, leaving us excited for what's to come.[imgtoken data:1]

Klevis Krasniqi

COMPULSORY

Stephen Crabbs

Zain Zaidi

Chris Toumazou

Kiran Mandla

Vala Shahiri

Connor Hall

Nielsan Bohl

Len ft Cochise 'TELLMeSUM' by Len

Len-'Tellmesum-(feat.-Cochise)-'-by-Len

Poppy Ajudha makes a triumphant return after a two-year hiatus with uplifting track My Future, accompanied by a visually captivating&nbsp;video by directing duo NWSPK.My Future serves as a celebratory anthem, where Poppy embraces her potential, champions self-love, and prioritises her dreams and aspirations over fleeting aspects of life.&nbsp;And the video complements the song’s vibrant energy, showcasing Poppy's dynamic performances across various scenes in a white-syc studio, as the visual narrative evolves from black and white sequences to bursts of vivid colors and choreography, symbolizing Poppy's evolution and newfound confidence.With its infectious energy and empowering message, both the song and assured video will resonate with audiences everywhere.[imgtoken data:1]

United Kingdom

Lauren Croft

Lauren Anne Groves

NWSPK

Anastasia Liasi

Emily Sonnett

Alex Magill

Sam E. H. Hooper

Elsa Collingwood

Kitt Sullivan

Gulistan Korkmaz

Kash Powell

Solomon Paramour

India Rawlings

Saskia Roberts

Glen Travis

Leethal Reppin

Poppy Ajudha 'My Future' by NWSPK

Poppy-Ajudha-'My-Future'-by-Nwspk

Central Cee shows his sensitive side in Dir. Lx's lowkey but rewarding video for I Will, filmed in a wintry Brighton.Shot&nbsp;on 16mm, Cee's understated performance in a hotel room, is countered with vignettes&nbsp;of a girls' night out, including a girl who may be the object of his heartfelt lyrics.&nbsp;Lx uses the interplay of the performance and narrative to amplify the feeling behind Cee's words. It's a cinematic,&nbsp;fly-on-the-wall approach focussing on small moments, and its all the more impactful as a result. Very nice work indeed.&nbsp;

Billie Skuse-denley

Natasha Robert

Dir. Lx

Shaznay Bond

Michelle Smith

Greatcoat Films

Lea Ogumlami

Daniel Millar

Sachin Parmar

Henry Gill

Simon Oxley

Renee Saliba

Marnz Brown

Harry Coleman

Oona Eloranta

Joe Munro

Aja Toylo

Maisie Boyd

Sam Hardy

Vlad Barin

CHEAT

Aurora Wintz

Sony Music

Hip Hop

Central Cee 'I Will' by Dir. Lx

Central-Cee-'I-Will'-by-Dir.-Lx

Charlotte Plank and her crew bring the rave with them on a night out in Ben Cole's video for the BRIT-nominee and UK breakthrough dance artist.The frenetic video for Rage - one of Charlotte Plank’s most-anticipated records prior to its release - matches the song’s fast-paced high energy.“When writing Rage, I was heavily inspired by sounds from Pendulum and The Prodigy," Charlotte Plank has explained.&nbsp;"I wanted the hypnotic, almost nursery rhyme-like vocal melody to captivate and hit the itch inside your brain. In that moment when you’re coming up in a rave and everything’s melting away around you, a certain song or sound almost steadies you, pulling you back in, injecting you with energy, riling you up to go for the rest of the night.”Director Ben Cole shot in some eclectic locations across London, capturing an authentic sense of the city’s frenetic nightlife - and it features an unexpected narrative twist at its finale.“This film is a little nod to the endless overlapping stories found on a London night out, and that communal hunt for the rave," says Cole. "There is spontaneity to it all. Thank you to my local kebab shop for letting 50 kids rave to drum and base!”

Aliou J

Lucy-isobel Bonner

Ben Cole

Lottie Lindsay-Beavan

Prettybird

Lea Ogunlami

Mat Nolan

Chris Murdoch

Jen Sims

Orlando O’mahoney

Natalie Brown

Rebecca Knox

Nielsen Bohl

Jake Evans

Black Butter

Zooey Gleaves

Lee Sharrock

Juliette Larthe

Fiona Bamford-Phillips

Shani Mushington

Afsha Kabani

Myuji Sato

Mouthpiece

Charlotte Plank 'Rage' by Ben Cole 

Charlotte Plank - Rage (Official Video)

Timi Akindele-Ajani directs an upbeat live promo for Samm Henshaw's new song Jumoké,&nbsp;inspired by the classic West African pop sound Highlife.&nbsp;The live video has&nbsp;a simple yet dynamic concept, focusing purely on Samm and his band's&nbsp;performance - it's shot in a&nbsp;single take with a constantly&nbsp;rotating camera. It's a simple yet dynamic device, and the&nbsp;360 rotating camera and tape recorder motif was largely inspired by a scene from the 1981 John Travolta movie Blow Out. &nbsp;&nbsp;Using depth and and subtle art direction to engage the viewer, the video remains captivating and intimate throughout, with a rich textural aesthetic&nbsp;and exudes the joyous energy of the track.[imgtoken data:1]&nbsp;

Seb Chan

Timi Akindele-ajani

Morgan Faverty

Pavilion Works

Jd Management

Tom Nowell

Stephen Dunn

Matt Choules

Tom Reid

Awal

Highlife

Afrobeat

Samm Henshaw 'Jumoké (Live Session)' by Timi Akindele-Ajani

Samm-Henshaw-'Jumoké-(live-Session)'-by--Timi-Akindele-ajani

Lengurz takes us back to last summer with this&nbsp;charming slice-of-life promo for dexter in the newsagent - the artist formerly just known as dexter.&nbsp;The clip for More To Me&nbsp;has a home video energy, capturing portraits of friends, family and everyday life in East London, interspersed with offbeat performance shots.&nbsp;Shot on film, the video has a&nbsp;nostalgic vibe, with a stylised yet down-to-earth aesthetic that captures the city in a dreamlike way.[imgtoken data:1][imgtoken data:2]

Lengurz

Anthony Idahosa

Friends Are Always Welcomed.

Omar Radwan

Alex Stanley-Ruthven

Oniqur Rahman

Fatih Yirmibesoglu

Zander Hearn

Francis Pon

dexter in the newsagent 'More To Me' by Lengurz 

Dexter-In-The-News-Agents-'More-To-Me'-by-Lengurz-

Ben Cole directs an exciting promo for p-rallel &amp; Deto Black,&nbsp;paying homage to Kylie Minogue's iconic&nbsp;music video for Can't Get You Out Of My Head.Visually rich and fast-paced - and shot using a virtual studio - the video for Go is a hypnotic trip through textural patterns and colour combinations, which match the dancefloor-ready energy of the track.Seeking to recreate his own version of the legendary white headscarf moment, Cole uses a combination of incredible styling and choreography to pull of something striking and distinctive.&nbsp;[imgtoken data:1]&nbsp;&nbsp;

Rush Campbell

Timoni Longe

Shaquille Williams

Sam Hooper

Malik Nashad Sharpe

Yuho Kamo

Fey Carla

Black Butter Records

P-rallel, Deto Black 'Go' by Ben Cole

P-rallel,-Deto-Black-'Go'-by-Ben-Cole

Directing duo Deadhorses nail the&nbsp;buzzed-up energy and madness of a wild house party, with a viscerally lo-fi,&nbsp;pre-social media aesthetic, for Manchester-based house crew Mason Collective's collab with Bipolar Sunshine.Working together with Blend Films for the&nbsp;first time and filming on a collection of vintage mini-DV tape cameras - including malfunctioning ones - and then augmented with kinetic editing and FX, Deadhorses - James Topley and Ivo Beckett - have created an unhinged&nbsp;thrill ride through the unrelenting action of a brilliant night out.&nbsp;As we move breathlessly with the lead characters through scenes from street to house, taking in numerous&nbsp;loved-up participants, the nostalgic, early home-digi&nbsp;sensibility, and unstoppable momentum is a great&nbsp;accompaniment to People In Love, an&nbsp;old school dance tune with a big heart, boasting a chugging bass line, decadent synth-work and sly garage influences. Perfect for a banging&nbsp;house party video dripping in Y2K influences.&nbsp;[imgtoken data:1]<blockquote>We grew up watching and loving TV shows like&nbsp;Skins&nbsp;and wanted to hark back to that era...</blockquote>"We wanted to take people back in time to an old school house party session, before social media and Spotify, when MTV ruled and all you needed for a solid session was a four pack of cans, 10 B&amp;H, a brick Nokia and a well-fed Tamagotchi!" say Deadhorses."We grew up watching and loving TV shows like Skins and wanted to hark back to that era and for the film to feel rooted in the experience of the characters, based in an (undefined) recent past. We filmed the video across a number of mini-DV tape cameras - some half-broken, some with dodgy tapes - which provided the heavy analogue tone to the look and also gave us an enormous range of textures to play with.[imgtoken data:2]"Some of the cameras were so old we had abstract glitches, pixelation and our brilliant DoP Jed used these curveballs to his advantage and captured some really insane, off-the-wall shots, lit with a bright, sparky, gel-pen colour palette. We loved these in-camera effects and leaned into them when it came to the edit, enhancing them with a heavy VFX, quick cutting approach to bring a visceral rushing sense of momentum. Some of the tapes were recorded over previous footage and this contributed to the authenticity and feeling as if it was a home-movie."The film follows our hero characters throughout the night showing them all at the meet up and driving through residential roads to the house party, 6 people squashed into a four seater, etc. For the house party itself, as well as the dancing and general madness of the main room we wanted to focus on the side rooms and peripheral spaces where the shit really goes down and the memories are made. So we had one of the characters locked in the bathroom after hotboxing it and another passing out way too early and becoming tagged with a sharpie covered in crap by their mates.[imgtoken data:3]"It was also great to get Mason Collective guys in the video as well. They came down for the main party scene filling in as the DJs, playing tunes to all the revellers and bringing the energy and vibes in buckets, we to the room and the video as a whole. We really all did it for the love of the scene and it was great to have everyone on the set exchanging their nostalgic memories of raving."Overall, it was such a fun, energising experience and we think this experience we had filming it shines through the final product. Finally we’d like to thank everyone who worked on this, cast and crew, everyone at Blend, Sam and Polly at OB42, Cat at Defected. Everyone smashed it out the park and made it so much fun to make." &nbsp;

Kiara Gourlay

Georgia Topley

Alice Gilfillan

Amy Lindsay

Deadhorses

Liam Wallace-Cook

Ob42

Blend Films

Defected

Gabriel Mango

Jed Darlington-Roberts

Any Lindsay

Danny Rumbelow 

Nielson Bohl

Defected Records

Dance

Mason Collective x Bipolar Sunshine 'People In Love' by Deadhorses

Mason-Collective-X-Bipolar-Sunshine-'People-In-Love'-by-Deaadhorses

LAUZZA directs a breezy Brighton-based promo for Frankie Stew and Harvey Gunn - from the perspective of a troublesome AUX cord.&nbsp;The video for No Idea places viewers inside a car, where Frankie Stew attempts to connect his phone to the elusive AUX cord, ready to unveil the new song he's been working on.However, as the AUX snaps the audience is transported into the POV of the cable itself, offering a unique view of the artists'&nbsp;escapades as they navigate through car seats, fields and the colourful roads of Brighton in their quest to restore the connection.In true LAUZZA style, its an offbeat idea grounded by a commitment to brilliant execution and a confident handle on the zeitgeist - and a great match to the bouncy track.&nbsp;

Lauzza

Beth Clifton

Lee Fairweather

Cassius Kane

Bruno Murari

Jak Waughman

Mari Esa

Frankie Stew and Harvey Gunn ft Bawo 'No Idea' by LAUZZA 

Frankie Stew and Harvey Gunn - No Idea ft. Bawo

NWSPK direct a dynamic and evocative promo for&nbsp;Jordan Adetunji.Centered around high-energy performance, the video sees&nbsp;Adetunji and a dancer in a vibrant studio setup, captured in a frenetic, quick-cut montage.&nbsp;The perpetually moving camera and fast pace of the edit elevate the energy of the piece, and the textural, nostalgic grade gives the concept a wistful vibe throughout.&nbsp;

Bertin Avdiu

Tom Clapson

Cinelab Film and Digital

Jordan Adetunji 'Can't Lose' by NWSPK

Jordan Adetunji - CAN'T LOSE (Official Video)

Ben Cole directs a high octane dance performance by singer chi, in a South London gym.The video for Serotonin is a darkly atmospheric showcase for the new artist, with high contrast lighting and playful camerawork.&nbsp;Packed full of high-energy&nbsp;confidence, the video is a great match for the pulsating earworm of a beat.&nbsp;[imgtoken data:1]"The video was shot with a window of four hours to capture everything between classes [in the gym]," Cole explains."Malik, the movement director, worked alongside chi ahead of the shoot to perfect the choreography. These rehearsals combined with chi’s insane performance and stamina are what made the timing doable."DoP Sam Hooper’s fluid shooting style helped with the limitations and fast nature of the shoot. Other than the intro, Sam used only natural light. It was all these details that meant the music video was possible."

Orlando O'Mahoney Morris

Chi 'Serotonin' by Ben Cole

Chi-'Serotonin'-by-Ben-Cole

The music video for Ashbeck x Rushy’s ‘Celly’, directed by LAUZZA, is nothing short of an action classic. From the opening shot we understand that a hostage has taken place, with a hefty ransom request of 50 million dollars. As the narrative unfolds, Rushy and Ashbeck take matters into their own hands, embarking on a journey through the streets of London to secure the hostage's freedom.Taken from their joint EP Rush Hour, the project pays homage to the 1998 buddy cop classic, brimming with references to Chris Tucker and Jackie Chan. Ashbeck and Rushy embody the essence of partners in crime both through their lyrical delivery and acting. LAUZZA's direction elevates the video with characteristic attention to detail, creating a cinematic world that keeps the audience captivated and anticipating each twist and turn.With Celly, LAUZZA proves once again his ability to craft immersive music videos that leave a lasting impact and keep everyone eagerly awaiting what’s next to come.

Nada El-hammoud

Dominic Compton

Raphael Humphry-atiemo

Fred Gowers

Ashbeck X Rushy 'Celly' by Lauzza

Ashbeck-X-Rushy-'Celly'-by-Lauzza

Sam Hardy, the editor who has worked with top artists on music videos and other projects - including Stormzy, Sam Smith, Burna Boy &amp; Jorja Smith and Central Cee - has joined new post production house DOMA as their first editor.Hardy's impressive portfolio includes the videos for Burna Boy's Gum Body, featuring Jorja Smith, Cat Burns's People Pleaser and Nick Jonas's This Is Heaven, and Stormzy's This Is What I Mean; and the album trailer for Sam Smith's latest album Gloria. Meanwhile, his commercial work has seen him cutting films for household names including the likes of Nike, Mango, and Sony.&nbsp;Before joining DOMA, Hardy&nbsp;freelanced to build his portfolio while searching for the right post-production house, and developing a distinctive skillset in the process: his thoughtful approach to&nbsp;narrative pairs perfectly with his ability to use dynamic techniques to bring a project to life.Furthermore, while he has made a name for himself in music videos, Hardy is also expanding his commercial horizons and aspires to venture into longer form, across scripted works and documentaries."I'm excited to be part of a new company like DOMA that feels full of momentum," says Sam Hardy.&nbsp;"The ambitions and work ethos of DOMA align with my own, and I'm looking forward to what lies ahead." Jake Evans, co-founder of the Bermondsey, South London-based post house, adds: "Sam is the first editor to join DOMA. Recognising his work, we were confident he would be instrumental in establishing us as a strong edit house."• Watch Sam Hardy's portfolio of work at DOMA <a href="https://vimeo.com/showcase/10518214" target="_blank">here</a> &nbsp;

Editor Sam Hardy joins DOMA

London transforms into an psychedelic&nbsp;jungle landscape&nbsp;in&nbsp;Lauzza's Indiana Jones-inspired promo for Bawo.&nbsp;We see Bawo and friend&nbsp;transported from rainy London into a fantasy world populated with unusual&nbsp;giant plants, ancient structures and plenty of obstacles in the way, during their intrepid&nbsp;mission to find a phone charger.&nbsp;It's an ambitious video that is achieved through a mix of clever concept, and sterling VFX work from&nbsp;Cam McCormick and team. Bawo's performance - and that of co-star&nbsp;Maz Ullah - is the cherry on top, bringing a sense of reality to an otherwise surreal world.&nbsp;Eventually, deep underground, they find their&nbsp;holy grail - the charger -&nbsp;and everything can go back to normal in rainy old London...&nbsp;

James Robertson

Jack Waughman

Adam Trzcinski

Bawo 'Terra Incognita' by Lauzza

Bawo - Terra Incognita

Louis Bryant directs an affecting promo for Lola Young.&nbsp;Set within an empty tube carriage, Young delivers an emotional performance straight to camera, as the train hurtles through the underground tunnel.&nbsp;Interspersed with abstract lo-fi shots, the video feels elevated yet anchored in reality, with a pure focus on performance and the emotional narrative of the track.

Louis Bryant

Cree Brown

Andrew Howe

Max Cutting

Danny Rumbelow

Francis Boyter

Michael Mroczeck

Matt De Jong

Liam Curran

Gabriella Floyd

Universal Music Uk

Lola Young 'Annabel's House' by Louis Bryant

Lola-Young-'Annabel's-House'-by-Louis-Bryant

No need to fish for compliments here as Namani attempts to go for a lovely day out, but El Londo&nbsp;has different ideas.It's another lighthearted Lauzza-directed vid featuring the frequent collaborators - this time in which&nbsp;singer Namani is repeatedly frustrated&nbsp;by producer El Londo’s Tom &amp; Jerry-esque antics. The cartoonish tone is heightened by Lauzza’s slapstick, comic book style with a minimal but bright and colourful look.That works very effectively in contrast to Namani’s increasingly irate&nbsp;mood, and adds up to another&nbsp;enjoyable visit to the Lauzza-verse.

Antonia Reed

Zaza McDonald

El Londo & Namani 'I'm Pissed' by Lauzza

El Londo - I'M PISSED w/ Namani

The founders of production companies Pavilion Works and Accolade have announced the launch of DOMA, a new London-based post-production company specialising in Colour and Edit.Co-founders Jake Evans and Morgan Faverty previously founded Pavilion Works, a social-first content production company, in 2017, followed by sister production company Accolade.&nbsp;Now, they have officially launched DOMA, to offer the high-quality post-production services they are already known for, while also expanding their scope of potential clients and collaborators in the industry.DOMA's mission is also to foster emerging voices within the post-production, and its initial roster includes colourist Nielsan Bohl and editor Sam Hardy, both of whom have worked with a diverse array of clients such as eBay, Stormzy, Nike, Peroni, and British Vogue. DOMA plans to further develop its roster and aims to offer VFX services in the near future.[vidtoken data:0]Bohl is one of the youngest colourists working in London, his speedy trajectory has made him an exciting emerging talent within the industry. His ability to work across filmic palettes to glossy commercials has seen him in high demand working for a broad range of brands from the likes of British Vogue to eBay and Peroni.Sam Hardy's editing portfolio boasts an impressive selection of big artists and brands, working for the likes of Stormzy, Jorja Smith, and Central Cee. Sam's commercial work has seen him cutting dynamic films for household brands including the likes of Nike, Mango, and Sony. Sam is known for pairing his thoughtful approach to narrative with dynamic techniques to bring a project to life.[imgtoken data:1]Above: The grading suite at new post production facility DOMAWorking closely with branding Explorers Club Studio, Evans and Faverty sought to create an instantly recognizable brand that stands out in the competitive post-production landscape."We wanted to infuse fresh energy into this sector, moving away from the often corporate identities seen in post-production," explains Faverty. "The brand had to reflect our sense of play while showcasing the high level of craft we are known for."[imgtoken data:2]Above: The editing suite at DOMATo achieve this, they designed an iconic Gargoyle character that represents the spirit of creation within post. The Gargoyle character is versatile and can be used across various formats for merchandising, marketing, and creating unique characters for every talent that joins the roster."This move feels natural for us, given our deep understanding of our clients' needs within this sector over the years," adds Evans. "We are excited to broaden our range of collaborators and work with new talent in the industry."• Follow DOMA on instagram&nbsp;to keep updated with latest work and announcements. Contact Jake Evans at jake@doma.works for future bookings or to find out more.&nbsp;&nbsp;

Pavilion Works founders launch post-production company DOMA

DOMA

Post production company

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