Production Company

DadBod Films

Ozzie Pullin directs a wonderfully charming and atmospheric love letter to Tom Gregory's hometown of Blackpool, in his new promo for Never Look Back.The video blends&nbsp;intimate portraits of a range of different characters and venues - including young cheerleaders, weightlifters and dance socials - and is a breezy slice of life, presenting the town in all of its glory.&nbsp;Appearing in a couple of performance vignettes down by the sea and in a social club, it's obvious Gregory is connected to Blackpool in a special way, and the video does both the town and his story justice.&nbsp;[imgtoken data:1]

United Kingdom

Grace Leivers

Ozzie Pullin

Jack Bingham

Las Bandas Be Brave

Mike O'Keefe

Dan Millar

Wes Smith

Adric Watson

Rob Wildsmith

Jon England

Lou Pye

Jack McGinity

CHEAT

Tom Gregory 'Never Look Back' by Ozzie Pullin

Tom Gregory - Never Look Back

Harry Barber directs an enthralling promo for Joe Unknown.&nbsp;"Joe came to me with the idea of burning this painting, which had some semblance of a journey finishing," says Barber. "And, as one journey ends, leaving behind a time and a body of memories both fond and bitter, a new one often starts."The promo is strikingly simple in concept, but contrasted against the tense atmosphere and rising screeches of sirens in the track, it becomes a powerful, gripping image.&nbsp;"We wanted to create something that had a beauty to it, but a contrasting chaos and anarchy brewing at the same time," continues Barber. "Something that felt reflective but energising. Something that pulls you in to that hypnotic state and then jolts you back out ready for pastures new."It's safe to say they've gone above and&nbsp;beyond their aspirations&nbsp;with this project.&nbsp;

Barny Wright

Harry Barber

Claire Stubbs

James Embiricos

Tim Smith

Darco Recordings

Joe Unknown 'Silent' by Harry Barber

Joe Unknown - Silent

Sam Davis directs a remarkable journey through a fractured landscape of memories in his promo for Irish band For Those I Love.&nbsp;Masterfully executed, the video uses photogrammetry to devise a haunting black and white world, allowing Davis to explore themes of addiction, loss and memory&nbsp;in an extensive 3D environment.&nbsp;The abstract textures and surreal aesthetic of this technologically-altered world&nbsp;border on&nbsp;the uncanny valley, reminiscent of a dream that has been recorded and dismantled, leaving fragments of reality behind.[imgtoken data:1]

Ireland

Sam Davis

Christine Lewis

Killian Sundermann

Thomas Mangham

The Mill

Mouthpiece

Theo Lalic

September Management

Dance

Electronic

For Those I Love 'Birthday' by Sam Davis

For-Those-I-Love-'Birthday'-by-Sam-Davis

Sam Davis plays upon the strange world of CCTV and surveillance in his video for Sad Night Dynamite.&nbsp;The video for Killshot explores&nbsp;how the use of surveillance&nbsp;can cast a guilty shadow on those it observes.&nbsp;As the narrative develops, the cameras start&nbsp;to seek out more and more obscurity in dark pockets of the city.To bring the voyeuristic world to life, Sam played around with pre-programmed camera moves, super long zooms, face tracking and thermal imaging, combining elements of each to create a haunting and shockingly relevant snapshot of society.&nbsp;

Yannick Hausler

Kieran Miller

Suzie Walsh

Connor Coolbear

Electric Theatre Collective

Alasdair Patrick

Mark Chapman

Sam Seager

Parlophone Records

Alternative

Indie

Sad Night Dynamite 'Killshot' by Sam Davis

Sad-Night-Dynamite--'Killshot'-by-Sam-Davis

A mini-lightshow illuminates various places across the UK, in&nbsp;Sam Davis and Tom Andrew's video for Metronomy's Whitsand Bay.&nbsp;The surreal visual follows a disco light - salvaged from an old Italian club in the '80s - filmed in various urban and natural environments across the country, from&nbsp;Tottenham to Hampshire, Suffolk and the Essex coast, to the landscapes of Pembrokeshire - and beyond.Editor Joe Walton keeps a calm and considered pace throughout, meditating on the environments and the juxtaposition of light and dark. The bursts of light are hypnotic to watch, and bring an almost alien energy to the visual - the light is unexpected and out of place, yet creates a calm, almost relaxing effect as it moves around the country.

Tom Andrew

Hélio Ribeiro

Joe Walton

The Whitehouse

Astrospider

Rhian Emanuel

Because Music

nu-disco

Metronomy 'Whitsand Bay' by Sam Davis & Tom Andrew 

Metronomy--'Whitsand-Bay'-by-Sam-Davis-&amp;-Tom-Andrew-

The two-part film, co-directed by Harry Barber and Kano, explores the London rapper’s Jamaican heritage and influences, and culminates in the most humble but important of gatherings - the coming together of friends to eat and drink.In&nbsp;this fly-on-the-wall-style documentary, <a href="https://www.youtube.com/watch?v=q7vANW3jaAM" target="_blank">the first part of the film</a> serves as a prelude to the actual video for Kano's collaboration with Jamaican superstar Popcaan on Can't Hold We Down. Kano discusses his numerous trips to Jamaica since childhood, before he heads down to favourite East London shops with his mum to prepare for the feast - where they are joined by Popcaan, just arrived from Jamaica.&nbsp;In <a href="https://www.youtube.com/watch?v=4fCQ4drZkOE" target="_blank">Part 2 of the film</a>, we are back at Kano's mum's place, and the documentary dovetails smoothly into the music video. As Kano and Popcaan perform, dinner is cooked and served to friends, family and these legends of grime and dancehall. But not before mum blesses the table.&nbsp;

Kano

Amalia Rosen-Rawlings

Ed Melech

Aaron Adrian Rogers

Ali Baines

Matt Cronin

Simone Grattarola

Time Based Arts

Grime

Dancehall

Kano ft Popcaan 'Can’t Hold We Down' by Harry Barber & Kano

Kano-'Can’t-Hold-We-Down-(feat.-Popcaan)-'-by-Harry-Barber-&amp;-Kano

HYYTS endure a series of punishing physical challenges in quiet suburbia, in Harry Barber&#39;s absorbing video for Bullet.With some intriguing long takes, Barber exploits the fact HYYTS are two brothers, Adam and Sam, in a sequence that&#39;s repeated three times. Each time, the trials of endurance get harder, and the&nbsp;closer they get to reaching their lethal point of no return.&nbsp;

DadBod Films

Production Company

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