Post production company

Black Kite Studios

Joseph Delaney builds a genuinely creepy atmosphere in his slow-burning gothic chiller for Manchester rock&nbsp;band Witch Fever.&nbsp;Delaney generates an intense&nbsp;sense of foreboding through lead singer Amy's increasingly unhinged performance, in the bare room of a large house, striking editing and in-camera effects. The&nbsp;use of sudden single frame edits in Jed Darlington-Roberts'&nbsp;richly colourful cinematography is particularly unsettling.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;'Had so much fun mining my favourite gothic stories, delving into the depths of hysteria and further indulging my pyromania for northern metal coven Witch Fever’s incredible new release&nbsp;The Garden,” says Joseph Delaney."Inspired by the symbol-laden lyrics and emotive push and pull of their new music, we imagined a northern gothic story that treads the line between the supernatural, psychological torment and the blurred line that can exist between them in a mind that’s in the midst of a moment of unhinging - something I’m not all too unfamiliar with…"Thanks to Witch Fever and team for having us, to my team that threw themselves into this (and were possibly latched onto by a sinister spectre along the way) and watch this space for more soon." &nbsp;

United Kingdom

Nuha Mekki

Katie Harris

Matt King

Joseph Delaney

Daragh Mccann

Bad Bones Films

Joanna Asia Szyczewska

Charlie Relph

Jed Darlington-Roberts

Laurence Warder

Joe Starrs

Sam Smith

Viktoriia Kostruk

Martina Derosa

Johnny Richards

Thomas Mangham

Music For Nations

Rock

Witch Fever 'The Garden' by Joseph Delaney

Witch-Fever-'The-Garden'-by-Joseph-Delaney

In Fleming Mason and Oliver Michael Bacon's stylish video for London-based band/collective Coldvein, a car speeds through a country road through woods at night, before the occupants find themselves waking in the forest.Mason and Bacon have devised a richly atmospheric and spooky tale for the unorthodox rap/electronica of Forum, Krakow&nbsp;that combines well constructed&nbsp;and economic storytelling with a strong visual style.As the couple find each other, their&nbsp;journey through the forest is captured in one impressively composed and spotlit wideshot. Then their true fate is revealed in the same piercing light through the darkness, a look&nbsp;that's evocative of Nineties electronic videos.A ghost story that matches the mystery in the track, and delivers a gut-punch ending. A very promising debut for this new directing team.

Phoebe Swiderska

Moira Gonzalez

Oliver Michael Bacon

Fleming Mason

Beatriz Goncalvez

Mateen Ismail

Purple Martin

Josh Blease

Marti Guiver

Milda Ambrozaite

Romy Roulin

Jack Ferrari-plumridge

Luke Gurney

Simone Chiavini

Louis Blenkinsop

Fabian Ghete

Lucia Maric

Alternative

Coldvein 'Forum, Krakow' by Fleming Mason, Oliver Michael Bacon

Coldvein-'Forum,-Krakow'-by-Fleming-Mason,oliver-Michael-Bacon

Piers Dennis directs a different kind of performance video from the returning rock outfit Biffy Clyro,&nbsp;drawing&nbsp;an unusual level of commitment from the three bandmembers, who&nbsp;push themselves,&nbsp;physically and emotionally, through a series of endurance-based&nbsp; exercises.Continuing on the razor-sharp theatrics of his work with Self-Esteem, Dennis&nbsp;pushes the band to explore ideas of connection and support through boisterous, thrilling and even potentially dangerous physical tasks that a rawly captured in a stark, minimalist space.The difficulty and bravery on show - as the band explore tension, release&nbsp;and reconciliation - embodies the song’s themes of conflict, growth&nbsp;and hard-won love.&nbsp;

Alex Blowers

Jamie McCubbin

Robbie Canale

Piers Dennis

Zoe Gunn

Hands 

Riff Raff Films

Jen Ivory

Francesca Costa

Kian Altmann

Adam Singodia

Natalie Arnett

Precious Mahaga

Joe Mulvihill

Omar Ragab

Jess Averbeck

Tilda Bonham Carter

Fingal Green

Andre Rodrigues

Okay Studio

Richard Fearon

Parlophone

Lucy Thomas

Biffy Clyro 'A Little Love' by Piers Dennis

Biffy-Clyro-'A-Little-Love'-by-Piers-Dennis

For the first single from multi-hyphenate artist and rapper Kojey Radical after a three-year hiatus, Relta directs a compelling video capturing his performance and how it radiates through a series of connected rooms.The video for Rule One unfolds in a kinetic style, beginning as Kojey performs as he exercises vigourously on a running machine, then visually panning through adjoining&nbsp;rooms - a group of girls' listening to the music on headphones, his collaborators Bawo and Swindle relaxing with friends.Each flicker between different rooms exploring the power of focus and dedication in life, the viewer gets the sense they are on the journey with Kojey through his mind and lyrics and he lays out his rules for life."I’ve admired Kojey’s work for almost 10 years now - longer than I’ve been directing," says Relta. "So I suppose it makes sense that I placed a lot of importance on this project. Thankfully I had the most wonderful team around me who made my somewhat ambitious creative come to life."We built three adjoining sets, each with their own tones and emotional weight. The song felt militant and authoritative to me, and being Kojey’s first release in several years, I was keen to have his performance shots feel just as impactful, seeing him training in a surreal space &amp; powering the surrounding rooms."I also loved the way Kojey paid homage in the song and we managed to sprinkle in a couple more nods in the video, as well as seeing the next generation taking notes themselves. The entire video was shot in an intense three hour window and looking back it’s all a bit of a blur, but I couldn’t be happier with how it came together."

Autumn Jensen Casting

Chloe Ensor

Reece Whiteley

Harry Crum

Relta

Anastasia Liasi

André Reid-McKinley

The Corner Shop

Kim Jarrett

Jeff Celis

Billy Kendall

Tess Mitchel

Katie Scott

Nahal Ashrafi

Jack Green

Antony Adjai-clinton

Owen Diplock

Oscar Maxmillis

Frances De Havas

Tom Mangham

Matt Hutchins

Atlantic Records

Kojey Radical ft Bawo 'Rule One' by Relta

Kojey Radical - Rule One (feat. Bawo) [The First Chapter]

Following the Britpop-tastic exploits in <a href="http://www.promonews.tv/videos/2025/04/29/yungblud-lovesick-lullaby-charlie-sarsfield/90867" target="_blank">Lovesick Lullaby</a>, Charlie Sarsfield and Yungblud make a striking tonal shift in their latest collaboration - the story of a nurse pushed to her emotional limits, portrayed by film star Florence Pugh.In the video for Zombie, Pugh plays&nbsp;a grief-stricken and exhausted healthcare worker grappling with loss, duty, and the invisible weight carried by so many on the healthcare front lines in the UK. And in a film that gives her a new kind of challenge, she delivers a characteristically powerful performance - sensitive, intimate and multi-faceted.The third music video from Yungblud's&nbsp;new album directed by Sarsfield, it represents a bold&nbsp;creative evolution for both the artist and the director. The previous videos for&nbsp;Hello, Heaven Hello&nbsp;and the aforementioned Lovesick Lullaby lean into dreamlike aesthetics, metaphor and comedy. But Zombie confronts stark reality with gritty drama, offering an unfiltered look at emotional burnout, grief, and resilience, with terrific performances from the supporting cast as well as Florence Pugh.[imgtoken data:1]Produced by Untold Studios, the video cements the creative chemistry between Sarsfield and Yungblud, delivering a compelling piece of visual storytelling that underscores the song’s message and reaffirms both artists’ reputations for boundary-pushing work.“Zombie is a film close to my heart," says director Charlie Sarsfield.&nbsp;"My gran was a nurse, and I saw first-hand the compassion and strength it takes to do that job. Even when she fell ill, the nurses were nothing short of angels. That experience shaped this story and connected deeply with what Dom [Yungblud] wrote the song about."Dom threw a Hail Mary and asked Florence if she’d be in it. She said yes, and the stars aligned. What we captured was truly special. This film is for the unsung heroes, those who don’t always see their own wings. We just wanted to help them see them.”

Joe Munro

Charlie Sarsfield

Freddie Barrass

Untold Studios

Sion Hopkins

Courtney Bennett

Mike Heath

Harriet Salmon

Michael Farrell

Mairead Albiston

Thomas Herring

Yungblud 'Zombie' by Charlie Sarsfield

Yungblud-'Zombie'-by-Charlie-Sarsfield

As her album&nbsp;A Complicated Woman is released, Self Esteem's latest collaboration with Piers Dennis is a showcase for the singer's unique charisma and sense of drama - a powerful curtain call for the new LP.Opening on the iconic frame from the&nbsp;album artwork, featuring the artist in Handmaid's Tale-style costume,&nbsp;the video unfolds in a single, hypnotic take. Bathed in spotlight, Rebecca Lucy Taylor (aka Self Esteem) delivers a raw, full-sync performance, part battle cry, part performance art.[imgtoken data:1]As the camera slowly zooms out, the illusion dissolves and the artifice is revealed: lights, scaffolding, action. And then, finally,&nbsp;there's Rebecca's exit. That's&nbsp;as flawlessly devastating as everything that has preceded it."Rebecca and I have worked together for over 10 years now and The Deep Blue Okay shoot somehow felt like the pinnacle of our collaborations, like all the conversations we’d ever had led there," says Piers Dennis."That sounds cringingly pretentious for a music video, but this feels like a deeply personal piece of work, and making it had the rare feeling of everything clicking into place."

Kitty Wordsworth

Caitlin Ricaud

Phoebe Shakespeare

Alex Mullins

Byron London

Scarlett Carlos Clarke

Joanna Szyczewska

Polydor

Self Esteem 'Deep Blue Okay' by Piers Dennis

Self Esteem - The Deep Blue Okay (Official Video)

Eleanor Grace Hann directs a thrilling promo for Irish-British singer-songwriter Empara Mi.&nbsp;The video for Masochist - the second release from her forthcoming second album Monsters &amp; Masochists -&nbsp;is an empowering, absorbing feat, anchored by a strong performance and beautiful choreography.&nbsp;Interweaving martial arts swordplay and anachronistic styling, the video is a ritualistic, high-energy piece that builds to an explosive climax.

Renäta Fabri

Empara Mi

Eleanor Grace Hann

Edward Lloyd

Adam Trz

Scarlett Gardner

Cheyenne Enninful

Ismah Ansari

Jak Waughman

Darius Williams

Elise Matthew-thompson

Louis Lasa-tarbuck

Alan Kitrell

Daniela Alves

Serena Rossi

Nomad Editing Company

Sam Unwin

Empara Mi 'Masochist' by Eleanor Grace Hann

Empara Mi - MASOCHIST (Official Music Video)

Rory Alexander Stewart directs a spectacular promo for Squid.&nbsp;The video for Cro-Magnon Man follows a&nbsp;frenetic rollerblader, played by Neil Nelly Ingall, as he carves through a dimly lit cityscape, on a surreal journey combining physicality, distortion, and a puppet made of bones.With a heavily-textured, vintage digital aesthetic and experimental cinematography, it's an inspired concept for an equally strange piece of music.&nbsp;Cityscapes have never looked so weird -&nbsp;another great project from&nbsp;Rory Alexander Stewart.

Rory Alexander Stewart

Zaigham Hameed Butt

CANADA

Ruth Morris

Rowan Biddiscombe

Callum Harrison

Taff Williamson

Jordan Glancey

Tom Chick

Rich Fearon

Javier Botella Pérez

Marina M. Campomanes

Marta Ferrero

Álvaro Posadas

Neil Nelly Ingall

Warp Records

Squid 'Cro-Magnon Man' by Rory Alexander Stewart

Squid-'Cro-magnon-Man'-by-Rory-Alexander-Stewart

Joe Connor captures surfer Ryan Watts' mastery of the waves pounding the North West Ireland coastline in his extraordinary video for&nbsp;Colorado-based singer-songwriter Gregory Alan Isakov.Connor collaborated with specialist cameraman Clem&nbsp;McInerney to shoot New Zealander Watts riding the pipeline through huge Atlantic Ocean waves crashing into the rocky coast of County Donegal.&nbsp;Watts's skill and enigmatic presence&nbsp;provides a highly effective accompaniment for Isakov's plaintive track Mistakes.It's astonishing footage - graded to a silvertone-tinged black and white by George K at Black Kite. Arguably the best ever shot for a music video.&nbsp;

United States

Joe Connor

Clem McInerney

Jacques Simon

Trim Editing

George K

Rogue Films

Alexa Haywood at Free Agent UK

Singer-songwriter

Gregory Alan Isakov 'Mistakes' by Joe Connor

Gregory Alan Isakov - Mistakes (Official Music Video)

A support group becomes shared catharsis in&nbsp;Piers Dennis' latest entertaining excursion with Rebecca Lucy Taylor, aka&nbsp;Self Esteem.&nbsp;The video for 69 opens in a community&nbsp;setting, where Rebecca sits in a circle of women, delivering the song’s verse with characteristic intensity (and yes, it's all about sex)&nbsp;as the group nods along in understanding, and then begin to be visibly moved. Then it transforms into a hypnotic, almost ritualistic display, blurring the line between personal release and shared experience.[imgtoken data:1]Rebecca played Sally Bowles in the acclaimed production of Cabaret&nbsp;in the West End last year and Dennis's latest Self Esteem video - following previous excellent collaborations on the likes of <a href="https://www.promonews.tv/videos/2023/01/09/self-esteem-345-piers-dennis/79875" target="_blank">The 345</a> and <a href="https://www.promonews.tv/videos/2024/06/25/self-esteem-ft-moonchild-sanelly-big-man-piers-dennis/87034" target="_blank">Big Man</a> - has tapped into that aesthetic , with a witty, increasingly torrid song-and-dance number that could have been adapted from a grown-up Cabaret-like&nbsp;stage show.&nbsp;Building from naturalistic cinematography to an eruption of vibrant red lighting, the edit builds to a frantic climax where the characters purge all the bad vibes with breathtaking choreography. And its simply a great vehicle for the talents of Rebecca Lucy Taylor: her charisma burns through the screen.&nbsp;

Katie South

Rowan Macintosh King

Kiann Altman

Maddy Williams

Dan Huntley

Ollie Pearson

Stuart Roger

Lauren Bell

Richard Fearson

Polydor Uk

Indie

Self Esteem '69' by Piers Dennis

Self Esteem - 69 (Official Video)

<h3>The Black Kite Studios colour producer on his love of street photography, buying Fontaines D.C. for his Dad&nbsp;and why he's feeling positive about the year ahead - including&nbsp;Black Kite's chances in the VFX football league.</h3>After a successful first year&nbsp;producing for three of the top colourist talents in London, Jamie McCubbin is looking forward to a busy 2025 for Black Kite Studios'&nbsp;colour department.Having previously worked as a VFX producer at Glassworks in Amsterdam, and before that at Okay Studio, Jamie joined Black Kite in late 2023 as colour producer for three of the&nbsp;most experienced, respected and in-demand colourists in London - George K, Rich Fearon and Tom Mangham.In the past 12 months he has colour-produced a number of music videos -&nbsp;including for Cat Burns, Self-Esteem, Tourist&nbsp;and Mura Masa -&nbsp;as well as numerous commercials. His crucial contribution to the Black Kite colour team's creative output was underlined by him taking an equally important role in the company football team - as goalkeeper.As we found out when we quizzed Jamie - courtesy of the first Snapshot Q&amp;A of the year - he also has an exciting&nbsp;year ahead with his side project, as part of a filmmaking collective. And he's looking forward to "Manchester's own Woodstock".&nbsp;Name:&nbsp;Jamie McCubbinBirthday:&nbsp;18.07.89Where did you grow up?&nbsp;Merseyside, LiverpoolPlace of further education and course (if any)?&nbsp;Manchester Met – studied AdvertisingWhere do you live now?&nbsp;South London massive<blockquote>A grade can transform something in a very short space of time.</blockquote>Name a film or video or other creative work that had a huge influence on your career choice?I’m into street photography and spend time around the city taking photos of things. London always has something interesting to shoot and there’s literally drama on every corner. William Eggleston is a hero and I finally got my hands on some of his photobooks showcasing his glorious 35mm colour work.[imgtoken data:1]Photographers like Eggleston have influenced how I see visual media which has allowed me to feel so passionate about colour grading and picture post. The more photobooks I can get my hands on the better. Garry Winogrand, Martin Parr, Nan Goldin... the list is endless.What were the important first projects for you, in terms of a learning experience and getting noticed, or a foothold in the industry?On my first day as an intern in post [at Okay Studio]&nbsp;I had the opportunity to sit in a grade suite. I sat at the back on a nice sofa listening to the DP and colourist discuss their project and talk shop. I began to understand how fundamental colour is to the end result of a project and my appreciation grew early on.I think a grade can completely transform something in a very short space of time and as a producer I’ve been lucky to be a part that process since starting out.Best film(s) you saw last year?I’ve realised I’m much more of a film person rather than TV series person, so I try to watch as many films as I can. An old friend Rich Peppiatt directed&nbsp;Kneecap&nbsp;last year which is up for a BAFTA! Another UK film I loved was&nbsp;Aftersun&nbsp;by Charlotte Wells.[imgtoken data:2]For a big blockbuster, I thought&nbsp;Barbie&nbsp;was an absolute riot! It made me laugh out loud and looked the part both production design and grade.Favourite song/album/music artist in the past year?My daily tube commute consists of an album in the morning and a podcast in the evening. I listened a lot to the latest Mount Kimbie album&nbsp;The Sunset Violent&nbsp;for something a bit calm. When I wanted more of a foot stomp to get the day going I listened to the new Fontaines DC album. I bought my Dad that on vinyl for his record collection with the sole intention to inherit it back!<blockquote>Involving the colourists in pre-production is a great way to collaborate.</blockquote>Favourite music video/videos in the past year?Really enjoyed Luna Carmoon’s promo for&nbsp;<a href="https://www.promonews.tv/videos/2024/08/08/fontaines-dc-heres-thing-luna-carmoon/87678" target="_blank">Fontaines DC's Here’s The Thing</a>&nbsp;– a great mix of narrative storytelling within a music video. The best music videos are short stories in a condensed form and this one really stood out for me when I saw it. I caught Luna’s debut feature&nbsp;Hoard&nbsp;via BBC Film, which showcases her talent as a strong British voice.I liked rubberband.’s video for&nbsp;<a href="https://www.promonews.tv/videos/2023/07/05/bakar-alive-rubberband/82265" target="_blank">Bakar's Alive!</a>&nbsp;too. A super-simple idea with its off-the-the-wall naturalistic vibe holding up Piccadilly Circus - radical! DP Patrick Golan did an awesome job with a mix of long lenses and handheld which worked really well with the music track.[vidtoken data:0]What was (or usually is) your favourite night out last year?&nbsp;Down the pub with friends and a pocket of pound coins for the pool table.In terms of the music video-related jobs of the past year or so, what were the most rewarding creatively, and why?We have a supremely talented team of colourists at Black Kite - George K, Rich Fearon and Tom Mangham, who are all a pleasure to work alongside.Last year Rich graded with the wonderful Ivana Bobic from Riff Raff on a video for&nbsp;<a href="https://www.promonews.tv/videos/2024/02/02/future-islands-thief-ivana-bobic/84993" target="_blank">Future Islands' The Thief</a>. The video was a dance film&nbsp;with a colour palette based on the album’s cover artwork and we worked with DP Nanu Segal and Ivana to develop a LUT for the shoot.[vidtoken data:1]Involving the colourists as early on as pre-production is a great way to collaborate and spark an interest so I’m always keen for opening that dialogue up at the very beginning of a project. The video turned out super nice and just as we hoped.We value music videos as a creative outlet and they tend to have the most ambitious visual grade briefs.What are your favourite other (non-mv) projects of the past year or so?The standout project of last year for me was KFC – Believe In Chicken directed by Vedran Rupic at Business Club via Mother, which Black Kite did all VFX / Online along with grade by our very own Tom Mangham. The creative was cool, ambitious, and shone through from shoot to delivery.I remember seeing an initial edit and thinking it was a scene pulled directly from a feature film with a hypnotic soundtrack and great choreography. I knew it would be a great spot to grade and Tom did an incredible job bringing it to life with a strong 35mm print look. I’ve caught it regularly on TV and in the cinema and it’s always a joy to watch.[vidtoken data:2]What’s the most surprising thing that’s happened last year?Some friends and I run a small collective making short films on the side. Producing shorts on my own from shoot to delivery can be stressful but really fun.On the back of this, we landed a funding grant via the BFI which was a great surprise! Receiving a chunk of money and EP support from the BFI team to make a short film was amazing, so we were chuffed to get the funding and make something fun.Most annoying/irksome thing that’s been going on this year (work-related or otherwise)?I play goalkeeper for Black Kite’s team as part of the VFX football league. It’s a blast playing with a bunch of other post houses each week. We were pipped to last year’s league title, so we're going for the gold in 2025 with the season starting this month![imgtoken data:3]Above: Jamie (middle of back row, in yellow) with&nbsp;teammates in Black Kite Studios football team<blockquote>We were pipped to last year’s league title, so we're going for the gold in 2025!</blockquote>Your top suggestion to change and improve how the music video industry works?I’d always encourage young and upcoming directors to be bold in their choices to seek out creatives who they feel can bring something special to their project, regardless of the boundaries music videos can have with budget, schedule, etc.On the grade side, we value music videos as a creative outlet and they tend to have the most ambitious visual grade briefs. Music videos are a collaborative effort and rely on everyone involved to give their full energy and attention. We should always celebrate the music video world and what it offers creatively to Directors and DP’s as well as editors and colourists on the post side.What are you looking forward to for 2025?To quote the footballing term ‘Bouncebackability’ – I think the year ahead will be a positive one for our industry all round, which has been in an ever-changing flux since these past few years since Covid and even the writer’s strikes.For me personally, I landed tickets for Oasis at Heaton Park in July. I'm&nbsp;fully expecting a frenzy will hit the UK this summer – Manchester’s very own Woodstock.• Jamie McCubbin is a colour producer at Black Kite Studios in London; email Jamie for more information about the Black Kite colourists at jamie.mccubbin@blackkitestudios.com

THE SNAPSHOT Q&A: Jamie McCubbin

Bakar-'Alive'-by-Rubberband.

Future Islands - The Thief (Official Video)

BELIEVE IN CHICKEN

Mumford &amp; Sons return to action with an irresistibly joyous video by Charlie Robins in which some of the band's most loyal fans listen to&nbsp;their new music for the first time, capturing their instinctive initial&nbsp;reactions.Fans and friends of the band were invited to hear Rushmere - title track of Mumford &amp; Sons'&nbsp;forthcoming new album and their first release in over five years - at an event in London in December. In a stripped-back studio setting and&nbsp;with multiple cameras, Robins' then focusses&nbsp;on each person, filmed individually or as a pair, and finds them reacting in a range of very personal ways to the song.&nbsp;&nbsp;&nbsp;Opening with a mosaic-like grid&nbsp;of each person at the start of each take, the video then transitions into a glorious rollercoaster of emotions - the dawning&nbsp;pleasure of hearing a song that revives the band's early sound,&nbsp;turning into&nbsp;dancing in some cases, but also quieter, intimate&nbsp;contemplation&nbsp;and even a few tears.[imgtoken data:1]The genuine reactions of discovery from a group of ordinary people with a shared love of the band&nbsp;- some of whom came a very long way to attend - are fascinating and heartwarming to behold, captured in Jack Exton's cinematography and Ed Cooper's insightful edit. A delightful visual that is both affecting and celebratory.&nbsp;"Humans being humans is such a simple concept," explains Robins. "We decided to run with it and do a bit of a forensic study of Mumford’s fans and friends as they encountered the new music."We shot with eight cameras - perhaps slightly OTT but nothing beats good old-fashioned realness. Everything we captured was of the moment and honest and I think it really shows in the final film."What a lovely bunch of people."