The second instalment of Libby Burke Wilde's cinematic project to accompany Cat Burns's debut album rollout places the artist in a busy club.The promo for End Game continues the stripped-back, minimalist approach established in Burke Wilde's video for Alone. As with the previous video it's captured in a single take, Cat performing End Game direct to camera, as other clubgoers swirl around her. The video works in establishing the separateness of Cat Burns, lost in her own thoughts about a struggling relationship, amid an oblivious crowd of revellers - who include India Amarteifio and Sam Reuben.

Jack Lightfoot directs a poignant live promo for Sam Tompkins, filmed at the Devon pub The Champ. The video for Phones In Heaven features an intimate performance in the pub, stripped-back and beautifully shot by DoP Michael O'Connor. "At the end of last year, after the tragic loss of his dad, Sam Tompkins inherited The Champ - a small local full of character situated in the beautiful town of Appledore in Devon," Jack Lightfoot explains."Earlier this month, we took a trip down to The Champ to capture Sam performing in a place that meant so much to his Dad - and the same spot where Sam played his first-ever gigs from age 13."Evoking a strong sense of wistful nostalgia, the video is simple in its concept yet packed full of emotion, allowing viewers to focus on the flawless performance. There are more videos to come from this session, so keep an eye out for those in due course...

Tom Ringsby directs a striking monochromatic promo for pianist Isata Kanneh-Mason.With sweeping camera movement, a stripped-back colour palette and a focus on pure performance, the video for Children's Corner is a stunning two and a half minutes, made under extreme time pressures - as explained by Tom Ringsby below:"[The video was] put together in five days following an email chain with the subject line 'urgent music video request'," he explains. "[We] only had 90 minutes with classical pianist superstar Isata, so focused everything into capturing a few key angles, subtly bringing the themes of time and memory to life by setting her Steinway Grand between the camera and key light as they revolve around her."Job done. It's a beautiful piece of work that doesn't hint at the time constraints in any way, and showcases Kanneh-Mason's immense gift with style and grace.

Ben Cole follows the transcendent promo for We Hug We Sway with another affecting visual for Aidan. The video for By Myself is another melancholic, stripped back affair, largely formed of a singular tracking shot and pensive performance shots. Utilising the same abyss-like studio environment, the abstract video is a both a natural progression and aesthetic complement to the previous project. Singularly haunting and emotionally complex, it's a video you won't want to miss.