Diego Lozano directs a rousing promo for Texan electronic duo MISSIO, featuring Limp Bizkit's Wes Borland. In the video for Good Vibrations (not the Beach Boys classic), a man’s world shatters after a shocking betrayal, pushing him into a raw journey of self-discovery.It's a whirlwind of emotions, visualised through quick-cut montages of the lead character falling in and out of destructive habits and yearning for his lost love. Eventually, he regains his independence by connecting with his inner spirit - expressed in a sequence of stop motion animation - leading to a bright, optimistic climax. Stylistically, the video feels cinematic and gritty, boasting an elevated yet naturalistic grade courtesy of Mike De La Luz and gently lingering camerawork which places us in the character's shoes.

Polish director Grajper directs a very cool, clever and weirdly gripping video for Liverpool indie-rock band Stone, featuring two versions of frontman Fin Power.In the promo for Queen - the director's first UK video - Grajper presents a concept of the Stone vocalist and his döppelgänger hanging out, doing weights, letting time pass as they go through an everyday routine. It is filmed in a naturalistic, candid way on film, with great camerawork and unforced performances, so the conceit is entirely seamless. Unfeasibly real, in fact. Looking great, with fine cinematography by Louis Evennou, and skirting that line between everyday reality and the uncanny, whilst also retaining the energetic charm of previous Stone videos - like the UKMVA-winning video for Left Right Forward - makes this video a really impressive achievement.

Kimberly Stuckwisch directs a poignant promo for singer-songwriter Nathaniel Rateliff, weaving an affecting narrative about a young boy trying to escape his circumstances in his rural hometown, accompanied by Rateliff's performance of Heartless. In a Groundhog Day-style loop, we see the boy take multiple walks down the same street, unable to break free. Only when he shifts his perspective does a new outcome present itself.The naturalistic cinematography and the winning performance of young actor Kevin Kelley creates an immediate connection to the character and his perspective, telling the story in an organic and inspired way. And the seamless addition of Rateliff's performance within the narrative is a cohesive way to bring everything together.And as Kimberly Stuckwisch reveals, the story was inspired by her own personal experience as a youngster."Growing up poor as dirt, in a part of the world long forgotten, I often found myself running away from my tumultuous upbringing diving head first into books, studies, writing, and theater, all in search of a different life," she explains."Through the arts, I found and continue to find my freedom. In many ways, I modeled our lead character (Kevin Kelley) after myself. I was at first angry, blaming the world for what happened when we were kids, but eventually learned that by showing kindness, I was able to free myself of the pain."I am so thankful Nathaniel trusted me with such a personal and important song for the world."

Libby Burke Wilde directs a dramatic and heartfelt one-take performance video for Cat Burns, as she walks along a London high street, heading home after a night out... alone. In a bravura single Steadicam shot, Cat expresses her frustration and loneliness in singular terms in her new song Alone. It's a showcase of Burns' charismatic performance style, packed full of emotion and introspection, and it's elevated in cinematic terms by the approach, with cinematography by Joe Cook and Steadicam operation by Emilio Schlappi. Featuring a brief cameo from BAFTA-nominated actor Sam Bottomley, this is the first visual taken from a wider series for Cat Burns's upcoming debut album.