Luis Hindman returns with another mesmerising visual for Joesef, this time in the form of a three-part live film, where the Scottish soul singer performs songs from his debut album, Permanent Damage, released in January.Set in the same world as the excellent series of videos directed by Hindman for tracks from the album, the film takes place in the fictional 'Apartment 22' - a place referenced in the album, where Joesef has been stranded by a past lover. Shot on 16mm, the video was shot by Jake Gabbay, and is comprised of subtle Steadicam shots by Justin Theodore as Joesef and his band perform three songs: Joe, Borderline and Just Come Home With Me Tonight.The textural, almost surreal aesthetic perfectly contrasts the intimate live performance, and the concept as a whole is a brilliant extension to the universe Hindman and the artist have so lovingly brought to life.

Edem Wornoo directs a tranquil promo for Duval Timothy. The video for First Rain captures the artist's performance live in Freetown, Sierra Leone, intercut with docu-style shots of the people and environments surrounding the studio. Shot for Crack Magazine as part of their January edition - for which Timothy is the cover star - the video also contains a sneak peek into the makings of a new limited-edition scarf, designed by the artist himself alongside the publication. A stirring collaboration that highlights the multi-faceted skills of Timothy and the creative team.

Following Ducrot's stunning rendition of Hallelujah, Slane directs a second live promo with support from The Royal Northern College Of Music Student Choir - this time for I'll Be Waiting. The artist performs at a piano in the confines of a Victorian swimming pool, whilst the camera glides effortlessly around him, eventually revealing the twenty-piece choir situated on the viewing platforms above. Filmed twice to allow for a dramatic lighting change, the video is an absorbing and atmospheric piece of work, that captures the emotion of the track and the magic of the moment in stunning detail.

Jack Lightfoot directs an affecting live promo for Sam Tompkins. Following the brilliant live video for Lose It All in October last year, this video boasts a breathtaking location and a pared-back, intimate performance."We wanted to create a really simple, classy look for this live session - standing it apart from the grittier look we had on our previous live session together," says Lightfoot."So we selected a classic setting with lots of wooden furnishings and antique features and really took advantage of the natural daylight beaming in through the windows. Once again we rolled out a one-shot take, and as always, Sam nailed the vocal to bring it all together."

Christy performs a live acoustic version of his track Without You, from the loft/green room above Peckham Liberal Club.Directed by Rhory Danniells, the video is a follow up to the brilliant In Denial, which was released last month and filmed in the same location. Shot in an intentional, gentle fashion, in a single take, the video focuses purely on Christy's emotionally charged performance, whilst the unintrusive style of cinematography helps the whole project feel organic and natural.

Simon Lane directs an impressive one-take all-live promo for Cian Ducrot's version of Leonard Cohen's classic Hallelujah. Featuring the Royal Northern College Of Music Student Choir, the video sees the artist playing at a piano in an empty, disused swimming pool, as the camera circles around the space. The gentle camera movement contrasts against the stark location, creating a complex, textural aesthetic. The use of a one-take concept also feels incredibly inspired, capturing the grand atmosphere of the location and the naturalistic, intimate performances that unfold through the track.

Rhory Danniells directs a captivating live video for Christy, shot at the Peckham Liberal Club - in which the Scottish soul singer and his band give a storming performance in front of a disinterested audience of local punters. This palpably live rendition of the soulful number In Denial is an striking display of the artist's vocal prowess and charisma. It's a joyful, uplifting song and the energy on stage is electric, so it wouldn't matter if the audience was empty or facing the other way. But their lack of interest in Christy and his excellent musicians - with the exception of one person - is a nicely daft conceit. The video is the first part of a trilogy of live films, and this one is so well executed - with impressive cinematography by Henry Gill and Steadicam work by Jayy Gomez - that it will be interesting to see how Danniels develops the narrative in this wonderfully atmospheric location, as well as hearing more groovy soul from Christy and the band. Will they eventually win over this typically hard-to-please South London crowd?

Ethan + Tom direct a terrific 25-minute live film for Jeshi.Encompassing several tracks from his new LP Universal Credit, the video sees the artist in an empty office block, performing alongside musicians Tagara, Eardbuds, Wonky Logic and Loner Muaka.The live performances are creatively and intricately staged, and the guest musicians are interwoven into the concept by appearing as office workers, replacing computers and keyboards with their instruments.