A lone and cornered protester outlasts the brutal blast of a police water cannon, in Matt Devine's affecting promo for Lo!Riled up by a system built on greed and oppression, we watch as the main character - played by Timothy Parsons - fights through an onslaught of water, armed with only a single brick, aggression and pure determination. The video for Salting The Earth is the second high-intensity collaboration between Matt Devine and the group, and is a moody, cinematic and thrilling piece of work. The band's performance in the same industrial location matches the riotous energy of the concept, and adds another textural layer to the visuals.

MILTON directs a stirring promo for South London synth-rock band PVA - shot on the move in Corsica and Luxembourg during the group's European tour. Taking place in an undisclosed industrial location, the video is experimental and spontaneous, intercutting haunting snapshots and strobe-lit performance, and creates a captivating atmosphere. "We had very little resources at our disposal which made the creative process more challenging," says MILTON. "However this lead to a playful result of portraying a dystopic all consuming night out."

Thomas Davis directs an atmospheric live promo for Beabadoobee.In a minimalist industrial space populated with overgrown house plants, we see Bea and her band perform the ethereal track.Flooded with natural light and with a slightly desaturated colour palette, the cinematography feels raw and authentic and highlights the intimate themes in the track.

Peter Haueis celebrates the early days of rave culture in a way that resonates with current times in the nostalgic promo for DJ Durbin. We live in strange times, where clubbing has now been everything from a health risk to something completely criminal. DJ Durbin and director Peter Haueis considered the questions: How can a club track be situated in the midst of a pandemic?Haueis found his answers in the atmosphere of the abandoned and rainy Port of Hamburg, which he aestheticizes with Nineties rave tristesse to convey the rollercoaster of emotions that has accompanied clubbers in recent months.“I knew the video had to be raw and impulsive," Haueis noted. "I came across excerpts from Rainald Götz's book Rave from 1998. Some aspects reflected exactly the feelings that, for me, made up the track in the course of a club night. It's about losing oneself in a free world of the underground, deep in the bass. It's about that moment, when you think you can dissolve yourself into the pulses of the strobe.”DJ Durbin agrees. “I wanted to raise a playful club bomb that constantly twists and turns and yet somehow holds together.” The resulting visual is soaked in a '90s VHS aesthetic, and has an anachronistic vibe which bridges the gap between the present day and the origins of rave culture.