Mitski builds herself a tower in AG Rojas's return to music videos with My Love Mine All Mine, shot by Evan Prosofsky.Firstly we see the artist in an empty industrial space, stacking chairs higher and higher, into an improbably tall tower. Eventually, she places an egg under the bottom chair, and proceeds to climb this precarious structure.The track is the first single from Mitski's new album, The Land Is Inhospitable and So Are We - comprised of songs written in bursts over the years since Mitski openly contemplated retirement from the music industry, with bravely vulnerable lyrics expressing the universal feelings of aching for and moving toward love.On first viewing the video feels more in the orbit of the singer-songwriter's canon of intriguing, often theatrically intense music videos than the visually poetic work that Rojas is known for. But within this interior setting, the director delivers on his reputation for creating memorable imagery with a strongly symbolic idea that dovetails beautifully with Mitski's sensitive delivery.

A lone and cornered protester outlasts the brutal blast of a police water cannon, in Matt Devine's affecting promo for Lo!Riled up by a system built on greed and oppression, we watch as the main character - played by Timothy Parsons - fights through an onslaught of water, armed with only a single brick, aggression and pure determination. The video for Salting The Earth is the second high-intensity collaboration between Matt Devine and the group, and is a moody, cinematic and thrilling piece of work. The band's performance in the same industrial location matches the riotous energy of the concept, and adds another textural layer to the visuals.

MILTON directs a stirring promo for South London synth-rock band PVA - shot on the move in Corsica and Luxembourg during the group's European tour. Taking place in an undisclosed industrial location, the video is experimental and spontaneous, intercutting haunting snapshots and strobe-lit performance, and creates a captivating atmosphere. "We had very little resources at our disposal which made the creative process more challenging," says MILTON. "However this lead to a playful result of portraying a dystopic all consuming night out."

Thomas Davis directs an atmospheric live promo for Beabadoobee.In a minimalist industrial space populated with overgrown house plants, we see Bea and her band perform the ethereal track.Flooded with natural light and with a slightly desaturated colour palette, the cinematography feels raw and authentic and highlights the intimate themes in the track.