Sekou Abineri directs an atmospheric promo for Zambian-Scottish DJ and producer KILIMANJARO, featuring vocalist Rahh and the Thanda Choir. The video for Stumble boasts a fervent, gospel-like quality, anchored by confident performances from the artists. In the studio setting where the choir are statuesque figures surrounding the central partnership of KILIMANJARO and Raah, the video picks up on the light and dark within the track.The message of the song is inspirational: it's not the stumble, it's what you do afterwards that really counts. And that has inspired an emotive and cinematic video.

A group of Londoners charge headlong away from their circumstances in this deeply felt video by Iggy LDN.Jnr Williams appears as an invisible narrator and witness to the lives of two young men, trapped in a smoky council estate. In order to grow and thrive, they realise they need to leave their homes and restrictive situations.LDN uses an ethereal motif for these split-second realisations: the smoke clears as a divine light passes through the frame and across their faces.There is some great casting here in Khariis Ubiaro, Michelle Taiwo and Ange Marcel.

This powerful video for R&B artist and singer-songwriter Leon Bridges's River, was inspired by real events, and although a sombre affair, Bridges' intention to send a message of hope, as well as raise questions, has been fully achieved through the sensitive, cinematic direction of Miles Jay.Filmed on location in Baltimore, the video draws heavily from the Baltimore Uprising and includes an extended candelit vigil scene, attended by members of the West Wednesday movement. Created by the family of Tyrone West, who died while in custody of the Baltimore police department in 2013, West Wednesday has become the bedrock of the Baltimore protest movement.The video also features footage captured on a television screen of teenager Allen Bullock striking the windshield of a car with a traffic cone, which has come to be viewed as one of the most iconic images from the Baltimore Uprising.