Will Dohrn directs an absorbing promo for Mura Masa featuring Danish artist Erika De Casier.The video for e-motions - from the UK DJ producer's new album - sees De Casier alone in several dreamlike vignettes, as the video reveals a gently surreal world with 3D simulations, projection mapping and infrared cameras. And where she gets to a ride a silver jet-ski across a satin sea. Shot on 16mm by DoP Jack Exton, the video has a gorgeous analogue texture and feel, which contrasts nicely with the slick chrome art direction and surfaces. Innovative whilst remaining intimate, Dohrn blends nostalgia and futuristic vibes in a masterful way.

Pedro Takahashi directs a slow-burning reflection on city life, exploding into a sequence of brilliant blurry colour, for Real Lies. In the video for DiCaprio, we see vocalist Kevin Lee Kharas take a late night taxi ride through London, reminiscing on his old hedonistic lifestyle. As we move from night to day, the camera turns on the city. We go from dark to light and from the past towards the future.Mixing subtle, drawn out takes and a more frantic, slow-shutter dreamworld, the video reflects the binary quality of the duo's music, and the dichotomy between the past and the future."The video explores the fast paced, electric nature of London, and our ability to get lost in it," says Takahashi. "Thematically, we wanted to explore the idea of hedonism and excess and the inevitable need to eventually relinquish that lifestyle."The video also functions as a sort of ethnographic exploration of London as it is, here and now - the buildings, bridges and people that exist in the city - blurring the line between fiction and documentary."

Léa Sen stays at home with her pet chameleon in Molly Burdett's soothing video for I Feel Like I'm Blue. In a series of beautifully composed scenes in a comfortable home, Sen is in a state of relaxed contemplation - accompanied by her chameleon named Blue. Within the setting Burdett explores a metaphor for changing identity and Sen engages in conversation with her future self.In Lea’s words: "Blue the chameleon is an extension of me. It was also a hint at the challenge of being an immigrant in London and sometimes having to (whether you’re conscious of it or not) change yourself to fit this foreign picture you’re now apart of."Sen's performance is heartfelt and understated, which matches the melancholic vibes of the track, and the desaturated colour palettes and lingering shots help elevate this mood.