Rosalía performs a groundbreaking live presentation of her new album Motomami - bending Tik Tok to her will in the process - in a brilliant longform created specially for the app, directed by STILLZ, Ferran Echegaray and Rosalía, in association with CANADA.There are extended performances pieces from each track of the album, with uniquely designed staging and choreography applied to each while occupying the same huge studio space. Most crucially, this project is not hampered by the aspect ratio-related limitations of Tik Tok.The content is specifically created to be viewed on mobile devices, and is meant to be held with two hands. That will prevent you from dropping that device when the camera moves to another shape - as it does throughout the film.When its vertical, it could be horizontal or upside down. But in fact, the camera (or cameras) are themselves usually moving, rotating, changing the angle and view of the ever-compelling Rosalía - who is indeed performing live.The piece represents a continuation of CANADA's close relationship with Rosalía, after the music videos for De Plata, directed by MANSON, and her breakthrough hits Malamente and Pienso En Tu Mirá, filmed by Nicolás Méndez aka CANADA, as well as the Grammy’s Best Music Video-winning TKN, featuring Travis Scott, also directed by Méndez.

Alex Gargot directs a surreal journey through mind, body and soul, in his promo for Spanish flamenco-electronica duo Fuel Fandango.The Barcelona-based director, who won a Best Newcomer award at the UKMVAs in 2019 for his extraordinary video for Cora Novoa's State Of Mind, brings his eye for majestical visual effects to bear on this movie-scale video for Mi Huella, where the inhabitants of a tower block are jolted from their domestic activity when their building disconnects from its foundations, and launches rocket-like into Earth's upper atmosphere.With a mesmerising mix of understated VFX and portrait-style vignettes, the video is light on backstory or character development, instead placing the focus on the unfolding phenomenon which allows the residents to experience a zero gravity atmosphere, before the building settles back down to Earth. Epic stuff!

Rosalía returns with the flamenco-flavoured Juro Que and an almost folk song-traditional expression of chaste devotion to her imprisoned love - which has been visually interpreted very stylishly indeed by Tanu Muino.This sumptuous production combines the conventions of the pop video with musical theatre. Rosalía, in her boudoir, is connected to her jailbird boyfriend (Omar Ayuso) in his cell, via the device of security glass separating inmates from their loved ones on prison visits.The Spanish siren's charismatic presence is always something to behold but here she is more alluring yet more unattainable than ever. She’s promised herself to another - who’s probably a very bad guy...

Rosalía sports a fetching monobrow - presumably inspired Frida Kahlo - and even longer nails than normal in Jora Frantzis's spectacular video for A Palé.

Steven Briand's short music video captures the earth-shattering intensity of a first kiss, when time stops and the world disappears.As lovers embrace on a bridge, the world falls away, and the two are alone in the clouds. A single breath in time, Plume is almost a promo-lite - one idea expressed neatly and dynamically, like a painting that drifts away from you. Briand is Partizan's resident VFX/stop-motion whizz in Paris, and his choices give this video a gentle weightlessness that transcends its stone inspiration, Rodin's sculpture Le Baiser.