Harry Tomlin directs a wholesome one-shot video for indie rock outfit Dutch Criminal Record. The video for Come Closer takes place at a summer garden party, and explores social anxiety in crowded spaces and how friendship can often be the antidote.The intimate, late-summer aesthetic is both wistful and comforting, and the theme of isolation is tackled in a subtle, engaging way. With a cast of realistic performers and a naturalistic performance setup, it's a breezy affair that will make viewers yearn for late nights hanging out with friends and family, especially as we head into the winter months.

Jan Dybus directs an absorbing promo for up-and-coming artist Jann. Exploring the terrifying reality of having an anxiety attack, the video takes an everyday activity - in this case getting into and riding a lift - into something much more minacious and dark, reflecting the altered mindset one experiences when in the midst of an attack.The video is aesthetically rich and beautiful to look at, and the clever set design - which includes moving walls and ceiling, to physically trap the artist at the climax - is a brilliant vehicle to deliver the themes of the track. "The music and lyrics of this song hit me quickly," Dybus mentions. "I struggle with anxiety, depression, and heavy thoughts on my own."My mind is often my biggest enemy that creates unreal stories and alternate terrifying versions of reality that, despite their unreality, seem very real. Anxiety is a bitch."In this music video, I wanted to show how a person feels during a panic attack, and how strange and dangerous reality becomes for them at that time. We've transformed a regular daily activity into a nightmare."

Lewis Cater follows the enigmatic promo for Dead Don't Die with another Shinedown collaboration - this time for A Symptom Of Being Human. The video deals with the unique yet universal challenges that are part and parcel of being human, touching upon anxiety, the cost of living and the overarching search for meaning in the everyday. Visually representing the highs and lows of life, the video focuses on a young girl, who discovers a book in a grand library with completely blank pages. She soon projects her fear and anxieties onto the page, until a breakthrough moment shines a light on the brighter side of life, and the friends who help her navigate the storm.The slick, filmic aesthetic perfectly contrasts the golden light of the library with the cold, clouded gloom of her fear vignettes, and the central performance helps marry the different setups to great effect. "There’s something quite magical about filming in London in December and we quite literally captured this underneath the festive glow of Westminster," Cater explains. "We were blessed with such an amazing team who stepped straight onto this after we wrapped on the Dead Don’t Die video."