Glen Duncan wrote a book and called it "The Last Werewolf". Stephen Coates/The Real Tuesday Weld wrote a soundtrack to that book, and then Stephen gave one of the songs, Tear Us Apart, to Alex de Campi to inspire a new film.

Glen Duncan wrote a book and called it "The Last Werewolf". Stephen Coates/The Real Tuesday Weld wrote a soundtrack to that book, and then Stephen gave one of the songs, Tear Us Apart, to Alex de Campi to inspire a new film. Alex spent a solitary month building sets in her mom's garage; then four days filming (in 103 degree heat) with the invaluable assistance of cinematographer Nolan Maloney, 1st AC John Hubbard and grips Dan Politz and Katy Cecchetti. Then another month in post. The puppets were created by Liesje Kraai, and the results are fine indeed.

Alex spent a solitary month building sets in her mom's garage; then four days filming (in 103 degree heat) with the invaluable assistance of cinematographer Nolan Maloney, 1st AC John Hubbard and grips Dan Politz and Katy Cecchetti. Then another month in post. The puppets were created by Liesje Kraai, and the results are fine indeed.

Glen Duncan wrote a book and called it "The Last Werewolf". Stephen Coates/The Real Tuesday Weld wrote a soundtrack to that book, and then Stephen gave one of the songs, Tear Us Apart, to Alex de Campi to inspire a new film. Alex spent a solitary month building sets in her mom's garage; then four days filming (in 103 degree heat) with the invaluable assistance of cinematographer Nolan Maloney, 1st AC John Hubbard and grips Dan Politz and Katy Cecchetti. Then another month in post. The puppets were created by Liesje Kraai, and the results are fine indeed.