The ethereal sound of Jess Mills' Live For What I'd Die For inspired Chino's idea to shoot Jess performing in a surreal landscape as though lost in a dream.

The ethereal sound of Jess Mills' Live For What I'd Die For inspired Chino's idea to shoot Jess performing in a surreal landscape as though lost in a dream. Aiming to contrast an expansive landscape with details of "scattered objects lost in time, fragments of memories" he found his location just outside Barcelona and then brought the film back to post in London with Agustin Molinari at Family and James Tillett at MPC.

Aiming to contrast an expansive landscape with details of "scattered objects lost in time, fragments of memories" he found his location just outside Barcelona and then brought the film back to post in London with Agustin Molinari at Family and James Tillett at MPC.

The ethereal sound of Jess Mills' Live For What I'd Die For inspired Chino's idea to shoot Jess performing in a surreal landscape as though lost in a dream. Aiming to contrast an expansive landscape with details of "scattered objects lost in time, fragments of memories" he found his location just outside Barcelona and then brought the film back to post in London with Agustin Molinari at Family and James Tillett at MPC.