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Trim Editing

Editor

Vid Price

Following the brilliant promo for <a href="https://www.promonews.tv/videos/2023/05/09/mette-mamas-eyes-camille-summers-valli/81447">Mama's Eyes</a>&nbsp;earlier this year, Camille Summers-Valli&nbsp;and METTE reunite for an equally riveting follow-up for Van Gogh - this time demonstrating the dancer-turned-singer's on-screen charisma through a series of jaw-dropping transformations.The visual sees METTE embody a cast of eccentric characters, from a beaten businessman through to a vintage movie star - and the whole spectrum in between. And as with Mama's Eyes, the edit plays a crucial part in the video, with editor Vid Price match-cutting different versions of METTE to gain the maximum visual impact of her changes from one character to another.Featuring a quirky clash of character acting, offbeat styling and&nbsp;completely absorbing performance,&nbsp;it's impossible to tear your eyes away from.&nbsp;

United States

Camille Summers-Valli

Kat Cattaneo

Laure Salgon

Léa Villain-Barachet

Yasmina Chambenoit

Calvitjr

Jake Scott

Benoist Buttin

Flora Huddart

Lisa Michalik

Mikey Pehanich

METTE 'Van Gogh' by Camille Summers-Valli

METTE - VAN GOGH (Official Video)

Camille Summers-Valli directs a fascinating promo for METTE.&nbsp;Chronicling the origin story behind Mette’s emergence as a performer, musician, and dancer, the video for Mama's Eyes intercuts visually striking performance shots with&nbsp;culturally referential footage of growth, mothering, justice, and celebration, growing increasingly more personal as the concept continues.&nbsp;Running counter to stereotypical imagery of mothering, Summers-Valli matches Mette’s choreography and lyrics by splicing in old Hollywood dance films, wild animals, and an array of protests.A complete&nbsp;tour de force&nbsp;of music video creativity, which is utterly captivating and absorbing, and a reminder of the expansive power of the format.&nbsp;It's executed to perfection across every element, but a special shoutout also needs to be made for the cut - editor&nbsp;Vid Price at Trim has done a remarkable job.&nbsp;[imgtoken data:1]

United Kingdom

Tatyana Alexandra

Alex Cronan

Antoine Brusco

Daisy Rylance

Art Practice

Laurent Brisse

Maximilian Pittner

James Guy

Julien Manunta

Robin Chabas

Arthur Dilouya

Nicolas Turchet

Camille Garbarini

Calvit Hodge

Melissa Rouille

Rebecca Wordingham

Sony Music

METTE 'Mama's Eyes' by Camille Summers-Valli  

Mette-'Mama's-Eyes-'-by-Camille-Summers-valli--

From McFly to Black Midi - Vid Price on editing music videos, UKMVA nominations and losing old friends

I Wanna Hold You -McFly

The Ghost of a Thousand - Bright Lights

Delphic’s-This-Momentary-by-Dave-Ma

Laura Marling - Rambling Man

DJ Fresh - 'Gold Dust' (Official Video)

The Subways - We Don't Need Money To Have A Good Time (Official Video)

Ed Sheeran - Lego House [Official Music Video]

Devlin - (All Along The) Watchtower ft. Ed Sheeran

Jessie J - WILD ft. Big Sean, Dizzee Rascal (Official Video)

Olly Murs - Hand on Heart

George Michael - Let Her Down Easy (Official Video)

Labrinth - Let It Be

Stormzy-'Vossi-Bop'-by-Henry-Scholfield

Jungle Season 1 Teaser Trailer

black midi - Eat Men Eat

A young maid finds herself at a crossroads, in Maxim Kelly's mesmerising promo for Ethel.&nbsp;Waiting hand and foot on a slightly surreal family, we see the main character run errands and try to stay out of the way, as the father figure&nbsp;lip-syncs to the track, getting oppressively close to her wherever she tries to escape to.&nbsp;Ending with a climactic dance in the living room - performing to the awkwardly apathetic parents and daughter - the video is haunting and contemplative, echoing films from French and Korean arthouse cinema. A subtle manipulation of the textures of the image at certain points also heightens the surreality of the concept, which creates an unnerving atmosphere.[imgtoken data:1]“Initially I thought Ethel should be the main character and do the dance at the end, and I always had this image from this French film called My American Uncle, where it’s like a little girl standing up at a table," Kelly explains.&nbsp;"I originally had that image in my head for a rap video, but it didn’t really make sense to the song. I wanted this to feel more like surreal so then as I started finding more imagery. It kind of transpired that maybe the maid was the more interesting character.”

Syd Harmony

Ginny Kerr

Myana Van Cuijenborg

Dave Frost

Lewes Bridson

Marianthi Hatzikidi

Maxim Kelly

Sam Katz

Caviar

Riaz Ahmed

Ollie Ford

Eleri Evans

Sacchin Chande

Phillips Nortey

Milo Brown

Arran Green

Elena Diaz

Tom Mangham

Black Kite Studios

Stephen Harakis

The Murder Capital 'Ethel' by Maxim Kelly

The Murder Capital - Ethel (Official Video)

Jocelyn Anquetil directs a mesmerising promo for Californian bedroom popster Dora Jar.&nbsp;The&nbsp;fantasy-inspired promo is beautifully otherworldly, and boasts eccentric art direction and styling, and an overarching sense of whimsy.&nbsp;Experimenting with texture and colour, the video is refreshingly unique and standout, and perfectly matches the ethereal tone of the track.&nbsp;

Dale Oliver Slater

Jocelyn Anquetil

Ellis Fox

Hands 

Pulse Films

Alisa Robertson

Ian Stowe

Adam Barnett

Nnena Nwakodo

David Maart

Rosie Owen

Jamie Cobb

James Wicks

Simeon Geyer

Lauren Anne Groves

Ryo Narushima

Grace Ellington

Alex Gregory

Lee Delves

No.8

Dora Jar 'Bump' by Jocelyn Anquetil

Dora Jar - Bump (Official Music Video)

Maxim Kelly creates an off-kilter tribute to '90s rave culture for Belief&nbsp; -&nbsp;the experimental dance music&nbsp;project of Stella Mozgawa&nbsp;and Boom Bip - featuring an impish dance elf who finds himself in an empty office. With a birthday cake.&nbsp;The video for Dreams, sees this intriguing&nbsp;character - played by Mark Crawley - break into expressive moves, as he confusedly comes to terms with his surroundings, and begins to sense&nbsp;the nearby presence of another figure: his somewhat hairier döppelgänger.&nbsp;[imgtoken data:1]In keeping with the era and the mood that he and DoP Arthur Loveday were trying to evoke, Kelly chose to shoot the video on MiniDV - the domestic format that was state-of-the-art back in the early 90s. But it is also composed and lit to make the format look as professional&nbsp;as possible, which gives the footage a&nbsp;distinctive&nbsp;high-end lo-fi quality.Kelly says that the video was inspired by watching rave footage from the 90s, and marvelling at "people looking their worst but feeling their best, and dancing the night away" - and also a certain kind of video from the era.&nbsp;"There’s a sub-genre of music video which became very popular for a time. It’s just one person dancing in a pertinent space. I wanted to make my version of that video. Almost like a parody."[imgtoken data:2]He adds that the&nbsp;decision to shoot on MiniDV was an aesthetic choice, and a homage to 90s rave footage. "Early on, Arthur Loveday and I decided to imagine that we were making a music video with the best technology we had available - and work to make it look as good as possible," he says."People today, when they shoot MiniDV, try to make it look bad, jerky and add glitches. But the technology is still great, and you can get some stunning results if you take the time and care to shoot it appropriately. And, it doesn’t hurt if you have Tom Mangham at Black Kite grading it too!”

Sachin Chande

Victor Shikhatov

Arthur Loveday

Pearce Crowley

Georgia Olive

Esme Horn

Mark Crawley

Thomas Mangham

Zoe Davis

Lex Records

Dance

Electronic

Belief 'Dreams' by Maxim Kelly

BELIEF - DREAMS (OFFICIAL VIDEO)

Maxim Kelly has created a fabulous fever dream of a Western - shot in blinding black and white - for&nbsp;experimental rock combo black midi.The song Eat Men Eat - from the forthcoming album Hellfire - is a typically eclectic fusion-jam (Rock meets Flamenco!), with lyrics by vocalist Cameron Picton, about two men and their quest to overcome the cruel captain of a mining facility. That's the starting point for Kelly's interpretation where two prospectors become embroiled a similarly overbearing personality, and their efforts to poison him.That barely does justice to the sense of abandon and euphoria, laced with doom and destruction, that powers the story. It features a compelling&nbsp;performance by Calvin Cornwall as 'the captain', luminous cinematography by&nbsp;Pieter Snyman, a brilliantly unhinged edit by music video editing legend&nbsp;Vid Price.&nbsp;Kelly also incorporates a characteristic&nbsp;multi-media element,&nbsp;which adds to the strange surreal silent movie atmosphere.[imgtoken data:1]&nbsp;&nbsp;&nbsp;“The story starts in the desert with two men engaged in a desperate search for missing friends," says Cameron Picton of the song.&nbsp;"Their quest leads them to a strange mining facility which, despite a death of natural resources in the area, opens its door for even stranger hosts to welcome them.”Kelly adds that meant the story was already largely in place when it came to making the video.&nbsp;"I just worked to visualise that narrative whilst staying true to the band’s vision and songwriting," he says.&nbsp;"So, I had this idea in my head of an old silent movie aesthetic with inter-titles. But every now and then it turns into a 'talkie'&nbsp;with parts of lip-syncing."It’s a structurally unusual song, so it’s wonderful when a track like this comes along and forces you to break your usual patterns and habits and push yourself as a director.“I first listened to black midi in 2018 when my friend recorded a live performance in his studio for NTS Radio. I think this might be one of their first-ever recordings, and it blew me away. So I’m thrilled to have the honour of making their latest music video."

Aisha Kemp

Phin Shaughnessy-Symons

Pieter Snyman

Oliver Bingham

Charlotte Hayde

Joe Mulvihill

James Duffy

Celia Arias

Melissa Davies

Rough Trade

Rock

black midi 'Eat Men Eat' by Maxim Kelly

Grammy-nominated director Paul Dugdale, best known for his brilliant work in live concert filmmaking, steps into music videos to herald the return of Liam Gallagher, performing with his live band on the roof of the iconic Midland Hotel in Manchester.Dugdale's video emphasises the optimism&nbsp;of Better Days by adding&nbsp;visual effects, layered into the skyline behind the band,&nbsp;elevating that&nbsp;sense of optimism within the lyrics and creating a feeling of psychedelic euphoria.[imgtoken data:1]&nbsp;It also&nbsp;taps into Gallagher's love of all things Beatles-related, from the track itself referencing the Fab Four's&nbsp;groundbreaking Tomorrow Never Knows, while the video is almost certainly&nbsp;tipping&nbsp;a hat to The Beatles' final live performance,&nbsp;on the roof of their Savile Row&nbsp;building - filmed by Michael Lindsay-Hogg in 1969, recently restored by Peter Jackson for his remarkable documentary&nbsp;<a href="https://en.wikipedia.org/wiki/The_Beatles:_Get_Back" target="_blank">Get Back</a>.&nbsp;The uplifting&nbsp;track is the latest release from&nbsp;Gallagher’s upcoming third solo album,&nbsp;C’mon You Know, to be released next month.&nbsp;All UK proceeds from Better Days will be donated to War Child for the rest of this year.

Paul Dugdale

Freddie Barrass

Untold Studios

Daniella Manca

Rosie Ford

James Rhodes

Tim Smith

Kirstin Cruickshank

Liam Gallagher 'Better Days' by Paul Dugdale

Liam Gallagher - Better Days (Official Video)

Hugh Mulhern directs a surreal performance promo for&nbsp;Fontaines D.C.In the video for Skinty Fia - which takes its namesake from the group's upcoming third LP - we see vocalist&nbsp;Grian Chatten in the middle of a hedonistic celebration, trapped among a cast of eccentric characters, bizarre rituals and an overflowing sense of excess.&nbsp;The video opens with an oscillating multicoloured light darting through empty fields and into an enigmatic building, before the concept distorts into a haunting series of warped vignettes. The dreamlike aesthetic is grounded by Chatten's calm and collected attitude, which contrasts the disorder and chaos around him.&nbsp;In the same vein as the other video releases from this album, the concept transcends the performance and morphs into something otherworldly and uncanny, and perfectly fits the unusual atmosphere in the song.&nbsp;

Hugh Mulhern

Alexander Handschuh

Laura Clayton

Kate Brady

Riff Raff Films

Eoin McLoughlin

Karl Hui

Nina Mangold

Ewan Macfarlan

Johnny Donne

Andy Hillman

Lucy James

Alice Dodds

Daniel Castro Garcia

Nathan Matthews

Peter Oppersdorff

Fontaines D.C. 'Skinty Fia' by Hugh Mulhern 

Fontaines D.C. - Skinty Fia (Official Video)

Dave Bullivant has reunited with London Grammar to make videos for their current album California Soil, and this video for How Does It Feel breaks new ground in giving singer Hannah Reid a dramatic role.She plays a girl trapped in a toxic relationship, with an uncaring, self-absorbed boyfriend - played by&nbsp;Jacob Fortune-Lloyd. But when they arrive at their destination - a tiny cottage in the country - she decides that enough is enough, decisively taking matters into her own hands...&nbsp;&nbsp;

Dave Bullivant

Joseph J Goldman

Filmco.

Ash Teague

Louis Barron

Joe Cook

Alasdair Baines

Ben Millar

Jason Wallis

Electric Theatre Collective

Jacob Fortune-Lloyd

Elena Argiros

London Grammar 'How Does It Feel' by Dave Bullivant

London-Grammar-'How-Does-It-Feel'-by-Dave-Bullivant

How do you follow Wiley's Boasty? Henry Scholfield has the answer: you get together with Stormzy, and you make another London classic.Vossi Bop, first single from the new Stormzy album, inspires the first collaboration between director and artist, with the big man in some iconic London locations (starting on a deserted Westminster Bridge),&nbsp;featuring some gobsmacking moves (lounging on the bonnet of a moving car, naturally), and another cameo from&nbsp;Idris Elba, for good measure.Transitioning from epic scene to epic scene with the smoothness that characterised Boasty, and an intensity that never falters, Stormzy dominates the screen, as he shares it with his crew of all ages, with his customary easygoing charisma. And Scholfield, with his trademark combination of flair, musicality and meticulous eye, directs another superbly entertaining work.It's a real statement of intent, from start to finish - achieved, remarkably, in ten working days from sign-off to delivery. So a remarkable production job too, led by producers Javier&nbsp;Alejandro and Amalia Rosen-Rawlings, and EP Daniella Manca.[imgtoken data:1]

Henry Scholfield

Javier Alejandro

Zoe Travica

Jai Lusser

Kaname Onoyama

Simon Lakos

Jomar O'Meally

Craig Davis

Oian Arteta

Terri Higgins

Lauraine Bailey

Jess Summer

Luke Morrison

Jim Allen

Envy

Dan Curwin

Amalia Rosen-Rawlings

Alice White

Stephen Dunn

Josh Brooks

Richard Lewis

Stormzy 'Vossi Bop' by Henry Scholfield

Dave Bullivant&nbsp;aka BISON, brings his A-game to the slasher/horror genre for Shame, as a young couple arrive at the deserted house in the country for a weekend escape - only to find it&#39;s quite a spooky place. And what is going in the barn?&nbsp;As Dust On Trial rumbles ominously, BISON sticks to the rules of the genre and still ratchets up the tension impressively. With excellent performances from actors&nbsp;Margaret Clunie and Kane Aspey, you really are on tenterhooks by the time the horrible truth is revealed...

Luke Tierney

FRIEND

Shame 'Dust On Trial' by BISON