Producer

Nathan Killham

Dora Paphides directs an alluring&nbsp;promo for new pop artist Fred Roberts - her first since signing to <a href="https://kodemedia.com/" target="_blank">KODE</a>.&nbsp;With a cinematic, darkly romantic aesthetic, the video sees Roberts perform in an empty theatre, switching between dazzling on-stage setups and enigmatic backstage shots.&nbsp;It's a fast-paced, dramatic video, anchored by the artist's stirring performance and on-point cinematography by Owain E. Morgan.&nbsp;

United Kingdom

Remi Black

Zak Maoui

Dora Paphides

James De Winton

Mouthpiece

Kode

Laura Taylor

Max Conran

Owain E. Morgan

Molly Fenn

Benjamin Eeley

Arthur Attenborough

Poppy Langley

Sasha Hilton

Amie Harfrield

Andi Chu

Electric Theatre Collective

Fred Roberts 'Say' by Dora Paphides

Fred Roberts - Say (Official Music Video)

Ricky Gibb takes us on a mind-bending trip through a surreal party, in his promo for Toddla T X Aitch ft. TAET.&nbsp;Combining a cast of eccentric characters with&nbsp;drinking, dancing and a dazzling carousel set piece, the video for Hide N Seek is a maximalist amalgamation of ideas, tied together by a sense of celebration and fun.&nbsp;Think of your weirdest party experience and multiply it by a hundred, and you might just get an idea of the wild time&nbsp;these artists share in Gibb's latest video.&nbsp;

Ed Chambers

Jamie Judd

Neesha Champaneria

Kelly Hidge

Ricky Gibb

Dayo Moshood

Dan Millar

Elliot Kennedy

Josh Fry

Alicia Stratford

Josefina Jacobs

Rob Hayward

Daisy Hyland

Ash Halliburton

Remi Butler

Sogol Razi

Nathan Greenwood

Jonny Tully

CHEAT

Ikki Dhesi

Electronic

Club

Toddla T X Aitch Feat. TAET 'Hide N Seek' by Ricky Gibb

Toddla T x Aitch feat. TAET - Hide N Seek (Official Video)

London-based directing duo 3-SIX direct a heart-rending promo for&nbsp;Jasmine Jethwa.The video for Dream Of Running sees Jethwa and her love interest on a road trip across the UK, stopping off at different locations but ultimately with no clear destination in sight.&nbsp;It's a brilliant metaphor, and Jethwa's pensive performance in the car feels like the precursor to a breakup, stirring and intimately revealing.&nbsp;&nbsp;Mixing cinematic performance shots with nostalgic, reminiscent VHS footage helps the video achieve the complex, affecting emotions the concept calls for, and the artist's performance seamlessly binds the vignettes together.&nbsp;

Aliesha Vian

3-six

Joey Arnold

Daniel Temple

Jack Worrall

Ciaron Craig

Aimee Twist

Connor Wynn

Alex O'Brien

Okaystudio

Alan Hall

Jasmine Jethwa

Akira Records

Jasmine Jethwa 'Dream Of Running' by 3-SIX 

Jasmine-Jethwa-'Dream-Of-Running'-by-3-six

Otis Dominique reunites with RAYE, and a worthy successor to the smash-hit tour de force of Escapism - as the singer battles back from seriously toxic masculinity, with the help of US rapper Coi Leray - on a speeding double-decker bus.Since dismantling realism to considerable effect in their last collaboration, the video for Flip A Switch begins in shocking and breathtaking fashion: RAYE's murder at the hands of a brutal gunman, in reverse. She comes back to life, as the bullet flies back from her chest back into the assailant's gun.Then RAYE is venting her frustrations, her trials and tribulations, with a gang of best girlfriends on a London double-decker - with Coi Leray as its driver - which is hurtling through the city in the manner of the (triple-decker) Knight Bus from Harry Potter 3.&nbsp;And it ultimately transpires that RAYE is on her way to an important engagement, neatly mirroring the video's shocking opening.&nbsp;[imgtoken data:1][imgtoken data:2] "Working with RAYE is always such a dope, freeing experience knowing we can push boundaries together and bring the craziest ideas to life," says Otis Dominique. "A mad amount of hard work went into this one by the whole team and I almost became obsessed with getting all the details just right."The film goes in so many directions and has many different layers, so I wanted to make sure the storyline was being interwoven and building the entire time, even in subtle ways. One of the biggest challenges with a project like this is bringing all the jigsaw pieces together to make a bigger picture and I think we did a really solid job with that."I feel like me, RAYE and Mikey (CD) have a sick formula as creatives/homies and I'm looking forward to what we can make in the future. The bar has definitely been set with these last two films!"

Vitaliy Havrylyuk

Lauren Groves

El-shaddi Nyagodzi

Kirsty Stewart

Otis Dominique

Andre Wooz

Liz Adeleye

Josh Mclaren

Ian Murray

Jordan Rowley

Steven Eniraiyetan

Grant Sandy Phillips

Kai Newton

Eyaz Chishty

Yared Stephenson

Joe Munro

Paleta

Alex Price

Jana Pirosko

Lachlan Wignall

Nikko Anthony

Yelena Konnova

Yong-Chin Breslin

Lan Nguyen

Kaz Ove

Stef Colosi

Johan Barrios

Tk-fx

Bruno Dias

Eugene Shypunov

Oscar Stewart

RAYE ft Coi Leray 'Flip A Switch' by Otis Dominique

Raye-'Flip-A-Switch-Ft.-Coi-Leray'-by-Otis-Dominique

Enter Shikari frontman Rou Reynolds directs his third video for the band - a thoroughly entertaining&nbsp;piece with the band mucking around and playing with joyous&nbsp;abandon, filmed at a brilliant location.The video for A Kiss For The Whole World x&nbsp;blends together high-energy drone shots, playful performances and some VFX flair. We see the group perform as the day fades to night, bringing an enigmatic energy and sense of ethereal wonder with it.&nbsp;Set against the stunning natural backdrop and breathtaking&nbsp;industrial structures of Denge Sound Mirrors in Kent, Reynolds takes the&nbsp;creative concept and runs with it, creating something that feels both experimental and polished at the same time. And there's something quite classic about it - a bit like a Beatles performance from Help!Reynolds&nbsp;and the band are having fun, and it really shows.&nbsp;Great stuff.

Kitty Cowell

Rou Reynolds

Lily Roberts

Sam Horne

Charlie Knight

Peter Wilson

Elle Lotherington

Jonny Iseli

Felix Wildey

Murdo Hepburn

Lea Otovic

Lauryn Brown

Tim Smith

No.8

We Are Covert 

Rock

Enter Shikari 'A Kiss For The Whole World x' by Rou Reynolds

Enter Shikari - A Kiss For The Whole World x - (Official Video)

<h3>In the latest of our new series asking British music video-makers about their experiences last year and thoughts on the coming year, we grab some time with&nbsp;Nathan Killham, Head of Music Video at KODE.</h3>2022 was the year that KODE celebrated its 10th birthday - Nathan has been there from the start as a co-founder of the London-based studio&nbsp;- and it turned out to be a very busy year. He muses on the challenges right now posed by AI and TikTok, to the need for realism and transparency in the bidding process - and for freelance producers to be properly renumerated for their often Herculean efforts.&nbsp;And he admits to an obsession with Wordle - and Quordle...2022How would you describe last year in a few words?Chaotic but satisfying.What was your favourite project or projects you worked on last year?I loved the experience of shooting the Meduza - Bad Memories video with Elliott Gonzo. We flew out to Vietnam the day after Glastonbury - which is never a fun few days recovery. But that long journey and being thrown into this mad experience of shooting in an abandoned water park in the sweltering heat was really exhilarating.The crew and local production were amazing and we got some great results shooting everything through a long day - and it was nominated for a UKMVA alongside an array of incredible videos which was amazing!&nbsp;&nbsp;[vidtoken data:0]Above: Meduza's Bad Memories, directed by Elliott GonzoWhat were the best aspects of the job last year?I love working with our amazing roster of directors at KODE. There’s been a few exciting new signings and elevated journeys with the team here. There was an array of exciting opportunities last year and we’re really excited to push that further this year.&nbsp;With that, it’s been a great year in general with meeting and working with new people: producers, crew and clients and expanding within the company.&nbsp;We definitely lost the community aspects through the industry due to the pandemic, so it’s been great to have that back now and get to know people more too in general through social events, award shows and festivals.&nbsp;<blockquote>AI technology is coming at us fast... we’re doing all we can to embrace it and learn about it.</blockquote>Any other project you enjoyed that deserved more attention, or went under the radar?We did our first video with Ricky Gibb earlier last year for Murkage Dave – Us Lot. It was a long-term collaboration between Ricky and Dave and I love how it came out, the humour and madness of it all feel’s so relatable. It was a really challenging budget and everybody really put their all in for it.It didn’t go under the radar per-say as it got a UKMVA nomination - but it definitely deserves more views.[vidtoken data:1]&nbsp;Above: Murkage Dave's Us Lot, directed by Ricky GibbWhat were the most challenging aspects of the job last year?The first half of last year was pretty intense. There were a lot of shoots on through multiple time-zones and generally navigating through COVID issues made things challenging.&nbsp;Later in the year we expanded our production team and I immediately saw the positive impact that had. Albeit challenging at times, we had a really creative and successful year.&nbsp;&nbsp;Best or favourite video or videos last year that you weren’t involved with?<a href="https://www.youtube.com/watch?v=w8QPV9_KVbk" target="_blank">AntsLive - Number One Candidate</a>, directed by Tom Emmerson. It’s from this year, is that cheating?&nbsp;<a href="https://www.youtube.com/watch?v=uAPUkgeiFVY" target="_blank">Kendrick Lamar - The Heart Part 5</a>, directed by Dave Free &amp; Kendrick Lamar (Bit of a bait answer I know, but it left a lasting impression as soon as I watched it)<a href="https://www.youtube.com/watch?v=0aQ9Q0hRTwY" target="_blank">Doechii - Crazy</a>, directed by C Prinz<a href="https://www.youtube.com/watch?v=6o7bCAZSxsg">Rosalia - Saoko</a>, directed by Valentin Petit&nbsp;&nbsp;<a href="https://www.youtube.com/watch?v=xIYJ7VaSxYY" target="_blank">Paramore - This Is Why</a>, directed by Brendan YatesWhat were the trends (creative or otherwise) that you thought were most striking last year?AI technology is coming at us fast and it’s going to keep on growing and astounding (and scaring)&nbsp;us. Some of the artificial visuals and audio through film, TV and art is seriously impressive. At KODE we’re doing all we can to embrace it and learn about it.Hopefully we don’t get to a world where our favourite artists can keep releasing ‘new’ music once they’re gone through AI - but that’s probably going to happen isn’t it?<blockquote>It was KODE’s 10 year anniversary - which we celebrated in style.&nbsp;</blockquote>What was other cultural highlight (or highlights) of the year?KLVDR’s video for <a href="https://www.youtube.com/watch?v=2litzsFCwkA" target="_blank">Mel Made Me Do It by Stormzy</a> felt like a serious moment. I remember watching it hungover in Kinsale, it needed a couple of reloads to take it all in. Hopefully it lives on through an iconic legacy.&nbsp;Wordle took over my life for a long while, too. They also expanded it to Quordle which is four times the amount of Wordle in one go. Crazy.&nbsp;Any other personal experience that defines 2022 for you?There were a lot of great travel opportunities through work and in my personal life which were a lot of fun. It was also KODE’s 10 year anniversary which we celebrated in style. We had zero experience before starting the company in 2012, so reaching that milestone and to keep growing has been very rewarding.&nbsp;<blockquote>Artists ultimately know the song better than anybody else so I’ll be supporting closer collaboration more this year.</blockquote>2023What are you looking forward to in 2023 – both for work and for other parts of your life?I’m really excited about developing our amazing roster of talent further. Our directors made some great work last year and very much looking forward to pushing that further for the year ahead.&nbsp;For me, personally - i’m really looking to travel more and go to places i’ve never been. Tough to navigate through the amount of gigs and festivals I always seem to plan through the summer but it’s a fun problem to have.&nbsp;There’s some exciting stuff happening in the pipelines at KODE in general too!Have you set work objectives for this year and if so, what are they?We’re really keen to shoot abroad more often where budgets and creativity allows. In our music video department we’re always looking for ideas with originality, naturally shooting in a never-seen-before location helps with that.&nbsp;It’s been a really busy start to the year and looking to get even more chaotic. But it’s all about investing the time into the right projects and not saying yes to everything. Really eager to make videos for bigger international tracks and artists, and do videos for tracks and artists that our directors really feel passionate about.&nbsp;<blockquote>It’s always tricky when you get&nbsp;a brief with unrealistic expectations and resistance to increase budget...</blockquote>What is your prediction for the direction of the industry in 2023? And what will be the big trends for the year ahead?I mentioned previously but I think AI will really come into place more in a lot of creative avenues, intrigued to see how that goes and keen to get more knowledge on that space.&nbsp;Some of the best videos we have made have come through closer collaborations between the artist(s) and directors and overall feels like a more pleasant experience. It feels like a lot more artists are now directing or co-directing their own music videos, or at least being more involved in the creative process which is something I’d like to see more of this year.Special shout out to the success Taylor Swift has had recently, but also to our very own Otis Dominique co-directing with Raye, and Rou Reynolds from Enter Shikari and Dan Searle from Architects directing the videos through KODE for their latest campaigns. Artists ultimately know the song better than anybody else so I’ll be supporting closer collaboration more this year.[vidtoken data:2]Above:&nbsp;RAYE ft 070 Shake's Escapism' by Otis Dominique &amp; RAYEAny other comments about the current environment for music video production and music video creativity? What are the issues that we should be most concerned with?I feel like most videos are still very much performance-based and I'm really keen to see and be involved in more emotional and honest narratives; it’s been a long while since I’ve seen a music video that has made me stop in my tracks emotionally.&nbsp;That said, we have just finished another project with Raye which has been a huge journey for her and the team, a very honest and emotional video idea written and performed by Raye for <a href="https://www.promonews.tv/videos/2023/03/03/raye-ice-cream-man-raye/80583" target="_blank">Ice Cream Man</a> - which I think does honesty and emotion brilliantly.I've also not seen anything recently that’s really made me laugh like crazy. I suppose what i’m saying is that I love a music video that pushes boundaries and get people talking, we should all be taking more risks creatively. I’m not sure if this is an issue of concern, but it’s certainly something I’ve noticed we’re missing in terms of music video creativity.&nbsp;Everything is also so quickly responsive. The TikTok market we live in gives any song the trajectory to explode in an instant which means the video needs to be done quickly, understandably, and most often for very little money. It can be hard to get creatively fulfilled on those opportunities. With that, you can also be engaged into a project and it can be abandoned or budget slashed due to the song underperforming and I think this is something we need to be really careful of.I love it when a new track comes out with the video in tow.&nbsp;<blockquote>Freelance producers definitely deserve a higher rate than the standard 5%.</blockquote>If you could ‘make a wish’, and reform or change the environment in which you work in one way, what would you wish for?&nbsp;As always, we need more budgets and time. It’s hard to walk away with something you’re proud of if you don’t have either of those two areas. It’s always tricky when you receive a brief with unrealistic expectations and resistance to increase budget based on what they’re looking for.We always like to give our all and stretch the budgets where possible but the cost of living is greater and people work so hard on music videos. There needs to be some form of reward whether that be creative or financial. Freelance producers definitely deserve a higher rate than the standard 5% too.&nbsp;I’m a big advocate for transparency and clear communication and love to know how many people are pitching on videos which we don’t always get. It’s gotten better but still needs a lot more improvement - in the US especially. You sometimes have huge music video and commercial directors write on the circa £20k music videos which has a huge disadvantage on younger directors sometimes so having that information going into it would be really helpful.[vidtoken data:3]Above: Enter Shikari's (Pls) Set Me On Fire, directed by Rou ReynoldsWhere are the opportunities in the current environment?As well as that; with social media and TikTok there’s a lot of new ways to be creative and for young creatives to explore filmmaking and express themselves and get it seen by people. You can post a video and get it seen by millions of people when you may not have any previous experience or online presence.&nbsp;If you have an interest in creating music videos with no experience, head out with some friends and make visuals for one of your favourite artists on your iPhone. I used to do that with friends on my mini-DV camera when I was younger and it was so much fun, really gets you to understand filmmaking from the ground up.&nbsp;Have you made any personal resolutions for 2023? And if so, how’s it going?Focusing on happiness; as simple as it sounds it has been a hugely important takeaway from last year, not wasting my energy in the wrong areas or people. Saying yes to exciting opportunities and striving to achieve my goals in life, so far so good!There’s stopping smoking too but that’s failing somewhat so far...&nbsp;• Nathan Killham is Head of Music Video at <a href="https://kodemedia.com/" target="_blank">KODE</a>

State Of Play: Nathan Killham, KODE

Meduza,-James-Carter--'Bad-Memories-Ft.-Elley-Duhé,-Fast-Boy'-by-Elliott-Gonzo

Murkage Dave - Us Lot

RAYE - Escapism. feat. 070 Shake (Official Music Video)

Enter Shikari - (pls) set me on fire - (Official Video)

Following his directing debut with (pls) set me on fire, Enter Shikari frontman Rou Reynolds directs aits sequel - another&nbsp;strongly conceptual performance video - for It Hurts.From the claustrophobic locked-off shot in his previous outing, Reynolds employs another largely one-take approach, but allows the camera to roam across a large space in which a number of random dramatic vignettes are playing out - all of which have big consequences for the participants.“In typical Shikari fashion, I threw myself in at the deep end with directing, and decided to shoot two videos in one day," explains Reynolds of the making of this and the previous video. “It was an incredibly intense experience, but we had a super-talented, passionate, focused team, and were able to get a great result.“Personally, I found it rewarding to see my ideas brought to life and create a narrative connecting the two videos. I love the attention to detail that directing allowed, and the ability to bring some of the song’s themes to life in more depth.”

Ryan Delahunty

Thomas English

Ty Hack

Rob Hawkins

Joe Salkey

Lauren Jeffery

George Neave

Coffee & TV

Enter Shikari 'It Hurts' by Rou Reynolds

Enter Shikari - It Hurts - (Official Video)

Cauty Brothers directs an rip-roaring performance promo for Arrdee's latest banger.&nbsp;The video&nbsp;for Loser sees the camera rotate around Arrdee in several minimalist studio vignettes, watching his previous videography on screen, fighting in a boxing ring and sitting atop a mountain of empty moving boxes - perhaps suggesting that he is here to stay, and not going anywhere.The slick aesthetic is paired with frenetic, dynamic cinematography, which amps up the action and reflects Arrdee's angry posture on Loser, as he dismisses all&nbsp;the haters.It's the result&nbsp;of a new directing collaboration, where Harry Cauty - signed to KODE as a solo director - teams up with his brother Alfie,&nbsp;blending their styles and vision&nbsp;to&nbsp;embark on a&nbsp;partnership exclusively directing music videos through the production company.&nbsp;&nbsp;

Natalie Ruvimbo

Ede Dugdale

Cauty Brothers

John Hassay

Jack Cullis

Tom O’keefe

Kashman Harris

Chris Froggy

Eddie Melbourne

Hannah Sorcha

Paige Cole

Karol Cybulski

Hip Hop

Arrdee 'Loser' by Cauty Brothers

ARRDEE - LOSER (OFFICIAL MUSIC VIDEO)

Enter Shikari frontman Rou Reynolds makes his video directing debut with this powerful one-take&nbsp;promo for the band's new single, (pls) set me on fire.&nbsp;The video sees the band perform&nbsp;in an effervescent setup towards the back of an industrial location, whilst a vintage TV displays retro graphics and animated lyrics from the track on screen in the foreground.&nbsp;It's a simple yet strikingly effective&nbsp;idea, that showcases the band at their best, and uses clever composition and lighting to keep eyes darting between the two positions on-screen, in a captivating ping-pong match for viewers'&nbsp;attention.[imgtoken data:1]So a lyric video for the track may not be required. But with Reynolds breaking out of the performance near the end, to write in a notebook and then wander distractedly off-screen, suggests there is still more to come. Indeed, that is confirmed by Reynolds himself."I wanted this video - my first foray into directing! - to feel minimal and uncomplicated, but at the same time full of dynamism, and therefore the polar opposite of the next video, which is a&nbsp;bewildering romp through surrealism," he says."So there’s a simplicity here, a willingness to let the raw energy of the performance be the focus, untainted by effects or complex editing. But it&nbsp;should also be mentioned that the main function of this video is really just to set up the next one…"&nbsp;

Katie Dymmock

Enter Shikari '(pls) set me on fire' by Rou Reynolds

Kelvin Jones directs an action-packed promo for Aitch.&nbsp;&nbsp;The video for Fuego boasts&nbsp;a handful of chaotic vignettes, which move at breakneck speed and are presented through a self-aware, contemporary internet lens.The eccentric, full-on style is elevated by&nbsp;subtle computer animation effects, including a jarring 'buffering' scene, and&nbsp;melting, textural transitions - which very much match the Fuego vibes."When Aitch and I first sat down, we had a whole 8+ scene idea of fun things we could do, but as time went on we chopped it down to create order," says Jones. "Fuego symbolises fire so we wanted to have as much fiery stuff going on to capture the idea behind the track.&nbsp;&nbsp;[imgtoken data:1]"Shoot day was very fun, but we also had a lot to do to achieve the shot list. We played around with probe lenses and large format cameras to capture the depth of all of the scenes."We even got a grill made for Aitch that we sorted out days before the shoot so that he could wear it for the extreme close-up scenes. We always have fun with Aitch on set and he is willing to do most of the things I tell him for a great shot - ha ha.&nbsp;He even comes up with fun ideas that adds to the video to make it even better."We have a lot of chemistry, so it is usually a breeze and we are always on the same page. We also went all out and spent money on a car flip that our producer put forward to us. I then sent Aitch the reference video of the car flip and we said 'yep this needs to be in the video',&nbsp;so we made it happen no matter what."

Macy Trieu Dingle

Cora Delaney

Kelvin Jones (ByKartix)

Jerzy Gudjonsson

Matthew Hooshmand

Marnz Brown

Horia Cojan

Alex Rawson

Riccardo Anjei

Kelvin Jones

Megan Lee

Spirit View

Aitch 'Fuego' by Kelvin Jones

Aitch - Fuego (Official Video)

Anna B Savage sees herself multiplied in&nbsp;Rosie Barrett's splendid promo for In|FLUX.Starting with a simple mirrored shot at the start of the video - when&nbsp;the track contains only Savage's voice - the concept soon launches into a riveting series of vignettes, experimenting with duplication, reflection and&nbsp;doppelgängers.&nbsp;Gaining pace as the music transforms into something off-beat and abstract, the journey of the track is perfectly visualised in both the idea and Savage's performance, and director Rosie Barrett cleverly balances intimate moments with more wild, fearless shots.&nbsp;

Sophie Louise Hurley-walker

Rosie Barrett

Billie De Buitléar

Kevin Minogue

Jamie Doyle

Chantal Fortune

Deana Hedderman

Ronan Fox

Alex Nerzic

Creative Outpost

Colm Moore

Alternative

Anna B Savage 'In|FLUX' by Rosie Barrett

Anna B Savage - in|FLUX (Official Video)

Daniel Broadley directs a cinematic, festive promo for Jessica Darrow -&nbsp;&nbsp;star of Walt Disney Animation Studio's Oscar-winning movie&nbsp;Encanto.A Little More is the soundtrack to Disney’s magical new Christmas advert titled&nbsp;The Gift, which marks the holiday season, and is helping support long-term charity partner Make-A-Wish®.Darrow takes centre-stage in a stunning theatrical set, joining a violinist as they perform the emotive track.Interweaved with shots of the artist watching segments of the Disney commercial, the concept is upbeat and gentle, and perfect for the festive season.

Daniel Broadley

Ryan Monteith

Danielle Wright

Anita Okpongete

Matt Allsop

Anil Duru

Benny Casey

Sabrina Gatej

Akhil Kanukuntla

Hannah Squires

Jessica Darrow 'A Little More' by Daniel Broadley

Jessica-Darrow-'A-Little-More'-by-Daniel-Broadley

Elliott Gonzo teams up again with returning rockers Enter Shikari on Bull - the band's collab with rising punk-pop singer Cody Frost - featuring a modern-day Minotaur for modern times. And boy, is he unhappy.Gonzo&nbsp;turns the 'bull in a china shop' in the song into this tragic figure - half-man, half heavily-horned bull - who meets Cody in a London caff. And after a heated argument, all hell breaks loose...Filmed in one of the remaining 'eel and mash' cafés in East London, it is an intriguing scenario to place one of humanity's most enduring mythical creatures - but he seems wholly relevant allegorical figure for our troubled times, and Gonzo mixes the narrative and band performance with characteristic energy and flair.

Nathan Killham

Producer

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