1st AD

Marco Wilkinson

As Meridian Dan talks a good game in Hot For Me Now, pointing out how hard he&#39;s worked to get people&#39;s attention,&nbsp;Konstantin Ermakov shows just what it takes with a loose narrative&nbsp;accompanying&nbsp;the rapper&#39;s&nbsp;performance about a young street footballer perfecting his skills - and suffering numerous setbacks and bouts of self-doubt along the way.And it&nbsp;all comes good in the end for the young man -&nbsp;the message clearly delivered that dedication and graft&nbsp;is just as important&nbsp;as natural talent.&nbsp;&nbsp;&nbsp;

United Kingdom

Konstantin Ermakov

Antoine Dixon-Bellot

Afzal Robbani

Lauren Doherty

Georgina Bobb

Aaron Reid

Arran Green

Jack Paegam

Maximillion Akerman

Roger Russell

Melissa Massey

Jade Massey

Chris Milbourne

Craig Bates

Ollie Hart

Paul Banda

Dan Moran

Smoke & Mirrors

Josh O'Leary

John Moule

Mastermind Media

Meridian Dan 'Hot For Me Now' by Konstantin Ermakov

To compliment the sunny vibes of new Island signing Moelogo&#39;s My Sweetie single, Vertex documents the tale of two sweet kids who are parted as youngsters, only to find each other unexpectedly&nbsp;later in life...

Vertex

Danni McNiven

Ben Mealing

Gio Forino

Doug Walshe

Jay Solamon

Stefan Yap

Tom O'Keefe

John Ball

Simon Mills, Sunny Singh

Chaitanya Joshi, Ian Davies

Island Records Berlin

Natalia Maus

Moelogo 'My Sweetie' by Vertex

Antoine Dixon-Bellot delivers this tongue-in-cheek promo to partner Aggro Santos&#39; swipe at the self portrait craze in his single Selfie Selfie Selfie.&nbsp;Antoine adds his own Pimpstagram phone app to the mix as he&nbsp;shoots the Brazilian/UK rapper with a host of busty models...

Rosy Pearce

Sameet Jeer

Camil Liberto

Dave Hughes

Theo Milford

Damien Ansell

Ace Godfrey

Beth Warren

Tom Gills

CJ Seeta

Charles & Co

Aggro Santos 'Selfie Selfie Selfie' by Antoine Dixon-Bellot

Little Mix and Tinchy Stryder director Vertex builds his promo for X Factor favourites MK1&#39;s Let Go, set&nbsp;around a wild house party where reverse cuts and&nbsp;fast-edited close-ups compliment&nbsp;the urgency of the soundtrack.&nbsp;

Holly Gardner

Anthony Neale

Celia Lusted

Alex Kirkwood

Jon Ball

Steve Thomas

Sam Turner

MK1 'Let Go' by Vertex

Chip and his crew get nostalgic and patriotic for the UK capital in Vertex&#39; promo for Londoner. Peppered with icons of British culture - old red phone box, Union Jack sofa, bulldog - and some nifty projections and time-lapse footage, the three vocalists give fine performances throughout.

Khuram Mirza

White Rabbit

Luke Jeffery

Chris Belcher

Keith Long

Christopher Toumazou

Lucy Ansa

Chip ft Professor Green, Wretch 32 & Loick Essien 'Londoner' by Vertex

90s Walthamstow ruffians East 17 mark their return to the pop world with the power ballad Counting Clouds - accompanied by a romantically soft-focused promo from Antoine Dixon-Bellot.Antoine shoots the band - now down to a trio - on the beach and intercuts the action with lead singer Tony Mortimer getting loved-up with model Terri Griffin.

Tony Jings

James Amos

Pete Murray

Sam Haesman

Sharon Ridoynauth

Leslie Hessie, Joshua Woods

Sesan Ogunro

East 17 'Counting Clouds' by Antoine Dixon-Bellot

Shot carefully around the erratic English weather in London, Carly Cusson casts ordinary people (as opposed to actors) to capture real moments in her genuinely touching promo for Lemar's First Time. 
"The imagery portrays dreams, hopes, and chasing your future or loving what is left of it" explains Carly. "I wanted all of the different visuals to literally make the audience smile. 
"From babies to elderly people, all races and faces, all walks of life. I sought to capture real love on camera. People in love with each other, in love with life, or just in love with that moment. Positive and powerful."

http://www.youtube.com/watchv=3XlvRL9YFDY

Carly Cussen

Luti Media

Luti Fagbenle

John Holloway

Amy Wilson

Sanya Dennigan

Gary Blake, Esther Mcrae, kulabako kyabanji, Seb, Rappa

Portobello Post

Lemar 'First Time' by Carly Cussen

Lemar-'First-Time'-by-Carly-Cussen

Slick and effective showcase for Starboy Nathan's catchy R&amp;B tune Diamonds by Andy Hylton - and considering the track's title, not massively blingy.

Andy Hylton

Kimberly Fagbenle

Simon Dennis

John Gutierrez

Starboy Nathan’s Diamonds by Andy Hylton

Starboy-Nathan’s-Diamonds-by-Andy-Hylton

This one might give you a spot of vertigo just looking at it, but Andy Hylton's video for Jack McManus's Heart Attack serves up a very apt visual metaphor for a lament against the work-related stresses of modern life. 
Jack walks the tightrope over London, his Man On Wire act created mostly in-camera. "Amarjeet Singh at Portobello Post helped us use a mix of techniques to create the illusions so that only a handful of the shots relying on green screen," explains producer Luti Fagbenle. And one of the main locations for the shoot was the roof of Universal Records. Following his smash hit video for <a href="http://www.promonews.tv/2010/06/11/yolanda-be-cool-dcup%E2%80%99s-we-speak-no-americano-by-andy-hylton/" target="_blank">Yolanda Be Cool &amp; Dcup</a> and also <a href="http://www.promonews.tv/2010/06/09/zarif%E2%80%99s-box-of-secrets-by-andy-hylton/" target="_blank">Zarif</a>, Andy Hylton is clearly on a roll - and he has two more currently in post.

Derik Tan

Elmino

Joseph Crone

Jack McManus’s Heart Attack by Andy Hylton

Jack-McManus’s-Heart-Attack-by-Andy-Hylton

Andy Hylton's beautiful sepia-toned homage to the silent movie era - Charlie Chaplin in particular - fits perfectly with the quirky lightheartedness of We Speak No Americano by Australian dance outfit Yolanda Be Cool.
Hylton had this say about the shoot:
"It was a pleasure to ditch the digital technology for the day and get back to some good old school film making techniques. I was hoping to use a Bell &amp; Howell 2709 hand-cranked camera from the 1920's but I decided to go use a modern Panavision camera with a hand-crank, which give the film the organic variable exposure. The cinematographer, Oliver Downey, had a lot of great ideas and really threw himself into the job, picking up some original Cooke Panchro lenses to give it an more authentic look. As one turn of the crank equals eight frames of 35mm film, the camera had to be cranked two to three times a second to give us a variable frame rate of between 16fps and 26fps. The theme to the Addams Family is ideal to help build the perfect rhythm and timing.
"I wanted the film to feel as close to how films were made in the silent era of the early 20's and not have a cliched black and white, scratched-film look . I did however want everything else to look period so it was a pleasure sourcing and recreating the clothes, make-up, props and vehicles of the era.

Marco Wilkinson

1st AD

Videos featuring Marco Wilkinson

2015 (2)

2014 (1)

2013 (1)

2012 (3)

2011 (1)

2010 (2)

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