Nervio is a multidisciplinary creative lab by Celia Arias &amp; Manuel Mollá - A London based directors duo that turn ideas into poetic narratives, using storytelling as an act of rebellion. They specialise in avant-garde projects for forward-looking clients across fashion, music, art and culture.With their unique aesthetics and experimental use of a wide range of mixed-media techniques they create vibrant and surreal visual environments.

Director

Celia Arias

Taz Tron Delix directs the ethereal promo for Calvin Harris and Ellie Goulding's collab on Miracle.&nbsp;The otherworldly video is inspired by the&nbsp;Nineties-style&nbsp;trance elements in the track, exploring&nbsp;a futuristic clash of desert landscapes, anachronistic styling and mysterious movement, revitalising and contemporising the transcendent aesthetics that were born out of the original movement.&nbsp;[imgtoken data:1]The video cuts between Ellie wearing a jewelry filled tiara and leather outfit with the look of a powerful Queen on an elevated platform surrounded by what appears to be worshippers in sleek beige suits and balaclavas. The track progresses they march in a strong manner, break-out dancing and wave their hands towards Ellie in a worshiping stance.We then witness different groups of people embracing one another mostly in masks, helmets faces covered, buried in sand, twisting through colourful smoke creating a mysterious tone.Blending a whole host of unusual elements into an oneiric experience, it really is a visual feat that demands your full attention, and elevates the track to a whole new artistic plane.&nbsp;[imgtoken data:2]

United Kingdom

Taz Tron Delix

Joseph J Goldman

Chris Toumazou

Kiran Mandla

Lee Fairweather

COMPULSORY

Trim Editing

Paul O'Reilly

No.8

Zoe Gunn

Steve Wingrove

Harry Wheeler

Elizabeth El Kadhi

Phil Heron

Matt Allsop

Lisa Laudat

Anastasia Stylianou

Shani Mushington

Alex Gregory

Charlie Morris

Kat Cattaneo

Jonny Vieco

Shift

Calvin Harris x Ellie Goulding 'Miracle' by Taz Tron Delix 

Calvin Harris, Ellie Goulding - Miracle (Official Video)

Rich Hall puts indie band Elephant Kind on an intergalactic tube train chockful of aliens - in his superb video for Love As.The production team at Riff Raff&nbsp;says: "Possibly the most extreme recce we’ve done in a while, was to the Moon and back. Rich Hall wanted to set Elephant Kind’s video there, so we popped over to get the vibe. But the train on the way back to Earth was just so packed with characters, it was like a casting director’s hallway. So Rich said f*** it, let’s just shoot it now."The DoP decided zero-gravity worked in favour of a spinning train carriage shot, and the producer agreed to pay travel expenses for being outside the M25, only because they’d save on camera kit by using alien drool to a dolly effect."So the band warmed up, and busted out their single ‘Love As’. And that’s how we got a video for an indie band about intergalactic space train love.*"*actual sequence of events may have differed."[imgtoken data:1][imgtoken data:2][imgtoken data:3][imgtoken data:4]

Oian Arteta

Leanne Flinn

Rich Hall

Luke Tierney

Hands 

Riff Raff Films

Kidda Selassie

Will Shanahan

Adam Bell

Ben Todd

Laura Clayton

Suzan Mustafa

Alasdair Copland

Jake Whitehouse

Barney Batchelor

Will Crafts

Dom Hamilton

Georgia Olive

Ben Corfield

Homespun

Pete Oppersdorff

The Mill

Will Howland

Lora Nikolaeva

Mola Records

Elephant Kind 'Love As' by Rich Hall

Elephant Kind - Love As (Official Video)

A robot boyband take the world by storm in Maxim Kelly's alternative history of computing and artificial intelligence for Hot Chip - in which music video takes an even more important role...&nbsp;&nbsp;For Broken, taken from the band's recently released eighth album Freakout/Release, we follow the engaging story of Jerry Fairchild, creator of the Fairchild 7000, and its role in turning computer nerds into music video directors (including one named Jon Glazer). That is the introduction&nbsp;to the 'proper' video that features anonymous, frequently multiplying android pop stars, busting moves in a familiar white-syc studio.&nbsp;[imgtoken data:1]As in some of his previous work - perhaps most notably the video for shame's Nigel Hitter - Kelly reworks obscure vintage corporate film footage to create the foundations for his concept.Then he has created his robot boyband by adding cool robot mask prosthetics&nbsp;to a trio of denim-clad dancers presenting them in a pop video, rooted in the classic form. And that is hugely effective for a song that is at the catchy pop-end of Hot Chip's musical&nbsp;spectrum.[imgtoken data:2]&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;“I’m intrigued by AI machines doing artwork," says Kelly. "In the future, robots and computers might make music videos too - and this is what I imagine the first will look like."I referenced the boyband videos I grew up watching on MTV - overly sentimental with emotional and gut-wrenching performances. In this video, soulless androids run through all the motions and cliches of these videos with deadpan robotic precision. It’s a pop video with all the entertaining and watchable bits taken out.”

Maxim Kelly

Eleri Evans

Sachin Chande

Caviar

Samira Conteh

Afzal Robbani

Matthew Emvin Taylor

Malte Huebner

Lucy Bradley

Beau Pritchard-James

John Phillips

Laurent Arnaud

Syd Harmony

Robert Smith

Begona F.Martin

Kloe Dean

Tom Mangham

Black Kite Studios

Steve Shaw

John Moule

Domino Records

Alternative

Hot Chip 'Broken' by Maxim Kelly

Hot Chip - Broken (Official Video)

Roisino directs a euphoric, Studio&nbsp;54-esque promo for Sophie and the Giants.&nbsp;For her first video as a solo artist, we follow Sophie and&nbsp;several characters in an iconic&nbsp;LGBTQIA+ venue, dancing the night away under coruscating lights.&nbsp;The neon-tinged video for We Own The Night blends party vibes with a surrealistic twist - a trademark of Roisino's style - and boasts experimental camerawork and a hyper-vibrant style.&nbsp;"For this video, we had an incredible crew who pulled together to create a custom underground club setting, including artworked posters and custom set design." Roisino mentions.&nbsp;"The video evokes a serious sense of FOMO for anyone who didn't get the invite!"

Roisino

Eden Madein

Marisa Garner Associates

Natalia Maus

Koko Stoimenvo

Edson Caldas

Nic Marily

Sophie And The Giants 'We Own The Night' by Roisino

Sophie-And-The-Giants-'We-Own-The-Night'-by-Roisino

Maxim Kelly has created a fabulous fever dream of a Western - shot in blinding black and white - for&nbsp;experimental rock combo black midi.The song Eat Men Eat - from the forthcoming album Hellfire - is a typically eclectic fusion-jam (Rock meets Flamenco!), with lyrics by vocalist Cameron Picton, about two men and their quest to overcome the cruel captain of a mining facility. That's the starting point for Kelly's interpretation where two prospectors become embroiled a similarly overbearing personality, and their efforts to poison him.That barely does justice to the sense of abandon and euphoria, laced with doom and destruction, that powers the story. It features a compelling&nbsp;performance by Calvin Cornwall as 'the captain', luminous cinematography by&nbsp;Pieter Snyman, a brilliantly unhinged edit by music video editing legend&nbsp;Vid Price.&nbsp;Kelly also incorporates a characteristic&nbsp;multi-media element,&nbsp;which adds to the strange surreal silent movie atmosphere.[imgtoken data:1]&nbsp;&nbsp;&nbsp;“The story starts in the desert with two men engaged in a desperate search for missing friends," says Cameron Picton of the song.&nbsp;"Their quest leads them to a strange mining facility which, despite a death of natural resources in the area, opens its door for even stranger hosts to welcome them.”Kelly adds that meant the story was already largely in place when it came to making the video.&nbsp;"I just worked to visualise that narrative whilst staying true to the band’s vision and songwriting," he says.&nbsp;"So, I had this idea in my head of an old silent movie aesthetic with inter-titles. But every now and then it turns into a 'talkie'&nbsp;with parts of lip-syncing."It’s a structurally unusual song, so it’s wonderful when a track like this comes along and forces you to break your usual patterns and habits and push yourself as a director.“I first listened to black midi in 2018 when my friend recorded a live performance in his studio for NTS Radio. I think this might be one of their first-ever recordings, and it blew me away. So I’m thrilled to have the honour of making their latest music video."

Aisha Kemp

Phin Shaughnessy-Symons

Pieter Snyman

Oliver Bingham

Charlotte Hayde

Joe Mulvihill

James Duffy

Melissa Davies

Vid Price

Rough Trade

Rock

black midi 'Eat Men Eat' by Maxim Kelly

black midi - Eat Men Eat

Metronomy relive their teenage years&nbsp;in Juliet Casella and Thibaut Caesar's warmly nostalgic video for Things Will Be Fine.&nbsp;Band frontman Joseph Mount describes the video as “a sort of pseudo role-play therapy session in which we all re-visit our teenage selves.” And as such the five bandmembers each have their own well-observed vignette, recreating the byegone age of the late Nineties/early Noughties, reflecting on some of their childhood ambitions and dreams.&nbsp;So we see Metronomy revisit&nbsp;old social media platforms (on a first-gen iMac), first-time attempts at shaving, saving a guinea pig on the loose, and suffering from teen ennui - all unfolding within the same house. It's glued together by a band performance, which also has the feel of&nbsp;a teen band try-out, in the living room.[imgtoken data:1]With a&nbsp;concept that flows directly from the song's lyrics, the video delivers on bringing those themes to life in way that's pitch-perfect for the band. The art direction and set design are top-notch, as are&nbsp;the performances. It makes for a memorable, charming video - and&nbsp;confirms a fairly evident fact that Metronomy are a marvellous video band.But apparently, making this video did take its toll.&nbsp;Joseph Mount concludes: “Everyone ended up more scarred than they did before making it - apart from Michael [Lovett] and his fucking guinea pigs.” And that's that.&nbsp;

Juliet Casella

Thibaut Caesar 

Joseph J. Goldman

Ground Work

Aaron Z. Willson

Chris Malin

Adam Singodia

Davide Scalenghe

Matthew Hollis

Johnjoe Besagni

Oliver Hogan

Anna Inglis Hall

Jamie Hodgson

Ben Tomlin

Work Editorial

Phil Wood

Because Music

Electronic

Metronomy 'Things Will Be Fine' by Juliet Casella & Thibaut Caesar 

Metronomy-'Things-Will-Be-Fine'-by-Juliet-Casella-&-Thibaut-Caesar 

Dreamjob - that's Jack Whiteley and Joe Wills - give the now-familiar Groundhog Day structure an existential makeover for Metronomy's return to action with the aptly titled&nbsp;It's Good To Be Back.Metronomy's frontman Joe Mount encounters his fellow bandmembers through a series of studio-set exteriors of exaggerated fakeness. He ends the sequence with a singing cowboy in front of a sunset backdrop 'shooting' him with his fingers, sending Mount spinning back to the beginning.[imgtoken data:1]As he repeats the sequence of events, things inevitably change, but not quite in the way you might expect. This is no exercise in achieving improvement and ultimate perfection - quite the opposite. Mount and company's swing between indifference, cheeriness, depression and beyond, as they head repeatedly to the cowboy's inevitable finger-gun.Heroic failure is so more interesting than success...<script src="https://player.vimeo.com/api/player.js"></script>

Dreamjob

Curate Films

Dan Dickenson

Abbey Valentina

Carlos Veron

Anil Duru

Tekko Osman

Steve Cameron

Natasha Lawes

Yulia Bulashenko

Jack Whiteley

Joe Wills

James Soldan

Indie

Metronomy 'It's Good To Be Back' by Dreamjob

Metronomy / It's Good To Be Back

A mesmerising promo by Rei Nadal at Prettybird for Georgia Twinn's track Moth.&nbsp;Intercutting night vision setups with a handful of dynamic vignettes, the focus is purely on performance, and Twinn is in her element.&nbsp;&nbsp;"It's about needing space.” Twinn explains. “You know when someone you’re dating is that bit too clingy? That’s pretty much my inspiration for the track. I was in a relationship and needed some space but wasn’t getting it and so Moth&nbsp;was born. It has a lot of attitude and I just wanna shout the lyrics as loud as I can.”Visualising this yearning for space, we see the artist hanging from the ceiling and leaning right in close to the camera, adopting a series of unique perspectives to create a sense of suffocating unease.&nbsp;“It was really fun to collaborate with Georgia as she was into the music videos I grew up with, so we had a common visual language between us," explains&nbsp;Rei Nadal."And it was also a pleasure to work with [Twinn's creative director]&nbsp;Courtney MC, whose attention to detail really elevated the aesthetics on screen.” &nbsp;

Rei Nadal

Chris Murdoch

PRETTYBIRD

Juliette Larthe

Philips Nortey

Franklin Dow

Juan Sanchez Minotta

Chelsea Bernard

Joel Rainsley

Michael O’gorman

Joey Choy

Ella Maughan

EMI Records

Simon Donnellon

Stef Colosi

Okay Studio

Georgia Twinn 'Moth' by Rei Nadal 

Georgia Twinn - Moth (Official Video)

James TW&nbsp;cycles through a series of idiosyncratic personas in&nbsp;Jack Willoughby's promo for Butterflies.&nbsp;Stepping into a photo booth, the artist transforms into an&nbsp;impressive range of characters, from all manner of time periods, styles and even universes...&nbsp;It's a fun-filled video that oozes tongue-in-cheek charm - and comments on the various personalities we all hide within ourselves.&nbsp;From the styling to the art direction and makeup, every facet of the video is on the same page, and it's an effective visual interpretation of the themes in the track.[imgtoken data:1][imgtoken data:2]

Jack Willoughby

Amara Rossell

Greatcoat Films

Kareem Adeshina

Clara Paris

Josh Tue

Ernie Griffiths

James Duffey

Lottie Toon

Joseph Taylor

Caroline Morin

Wash

Las Bandas Be Brave

Ailsa Robertson

Island Records

James TW 'Butterflies' by Jack Willoughby

James-Tw-'Butterflies'-by-Jack-Willoughby

We're back in the working men's club for the final part of a trilogy of films for Passenger, directed by Raja Virdi. And after <a href="https://www.promonews.tv/videos/2020/11/04/passenger-song-drunk-and-broken-hearted-raja-virdi/67614" target="_blank">A Song For The Drunk And Brokenhearted</a>&nbsp;and <a href="https://www.promonews.tv/videos/2020/11/16/passenger-suzanne-raja-virdi/67881" target="_blank">Suzanne</a>, Remember To Forget focusses upon an individual in the club who has had a few drinks too many, but remains surprisingly graceful on his feet.Brett Jones plays the drunk who staggers and sways around the bar with unusual elegance, and then engages with Passenger and his band's performance with endearing gusto, and eventually draws the rest of the club into a joyful dance routine.With choreographed by Jamie Neale, and a noteworthy performance from the nimble Jones - who has made a few good videos in his time, including for <a href="https://www.promonews.tv/videos/2014/07/15/jungle-time-oliver-hadlee-pearch/27726" target="_blank">Jungle's Time</a>&nbsp;- Raja Virdi aims for that point between&nbsp;gritty realism and fantasy and hits the mark with this poignant song-and-dance video.&nbsp;&nbsp;