Iggy London directs a visual exploration of girlhood, growing up and self-love, in his affecting promo for Grace Carter. The video for Pick Your Tears Up contains several intimate portrait vignettes of Carter and her friends, capturing them in a transitory, poignant manner. Carefully blending character study and an abstract, elevated aesthetic, the video exists somewhere between a music video and documentary, and is instantly captivating and moving. A beautiful complement to the track, which perfectly visualises an intangible, yet universal, set of emotions.

Miley Cyrus goes on the ultimate journey of self-empowerment, in Jacob Bixenman's promo for Flowers. Introducing her latest era with a bang, we see Cyrus parade up the Hollywood Hills in a slick gold get-up, before dancing her way through sprinklers and swimming in a luxury pool. The video plays out in a relaxed, deliberate fashion, foregoing any excessive glitz and glamour to focus on the person behind the music, and the strength she’s found in focusing on both her physical and mental well-being.A captivating introduction to new album Endless Summer Vacation, and a taste of what's to come in this release cycle.

Quinn Wilson directs an evocative promo for King Princess (aka Mikaela Straus), encompassing two tracks - Too Bad & Cursed. In an enigmatic bar, we see the artist partying with friends - as well as performing on stage - as she slowly starts to embrace her flaws and practice self-love. A surreal transition bridges the gap between the two tracks, with Straus slow-dancing with a stripped-back, naked version of herself, bringing a literal interpretation of the themes to the forefront of the visual.

Samuel Douek touches upon the pressures of fame and heartbreak in his promo for Galantis, featuring Little Mix and David Guetta. The video for Heartbreak Anthem is backdropped against a sci-fi burlesque world, and evokes a message of self-acceptance and self-love, intertwined in a high-concept, cinematic idea. The performance-focused visual is complemented by gorgeous styling and makeup, much like Douek's promo for Little Mix's Confetti, released just under a month ago. The glitchy, futuristic aesthetic contemporises the traditional shapes and silhouettes of the burlesque world, and elevates the bold, vibrant direction of Little Mix's new era.

Petr Simon calls for a self-love revolution in his powerful promo for Danitsa's Let Go. The digital rat race and our social media-obsessed society are examined under an abstract lens, reinterpreted as frenetic dance scenes and surreal, otherworldy set pieces, as the artist isolates herself in nature to try and gather her thoughts. Broadcasting the message that our self worth should not be influenced by our digital perception of others, the concept is a plea for self-validation and staying true to our own character, and is beautifully visualised through a succession of innovative setups. DoP Konstantin Mazov intertwines a nostalgic, almost vintage aesthetic with notable reminders of the modern world, and does so with masterful flair.