Bonobo soundtracks The Rapture in this head-spinning, hyper-detailed video by Dave Bullivant, aka BISON.With erratic, repetitive cuts showing a panicked woman, played by Gemma Arterton, running through London during what appears to be The Ascension, you could be forgiven for thinking that the video starts and ends with this clever editing concept. You would, however, be very wrong.Buried within the frames of this video are tons of visual curiosities, Easter eggs and elements of supernatural foreshadowing that show both an incredible attention to detail, and Bison's smart willingness to exploit the average viewer's inability to notice subtle changes on a first viewing.

Dawn Shadforth hands the irrepressible Sharon Horgan a delicious scenario and magnificent makeover for Metronomy's Old Skool.Horgan is the 70s housewife hosting a houseparty in deepest English suburbia, where her anxiety and neurosis bubbles away close to the surface - and her husband, played by Ben Crompton, provides a steadying, and somewhat ominous counterpoint.These superbly-sketched characters, and the evening's events, sits within a visual palette that is nothing less than gorgeous throughout, from Ben Fordesman's photography to the remarkable fashion styling and hair. Wonderful.

After his impressive video for Rysy's The Fib, director/cinematographer Filip Zaluska is back with another searing burst of cinematic imagery for V/O's ID, the solo project of Rysy co-founder Wojtek Urbanski. Gritty, surreal, beautifully shot, explosive - it's powerfully impactful in just ninety-odd seconds.

The animator known as Nryn has created more gorgeous, hypnotic visuals for Leon Vynehall, with this epic colour-drenched abstract work, based on the central repeated image of cascading Bird of Paradise feathers. Nryn's video for the eight minute Blush takes the Birds of Paradise sounds sampled in the track as its inspiration, and its also something of a companion piece to his previous work for Vynehall in 2014: the equally mesmeric video for Butterflies.

Tom Haines's film for Jon Hopkins' Collider has a hard act to follow, coming after the epic award-winning video for Hopkins' Open Eye Signal. There's a similar focus on one individual, and photography once again by the redoubtable Steve Annis - who won the best cinematography award at the UKMVAs in October for his work on Open Eye Signal. Unlike that Aoife McArdle-directed video, this is a far more intense, internalised experience. But it's just as mesmerizing.A girl's extreme behaviour at a rave leads to her switching into an alternate reality, alone in an vast derelict industrial space. And in her increasingly frenzied state, this switches to being her main reality.