Shifting from producing to directing, Edward Mantle’s first music video takes Dan Michaelson on a boat trip into the middle of the English Channel for Bones, the second single from latest …
Skunk Anansie ‘This Is Not A Game’ by Lore&Jun
Skunk Anansie turned to Trunk and directing duo Lore&Jun to collaborate on their latest video for This Is Not A Game, from their sixth and current album, Black Traffic.
Lorena Medina from Lore&Jun notes that “the band came to us with a very clear idea, which in essence was to become white canvases that would then have projections of an earlier performance layered on top of the final performance.” The directing duo and the band developed the concept, which aimed to capture the feeling and emotion of the song through both the technique as well as the performance.
Trunk have an enviable record when it comes to projection mapping, following their success with the Madness performance at the Jubilee concert last year. However this posed a different challenge, one of budget and the band’s availability during touring. Together with producer Tina Pawlik, Lorena and Junior started working on ideas of how the projections could best work using an array of different techniques and set ups. The first shoot took in the straightforward band performance that was then processed and graded ready for the second shoot. In the short space of time in between, graphic elements and type – loosely influenced by graffiti and the idea of protest – were created with which to project back onto the sets and band members. The second shoot, on location in a North Acton industrial warehouse, the band were dressed in white and wearing white foundation. The surreal look of the video is amplified by the band members wearing masks and posturing as their own faces are projected back onto themselves in a rough and garish manner.
Not surprisingly Lor&Jun also focussed strongly on Skunk Anansie’s charismatic frontwoman Skin, and her strong profile mirrors the power of the song. Lorena notes, “We were aiming for an obscure, strange, surreal feeling for the video, so we created a mysterious and dark atmosphere for the passionate performance we knew Skin could produce, and she really did us proud”.
|Motion Graphics||Sebastian Baptista|
|Director of Photography||Gabi Norland|
|1st AD||Kerry Green|
|Camera operator||Ewan Mcfarlan|
|Art Director||Joe Barcham|
|Production Manager||Leigh Johnson|
|Executive Producer||Richard Barnett|
Luke Jacobs is best known as a DoP – in particular for his work on director Josh Cole's videos for Rudimental and others. But now Luke has taken the plunge as a director himself, …
Director Stuart Douglas and Manchester indie trio Man Made - which features Johnny Marr's son Nile on guitar and vocals - head to LA, Hamburg and Cape Town for the promo to their …
Animator and music video director Marion Dupas specialises in edgy, lustful animations made up of allusions to religious folklore, western pop culture and colourful motifs and patterns from …
Here are the nominations for the UK music genre categories at the UK Music Video Awards …
Tributes have been pouring in on social media following the tragic news that Luke Biggins, …
Anna Valley, provider of advanced and integrated audio-visual technology to the broadcast, …
LEAP, longstanding partners of the UK Music Video Awards, have announced that they are …
Danny Herman has become the new Head of Music Videos at FRIEND, replacing Luke Tierney.
Cinelab Film & Digital are the latest company to partner with the UK Music Video Awards, with …